{"title":"Asia","description":"","products":[{"product_id":"cambodian-nuggets-lp","title":"Cambodian Nuggets","description":"\u003cp\u003e\u003cspan\u003e2025 repress. Before the Khmer Rouge took power in 1975, unleashing a horrifying genocide, Cambodia had one of the most vibrant and exciting music scenes in Asia. With a mixture of traditional Khmer music and a myriad of western genres (from French and Latin music, to rock-and-roll, rhythm-and-blues, surf, psychedelia, soul, and many more) the few pre 75 Cambodian recordings that survived -- most of them were destroyed -- are enough to make anyone with a taste for good music shocked by the amazing quality of the sounds created during those golden years. Gathered on \u003c\/span\u003e\u003ci\u003eCambodian Nuggets\u003c\/i\u003e\u003cspan\u003e are some of the most talented and unique musicians from that amazing era with an explosive collection of tracks sure to blow the mind of the listener. 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Covering a time span of three decades, this compilation mixes well-known names with lesser-known talents from the endlessly thrilling vaults of Hindi movie soundtracks and throws a couple of delicious covers for a truly unforgettable sonic experience. Includes liner notes. Featuring \u003c\/span\u003e\u003cb\u003eCharanjit Singh\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eR.D. Burman\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSapan \u0026amp; Jagmohan\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRaghunath Seth\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eChic Chocolate\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eS. D. Burman\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eVan Shipley\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eKalyanji Anandji\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eO.P. 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Drawing inspiration from mugham music, Məmmədli's compositions resonate with soul-stirring melodies and electrifying solos. \u003c\/span\u003e\u003cu\u003eAzerbaijani Gitara Vol. 2\u003c\/u\u003e\u003cspan\u003e promises to captivate listeners with its depth, diversity, and unbridled passion, inviting you on a journey through the heart and soul of Azerbaijan's musical heritage.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652527383,"sku":"BJR 103LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/AzerbaijaniGitaraVol.2.jpg?v=1776749285"},{"product_id":"satellites-lp","title":"Satellites","description":"\u003cp\u003e\u003cspan\u003eLost somewhere between the mysterious alleys of '70s Istanbul and the scorching sun and crystal blue sea of Jaffa, Tel Aviv, \u003c\/span\u003e\u003cb\u003eŞatellites\u003c\/b\u003e\u003cspan\u003e self-titled debut album is set to be released on Batov Records. The Şatellites' sound shimmers between traditional Turkish folk and instrumentation, ethereal psychedelic guitar leads and groovy dancefloor baselines. The resulting concoction of songs draws on cross continental influence yet at its core is a desire to illuminate the vivid qualities of classic Turkish music, honoring the Anatolian folk and psych artists from this golden era of music. From the funky disco beat of Disko Arabesque to the celestial lead guitar in \"Yağmur Yağar Taş Üstüne\", the band add fire and flair to time-honored pieces of Turkish music giving them new meanings. Covering important tracks such as female singer \u003c\/span\u003e\u003cb\u003eKamuran Akkor\u003c\/b\u003e\u003cspan\u003e's track \"Olurmu Dersin\", and musician and guitarist \u003c\/span\u003e\u003cb\u003eZafer Dilek\u003c\/b\u003e\u003cspan\u003e's \"Yekte\", the album covers an array of original pieces of different musical styles and sounds, that once have and continue to flow out of Turkey. The band boasts six members; \u003c\/span\u003e\u003cb\u003eAriel Harrosh\u003c\/b\u003e\u003cspan\u003e (bass), \u003c\/span\u003e\u003cb\u003eLotan Yaish\u003c\/b\u003e\u003cspan\u003e (drums), \u003c\/span\u003e\u003cb\u003eYuli Shafriri\u003c\/b\u003e\u003cspan\u003e (vocals), \u003c\/span\u003e\u003cb\u003eTsuf Mishali\u003c\/b\u003e\u003cspan\u003e (keys and synths), \u003c\/span\u003e\u003cb\u003eTal Eyal\u003c\/b\u003e\u003cspan\u003e (percussion), and \u003c\/span\u003e\u003cb\u003eItamar Kluger\u003c\/b\u003e\u003cspan\u003e (diwansaz, both electric and acoustic, electric baglama, Greek four double string bouzouki). They came together some years after band leader Itamar Kluger discovered the saz whilst traveling the Kaçkar mountains in Turkey's eastern region. The saz being a long necked, plucked stringed instrument native to the rural areas of the country, which remains an integral part of Şatellites' union, and plays predominance throughout the bands' album and music. In the same way the guitar was electrified in the 1930s, the electrification of the saz in the 1960s led to an explosion of rock music dredged in middle eastern influence, a musical genre fittingly called \"Anatolian rock\" and based on the principles of Anglo-American and psychedelic rock music, yet incorporating the style, rhythm, and scales of traditional Anatolian folk music. As such, throughout the creation of the album, the band conceived the idea of intertwining differing elements such as the groove of funk, the rhythm of disco, and reverb of psychedelic, with traditional Middle-Eastern rhythm and structure, opening up the wealth of Turkish music to the western world. 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Featuring the original \u003c\/span\u003e\u003cb\u003eBalkan Beat Box\u003c\/b\u003e\u003cspan\u003e, producers \u003c\/span\u003e\u003cb\u003eOri Kaplan\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eTamir Muskat\u003c\/b\u003e\u003cspan\u003e alongside \u003c\/span\u003e\u003cb\u003eUri Kinrot\u003c\/b\u003e\u003cspan\u003e from \u003c\/span\u003e\u003cb\u003eBoom Pam\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eItamar Ziegler\u003c\/b\u003e\u003cspan\u003e from \u003c\/span\u003e\u003cb\u003eThe Backyard\u003c\/b\u003e\u003cspan\u003e, four musicians who are all producers and share love and deep connection to hip hop and jazz, Shotnez reunited in 2020 meeting up for improvised sessions and jams, once a week over a period of about four months at a carpentry turned music studio in suburban Tel Aviv. Downing MIDI cards, triggers and synths, the day-to-day tools for these four producers and picking up and playing their respective traditional instruments -- saxophone, clarinet, guitar, bass, percussion and drums -- the group was immediately liberated by the moment. In the middle of a strict lockdown, they had no preconceptions, no deadlines, no labels or managers knocking on the door. This was an opportunity to rebuild the camaraderie that developed on the other side of the world two decades back, to reconnect as brothers and seek a higher spiritual plane, all the whilst fully encouraging each other to express their diverse musical backgrounds channeled within, during their time apart. \u003c\/span\u003e\u003cu\u003eDose A Nova\u003c\/u\u003e\u003cspan\u003e is a smoky affair with jazz the common denominator through its ebb-and-flow. Oozing in globally recognizable grooves from Afrobeat (\"Contagious\") to Afro Cuban (\"Shemesh\"), its chord structures and scales from east and west insistently interweave rewarding the record with dynamic mood swings. There is a punked out, baritone sax inspired workout in \"Gina\", Middle Eastern traditions, claps and vocals combine on \"Marhaba\" and guitar and a heavy sax lick drives the surf sound of \"Last Straw\". Tamir and Ori, the drummer and saxophone\/clarinet players have shared a massive part of their musical careers together. They have both been members of \u003c\/span\u003e\u003cb\u003eGogol Bordello\u003c\/b\u003e\u003cspan\u003e, lived in New York together for many years and in recent times have become, slightly unexpectedly, uber-hot property as their Middle Eastern bass heavy beats and saxophone riffs have been sampled for hugely popular songs such as \u003c\/span\u003e\u003cb\u003eFifth Harmony\u003c\/b\u003e\u003cspan\u003e's \"Worth It\". 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A fresh and contemporary world incorporating the rich diversity of Middle Eastern and Mediterranean musical styles with psych, funk, dub, and other internationally known sounds. Itamar Kluger is best known for his work with the Şatellites, a six-piece band whose blend of Turkish folk and psych with funk and disco won them champions and listeners across the globe. With \u003c\/span\u003e\u003cu\u003eEje Eje\u003c\/u\u003e\u003cspan\u003e, Itamar brews a fresh blend of psychedelic rock and funk, incorporating a wide range of influences, from Levantine dabke, Persian bandari music played at weddings and other celebrations, the traditional \"Khaliji\" music heard across the Gulf, and Turkish traditional folk music, to the more international renown sounds of Afrobeat, Saharan blues, indie rock, electronica, and Jamaican roots and dub. Eje Eje's special blend of musical perspectives reflects Itamar's interest in humankind's subjective perception of reality, informed by national and global cultural movements and traditions, and insistence on collectively creating and sharing stories, at times to explain the unexplainable. Itamar noted the difference between the symmetrical Western concept of four seasons, celebrated by \u003c\/span\u003e\u003cb\u003eVivaldi\u003c\/b\u003e\u003cspan\u003e, versus the five seasons of the Chinese calendar, winter, spring, summer, end of summer, and fall. The end of summer is a short season, characterized by the elemental earth, the time of year when fruit fall and rot beneath the trees. Each of the tracks on 'Five Seasons' reflects the spirit of the season in which it was written, and the terrain that inspired it, from the arid, mountainous desert to the sleepy streets of Eje Eje's hometown of Haifa and the busy crowded streets of Jaffa, Tel Aviv, where he currently resides. Bass and percussion combine into a deadly groove on the lead single \"Black Sea Majic\", laying the groundwork for a mantra-like saz to lead the melody, accompanied by giggling synths, mimicking the sound of the woodwind Armenian duduk, building into a continuous trace, the beginning half forgotten and the end lost. Hearing it back, Itamar imagines a bustling market in a small town by the shores of the Black Sea. Recorded in spring, \"Saved From The Jazz\" provided the first taste of this new project, appearing on Batov Records' first full compilation of \"Middle Eastern Grooves\". A beautiful collage of guitar grooves over a deadly drum rhythm. 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Since their debut, Şatellites have evolved from a studio project into a full-fledged touring band. Over time, the lineup has shifted, enabling the group to recreate their studio sound live. Their expanded lineup now includes \u003c\/span\u003e\u003cb\u003eTsuf Mishali\u003c\/b\u003e\u003cspan\u003e on keys and synths, known for his work in proggy psych bands, and the animated \u003c\/span\u003e\u003cb\u003eTal Eyal\u003c\/b\u003e\u003cspan\u003e on percussion. Şatellites blast back into orbit on \u003c\/span\u003e\u003cu\u003eAylar\u003c\/u\u003e\u003cspan\u003e, delivering a bold evolution on the psychedelic folk-meets-groove sound they established on their acclaimed debut album. \u003c\/span\u003e\u003cb\u003eRotem Bahar\u003c\/b\u003e\u003cspan\u003e has also stepped up as the band's full-time vocalist and frontwoman, adding a fuller, grittier edge to the group's sound. Behind the drumkit, \u003c\/span\u003e\u003cb\u003eLotan Yaish\u003c\/b\u003e\u003cspan\u003e brings dynamic energy to the rhythm section. After two years of touring, this cohesive and reinvigorated lineup entered the studio with renewed purpose and closer musical bonds. \u003c\/span\u003e\u003cu\u003eAylar\u003c\/u\u003e\u003cspan\u003e (Turkish for \"moons\" or \"months\") showcases more ambitious arrangements, extended compositions, intricate harmonies, and unexpected twists, reflecting the band's commitment to innovation and their passion for the original wave of Turkish psychedelic music. \u003c\/span\u003e\u003cb\u003eKluger\u003c\/b\u003e\u003cspan\u003e's saz and Mishali's synths intertwine seamlessly, underpinned by \u003c\/span\u003e\u003cb\u003eAriel Harrosh\u003c\/b\u003e\u003cspan\u003e's infectious basslines and Yaish's dramatic drumming, all culminating in Rotem's husky, emotive vocals. 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Kluger launched his solo project, Eje Eje, with the 2023 \u003c\/span\u003e\u003ci\u003eFive Seasons\u003c\/i\u003e\u003cspan\u003e LP (BTR 073LP), playing the majority of instruments himself and refining his production chops. Kluger's blend of traditional Mediterranean and Middle Eastern music with psych, funk, dub, and beat production, culminated in strong support from BBC Radio 6 Music, BBC Radio 2, and Songlines. Much like its predecessor, \u003c\/span\u003e\u003ci\u003ePrimordial Soup\u003c\/i\u003e\u003cspan\u003e was largely self-recorded by Kluger, blending meticulous studio work, recalling \u003c\/span\u003e\u003cb\u003eDJ Shadow\u003c\/b\u003e\u003cspan\u003e or early \u003c\/span\u003e\u003cb\u003eFour Tet\u003c\/b\u003e\u003cspan\u003e, with raw, expressive performances -- mainly himself on strings, bass guitar, percussion, and keys, including a new recently acquired microtonal keyboard -- perfect for exploring Eastern musical scales, plus musical friends such as drummer \u003c\/span\u003e\u003cb\u003eRaz Man\u003c\/b\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cb\u003eSababa 5\u003c\/b\u003e\u003cspan\u003e, Şatellites, and \u003c\/span\u003e\u003cb\u003eProject Gemini\u003c\/b\u003e\u003cspan\u003e fame. Taking its name from the scientific theory on the origins of life, \u003c\/span\u003e\u003ci\u003ePrimordial Soup\u003c\/i\u003e\u003cspan\u003e is as much about sonic experimentation as it is a metaphor for existence itself. For Kluger, the title represents both a philosophical question and a creative mission. Kluger began work on \u003c\/span\u003e\u003ci\u003ePrimordial Soup\u003c\/i\u003e\u003cspan\u003e in October 2023, though many ideas had been gestating long before. The process was shaped by both creative compulsion and emotional necessity. Album opener, \"Oyun Çorbası\" is a playful fusion of Turkish folk and indie rock textures. Its title is a wordplay on \"Oyun Havaları\" (traditional dance tunes) and \"çorba\" (soup), reflecting the track's mix of influences. A tight, marshy groove from drummer Raz Man drives the rhythm, while a phased baglama riff leads, layered with swirling keys into a hazy, cymbal-driven bridge. \"The Bride\" is a collaboration between Eje Eje and rising flautist, percussionist and multi-instrumentalist \u003c\/span\u003e\u003cb\u003eElad Kimhi\u003c\/b\u003e\u003cspan\u003e. Inspired by Lebanese weddings, the track blends tradition with dancefloor energy. Known for his work with \u003c\/span\u003e\u003cb\u003eFirqat El Nur Orchestra\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSharif\u003c\/b\u003e\u003cspan\u003e, among others, Kimhi brings a deep understanding of Mediterranean music, from Andalusian to Moroccan and Turkish. From brooding cinematic rides to joyous wedding bangers, \u003c\/span\u003e\u003ci\u003ePrimordial Soup\u003c\/i\u003e\u003cspan\u003e explores what it means to be alive, connected, and creative in turbulent times and cements Eje Eje as one of the most exciting voices fusing Middle Eastern traditions with cutting-edge beat culture. For fans of: \u003c\/span\u003e\u003cb\u003eSven Wunder\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Gaslamp Killer\u003c\/b\u003e\u003cspan\u003e, Şatellites.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652920599,"sku":"BTR 127LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/PrimordialSoup.jpg?v=1776748230"},{"product_id":"when-it-rains-it-lp","title":"When It Rains It Pours","description":"\u003cp\u003e\u003cspan\u003eBassist, composer and producer \u003c\/span\u003e\u003cb\u003eShay Hazan\u003c\/b\u003e\u003cspan\u003e returns with his third solo album, \u003c\/span\u003e\u003cu\u003eWhen It Rains It Pours\u003c\/u\u003e\u003cspan\u003e, on Batov Records. Following the critical success of \u003c\/span\u003e\u003cu\u003eReclusive Ritual\u003c\/u\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cu\u003eWusul\u003c\/u\u003e\u003cspan\u003e, Hazan takes a bold step forward, shifting from the guimbri-led sound that established his reputation to a broader palette of bass, guitar, and synth-driven compositions. Where his earlier work foregrounded the raw, earthy textures of Gnawa tradition, \u003c\/span\u003e\u003cu\u003eWhen It Rains It Pours\u003c\/u\u003e\u003cspan\u003e reflects Hazan's evolution as a producer and multi-instrumentalist. Across eleven tracks, Hazan deepens his exploration of layered grooves, spiritual melodies, and experimental textures, resulting in his most expansive and personal statement to date. The album's title embodies Hazan's experience of being tested by life when multiple challenges arrived at once -- musically, personally, and physically. A painful period in which he was unable to play double bass or guimbri due to joint issues became the spark for rediscovering the electric bass, reconnecting him with an instrument he had set aside personal projects for years. The record documents this transition, capturing the tension between struggle and renewal. Unlike his previous guimbri-focused albums, Hazan's approach here highlights his growth as a studio craftsman. Sampling, layering, and textural exploration sit at the core, without losing the immediacy of live musicianship. Longtime collaborators including saxophonist \u003c\/span\u003e\u003cb\u003eEyal Netzer\u003c\/b\u003e\u003cspan\u003e, trumpeter \u003c\/span\u003e\u003cb\u003eRoy Zuzovsky\u003c\/b\u003e\u003cspan\u003e, and drummer \u003c\/span\u003e\u003cb\u003eShahar Haziza\u003c\/b\u003e\u003cspan\u003e, help ground the record in ensemble interplay, even as it pushes further into electronic and producer-led territory. The album's gestation was shaped by encounters and inspirations stretching far beyond Tel Aviv. Hazan draws influence from Malawian one-man-band \u003c\/span\u003e\u003cb\u003eGasper Nali\u003c\/b\u003e\u003cspan\u003e, the spiritual openness of his recording sessions with legendary drummer \u003c\/span\u003e\u003cb\u003eHamid Drake\u003c\/b\u003e\u003cspan\u003e, and years of improvisational collaborations across jazz and global traditions. \u003c\/span\u003e\u003cu\u003eWhen It Rains It Pours\u003c\/u\u003e\u003cspan\u003e captures Shay Hazan at a turning point: confronting physical and personal limitations, yet finding new creative channels in response. By leaning into bass, guitar, and studio experimentation, Hazan has crafted an album that feels at once urgent, meditative, and transformative, a body of work that situates him firmly among today's most adventurous voices in spiritual jazz and beyond.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652953367,"sku":"BTR 130LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/WhenItRains.jpg?v=1776748161"},{"product_id":"indian-talking-p2-2lp","title":"Indian Talking Machine Part Two: Instrumental Gems From The 78rpm Era","description":"\u003cp\u003e\u003cspan\u003eThis double LP of instrumental Hindustani, Carnatic and folk 78rpm shellac records from India comes with a full color 12-page insert of gramophone record ephemera, shops, labels, manufacturing details and graphics. The LPs feature over 25 artists recorded between 1904 and 1959 playing a panoply of instruments: jalatarang, dilruba, sarod, clarionet, pakhawaj, violin, been, kazoo, shehnai, tabla, sarangi, sitar, vina and more. Artists include \u003c\/span\u003e\u003cb\u003eImdad Khan\u003c\/b\u003e\u003cspan\u003e (the first sitarist ever recorded), \u003c\/span\u003e\u003cb\u003eAhmedjan Thirkhawa\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBundu Khan\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAmir Hussain\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAllauddin Khan\u003c\/b\u003e\u003cspan\u003e (who taught \u003c\/span\u003e\u003cb\u003eRavi Shankar\u003c\/b\u003e\u003cspan\u003e), and others both forgotten and revered. The Indian classical instrumental tradition is one of incredible proficiency and expressiveness using instruments and techniques created over generations that seem to perfectly and uniquely compliment Indian culture, landscape and tradition. Sympathetic strings resonate inside sitars and sarangis to manifest shimmering reverberant spiritual spaces; horns, reeds and flutes extend the range, volume and melodic inventiveness of the voice; a mind-boggling array of elaborately turned percussion instruments allow for rhythms as complex or as simple as the flowing Ganges River. Classical music in India was perhaps at its height during the 78rpm period as the raj era was ending and the world was globalizing. 2LP gatefold with 12-page full color booklet insert. Produced by \u003c\/span\u003e\u003cb\u003eRobert Millis\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eClimax Golden Twins\/Victrola Favorites\u003c\/b\u003e\u003cspan\u003e) and features never reissued recordings and is the long-anticipated follow up to the \u003c\/span\u003e\u003cu\u003eIndian Talking Machine\u003c\/u\u003e\u003cspan\u003e book\/CD (Sublime Frequencies 099), which was also produced by Millis from his collection of 78rpm records and ephemera.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653215511,"sku":"SF 131LP","price":35.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/IndianTalkingMachine.jpg?v=1776746900"},{"product_id":"mikkou-lp","title":"Mikkou","description":"\u003cp\u003e\u003cspan\u003eWewantsounds continues its \u003c\/span\u003e\u003cb\u003eYoshiko Sai\u003c\/b\u003e\u003cspan\u003e reissue program with the release of \u003c\/span\u003e\u003ci\u003eMikkou\u003c\/i\u003e\u003cspan\u003e, the Japanese singer-songwriter's second album released in 1976 on Black Records. The album, produced by ace arranger \u003c\/span\u003e\u003cb\u003eIsamu Haruna\u003c\/b\u003e\u003cspan\u003e, keeps the same formula as \u003c\/span\u003e\u003ci\u003eMangekyou\u003c\/i\u003e\u003cspan\u003e (WWSCD 096CD\/ WWSLP 096LP, 2025) with Yoshiko Sai's beautiful songs and dreamy vocals over cool funky arrangements, this time featuring legendary guitarist \u003c\/span\u003e\u003cb\u003eMasayoshi Takanaka\u003c\/b\u003e\u003cspan\u003e. This is the first time \u003c\/span\u003e\u003ci\u003eMikkou\u003c\/i\u003e\u003cspan\u003e is widely available outside of Japan, with remastered audio, original artwork and a four-page insert including new liner notes by \u003c\/span\u003e\u003cb\u003eHashim Kotaro Bharoocha\u003c\/b\u003e\u003cspan\u003e who interviewed Yoshiko Sai for this special occasion. Yoshiko Sai holds a singular place in Japanese music history. Since her 1975 debut \u003c\/span\u003e\u003ci\u003eMangekyou\u003c\/i\u003e\u003cspan\u003e, the Japanese singer-songwriter has captivated listeners with her ethereal voice, poetic lyrics, and enigmatic presence, earning a devoted cult following that endures decades later. \u003c\/span\u003e\u003ci\u003eMikkou\u003c\/i\u003e\u003cspan\u003e represents a bold broadening of her artistic palette, drawing inspiration from the Silk Road and the rich cultural heritage of her native Nara. Sai's compositions on \u003c\/span\u003e\u003ci\u003eMikkou\u003c\/i\u003e\u003cspan\u003e explore themes of femininity, freedom, and the passage of generations. Tracks such as \"Kaasama no Uta\" (\"Mother's Song\") and \"Tenshi no Youni\" (\"Like an Angel\") blend blues, jazz, and folk sensibilities with evocative instrumentation including tabla, sitar, and dulcimer, reflecting the album's Silk Road influences. The title track, \"Mikkou\" (\"Secret Passage\"), captures the sense of a hidden journey -- both literal and imaginative -- mirroring the adventurous spirit threaded throughout the record. Sai also created the album's artwork, inspired by her reflections on historical Persian travelers and the interconnected flow of cultures along the Silk Road. As Sai remarked in conversation with Hashim Kotaro Bharoocha about the title track, \"That idea of sneaking off somewhere felt exactly right for the mood at the time -- it was like approaching everything in life as if you were stowing away along every path.\" This Wewantsounds release marks the first time Mikkou is available outside Japan, offering a rare glimpse into the fragile, dreamlike universe of Yoshiko Sai.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697656721687,"sku":"WWSLP 120LP","price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Mikkou.jpg?v=1776741438"},{"product_id":"kazumi-kaneda-iconologie","title":"Iconologie (Limited Edition)","description":"\u003cp\u003e\u003cspan\u003ePre-Order for restock next week!  Orders including this preorder will ship ~6\/5\/26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe long awaited new album by Tokyo based force of nature, Kazumi Kaneda. Always at the forefront of stellar jazz music, Kaneda does not disappoint with \"Iconologie\", his first new full length release in over 5 years. Quietly perfecting his jazz chops for years, Kaneda presents us with a masterpiece; a collision of jazz, electronic and hip hop of epic proportions. \"Iconologie\" is a gateway into a new universe and we're here for it!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLimited Leaf Green vinyl with Obi Strip of 100.\u003c\/span\u003e\u003c\/p\u003e","brand":"Inner Ocean Records","offers":[{"title":"Default Title","offer_id":53443257237783,"sku":"INNER200","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Iconologie.jpg?v=1776724210"},{"product_id":"shinji-wakasa-dawn","title":"Dawn","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eShinji Wakasa's \"Dawn\" is a conceptual ambient music album inspired by the ancient Chinese poem \"The Fisherman\" and the picture book \"Dawn\" by Uri Shulevitz, which uses this poem as its original title. In Shulevitz's picture book, a beautifully evolving world at daybreak is depicted with very beautiful colour usage and minimal words. Wakasa undertook the creation of this album to express the world of this picture book and the original poem through sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn producing the music for this album, Wakasa set a very simple rule for himself: to create in the early morning using the clear awareness of the morning, to play what he felt at that moment without denying the first sound, and to build the music like flowing clouds, a concept expressed in Japanese Zen as \"flowing clouds and water.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis approach has successfully imbued the entire album with a sense of freedom and a gradation that transitions from the pitch-black sky gradually illuminated by the sun's light, turning from blue to green to yellow.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAbout the cover art:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe artwork for this album was produced by Wakasa's friend, graphic designer Shingo Kurono. The expression of light emerging like mist pushing up under an impressive ink-black sky is actually a photograph of the dawn ridge seen from his home, printed on Japanese washi paper and blurred with water. The artwork, matching the music, further liberates the world of DAWN.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLimited First Edition of 100.\u003c\/p\u003e","brand":"Inner Ocean Records","offers":[{"title":"Default Title","offer_id":53443257008407,"sku":"INNER193","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Dawn.jpg?v=1776724063"},{"product_id":"kazumi-kaneda-morpheme-tone-limited-edition","title":"Morpheme Tone (Limited Edition)","description":"\u003cp\u003e\u003cspan\u003eTokyo's own beat maker and multi-instrumentalist, Kazumi Kaneda, brings us another Jazz opus full of dazzle and wonder. Following up his 2017’s album Hardlight, Morpheme Tone sets a new bar in original jazz \u0026amp; hip hop production, continually refining his particular flavour and style. Kaneda presents his work as gritty and complex, smooth and subtle with equal parts bebop and hip hop, coalescing into a project of ultimate coolness.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJazz heads and Hip Hop heads worldwide are keeping tabs on Kazumi Kaneda, watching and waiting for those next brilliant moves. 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