{"title":"Classical","description":"","products":[{"product_id":"glass-4lp-box","title":"The Complete Piano Etudes (Performed by Vanessa Wagner)","description":"\u003cp\u003e\u003cspan\u003e4LP box set version. \"After more than thirty years of working with and performing the great repertoire, the music of Philip Glass has, in a way, almost revolutionized my life as a musician,\" confides \u003c\/span\u003e\u003cb\u003eVanessa Wagner\u003c\/b\u003e\u003cspan\u003e. An emblematic artist on the French music scene, winner of a Victoire de la musique award and director of the Chambord and Giverny festivals, Vanessa Wagner is as inspired in her interpretation of \u003c\/span\u003e\u003cb\u003eMozart\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDebussy\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTchaikovsky\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eDusapin\u003c\/b\u003e\u003cspan\u003e as she is alongside \u003c\/span\u003e\u003cb\u003eMurcof\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eRone\u003c\/b\u003e\u003cspan\u003e. With her innovative and daring approach, she has established herself as a major influence on the classical music landscape, crossing boundaries and blazing inspiring trails. For InFiné, she has dedicated four albums to the major figures of this movement, \u003c\/span\u003e\u003cb\u003eJohn Adams\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMeredith Monk\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBrian Eno\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eRyūichi Sakamoto\u003c\/b\u003e\u003cspan\u003e, as well as to the new generation \u003c\/span\u003e\u003cb\u003eCaroline Shaw\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBryce Dessner\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eNico Muhly\u003c\/b\u003e\u003cspan\u003e. After giving numerous concerts based on these works, she felt the need to record in their entirety this essential monument in the history of music, which bridges the gap between the 20th and 21st centuries: Philip Glass's \u003c\/span\u003e\u003cu\u003e20 Etudes\u003c\/u\u003e\u003cspan\u003e for piano by Philip Glass. His approach helps to place these two books in the great repertoire, alongside the great cycles of studies by \u003c\/span\u003e\u003cb\u003eLigeti\u003c\/b\u003e\u003cspan\u003e, Debussy, Dusapin, and before them, Chopin and Liszt. The thread linking Philip Glass to Vanessa Wagner may be as simple as a detail: a moment, a pedagogy, a way of looking at the piano. In \u003c\/span\u003e\u003cu\u003eWords Without Music\u003c\/u\u003e\u003cspan\u003e, Glass recalls his apprenticeship with \u003c\/span\u003e\u003cb\u003eNadia Boulanger\u003c\/b\u003e\u003cspan\u003e in Paris -- a lesson in rigorous received just as the Nouvelle Vague was about to shatter the conventions of cinema the conventions of cinema, just as the composers of the minimalist movement had done with the language of music. Nurtured by Ravel and Debussy, the great French pedagogue disciplined yet inquisitive minds, capable of embracing modernity without denying modernity without denying their heritage.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653051671,"sku":"IF 1099LP","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/TheCompletePianoEtudes.jpg?v=1776747473"},{"product_id":"rothko-chapel-for-frank-o-hara","title":"Rothko Chapel\/For Frank O’Hara","description":"\u003cp\u003e\u003cspan\u003eIf you could actually hear an abstract expressionist painting, it would probably sound a lot like the work of Morton Feldman. And that’s no accident: Feldman hung out in ‘50s and ‘60s New York with Jackson Pollock, Philip Guston (whose work graced the cover of Feldman’s first album), and Robert Rauschenberg. Like the paintings of his visual artist peers, Feldman’s work emphasized tonal color over structure, rhythm, or melody, the traditional building blocks of music. It also employed the musical equivalent of painterly “negative space” with its use of silence and stasis; that Feldman and John Cale were enormous influences on each other will come as no surprise. So, it makes sense that Feldman would dedicate probably his two most celebrated compositions to two giants of the New York scene: abstract expressionist Mark Rothko, whose famous Chapel adorns this LP’s front cover, and writer and critic Frank O’Hara, whose own work drew inspiration from the same sources as Feldman’s. Rothko Chapel and For Frank O’Hara first were released in 1976 on a seminal album from the Odyssey imprint on Columbia Records; for its 50th anniversary and first LP reissue, we’ve had it pressed on 180-gram black vinyl at Gotta Groove Records for the quietest listen achievable, using new transfers from the original master tapes. Profound, career-defining work that opened the door for latter-day ambient composers like Brian Eno to walk through.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443261759767,"sku":"RGM-2058","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/RothkoChapel_1.jpg?v=1776726309"},{"product_id":"figures-of-glass-piano-etudes-edits-performed-by-vanessa-wagner","title":"Figures of Glass: Piano Etudes - Edits (Performed by Vanessa Wagner)","description":"\u003cp\u003e\u003cspan\u003eWith \u003c\/span\u003e\u003ci\u003eFigures of Glass (Piano Etudes - Edits)\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eVanessa Wagner\u003c\/b\u003e\u003cspan\u003e offers a new listening perspective on \u003c\/span\u003e\u003cb\u003ePhilip Glass\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003ci\u003ePiano Études\u003c\/i\u003e\u003cspan\u003e, shaping a curated selection of edited versions drawn from her acclaimed recording of the complete cycle. These edits do not alter the substance of the works; rather, they refine their temporal focus, revealing their emotional force with renewed clarity. Conceived in parallel with \u003c\/span\u003e\u003ci\u003eFigures of Glass\u003c\/i\u003e\u003cspan\u003e, a hybrid project developed with visual arts collective Scale, the release extends a dialogue between piano and light, sound and space. Between piano and light, Vanessa Wagner interprets Glass's \u003c\/span\u003e\u003ci\u003eÉtudes\u003c\/i\u003e\u003cspan\u003e at the heart of a scenographic installation, exploring the visual imagination embedded in the composer's music. Minimal structures become spatial gestures; repetition opens onto perception, color, and resonance. Taken together, these edits form a coherent arc through Glass's language: from tension and propulsion to suspension and introspection, from rhythmic urgency to contemplative stillness. Wagner's approach is marked by precision, restraint, and a deep attention to resonance, allowing each piece to unfold with an assumed expressive sobriety. 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From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also musical pieces for dance, stage or television.\u003c\/p\u003e\n\u003cp\u003eIf many of his pieces are landmarks in the history of electroacoustic music (De Natura Sonorum, La Roue Ferris...), his application music compositions are strongly embedded in the subconscious landscape of the French public (Stade 2, Roissy CDG Paris Airport...).\u003c\/p\u003e\n\u003cp\u003eThe first volume of this compilation allows us to discover some of these lost tapes and unpublished recordings which were composed for the screen or the performing arts.\u003c\/p\u003e","brand":"The Pusher","offers":[{"title":"Default Title","offer_id":53574681133335,"sku":"TRS08RP","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/img-d-b4u4IAwaT.jpg?v=1782427304"},{"product_id":"solitude-transit","title":"Solitude Transit","description":"\u003cp\u003eTransversales Disques is very glad to announce the release of Solitude Transit unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for contemporary dance, choregraphed by Anne-Marie Reynaud.\u003c\/p\u003e\n\u003cp\u003eAffiliated with French Radio’s Groupe de Musique Concrète, co-founder of the GRM with Pierre Schaeffer in 1958, Luc Ferrari (1929-2005) major figure of musique concrète and electroacoustic music broke away to pave his own path of individualistic expressions of minimalist music, musical theater, field recordings, orchestral music and soundtracks…\u003c\/p\u003e","brand":"The Pusher","offers":[{"title":"Default Title","offer_id":53574681198871,"sku":"TRS24","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/TRS24-Front_OBI.jpg?v=1782426821"},{"product_id":"music-with-changing-parts","title":"Music With Changing Parts","description":"\u003cp\u003ePhilip Glass, the great American composer, was already in his mid-30s before his first album appeared, and then only because he produced the double LP himself. Music With Changing Parts was the inaugural release on his own Chatham Square imprint in 1971.\u003c\/p\u003e\n\u003cp\u003eAt this point, Einstein on the Beach, Glass’ first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the melding of electronic and acoustic instruments, the elongated drones of human voice, the primary emphasis on pulse (an interest he shared with fellow composer Steve Reich) and the ecstatic potential inherent in repetition.\u003c\/p\u003e\n\u003cp\u003eThe album features the original Philip Glass Ensemble—the composer himself, along with Jon Gibson, Dickie Landry, Art Murphy, Steve Chambers and Robert Prado—playing Farfisa organs and woodwinds as well as Barbara Benary on electric violin.\u003c\/p\u003e\n\u003cp\u003eAs Glass describes in his memoir Words Without Music, he secured a $500 interest-free loan for the recordings’ initial release from the Hebrew Free Loan Society—an organization intended to help immigrants from the Old World upon arrival in the US. 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Though he studied at the prestigious arts institutions Julliard and Mills College, by the mid-1960s Reich set about dismantling the very orthodoxy that he had been trained in. Forming a new musical language based on repetitive processes, Reich became established as part of the so-called “Big Four” of New York minimalists (along with La Monte Young, Terry Riley and Philip Glass). Reich’s influence can easily be seen today in both the classical world and contemporary pop music. “Four Organs” is the ultimate minimalist composition. Performed by Reich, Glass, Art Murphy and Steve Chambers, four identical Farfisa organs strike a single chord and gradually lengthen each note to produce polyrhythms between the players. 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