{"title":"Colemine Records","description":"","products":[{"product_id":"soul-slabs-vol-1","title":"Soul Slabs Vol. 1","description":"\u003cp\u003e\u003cspan\u003eA selection of 22 tracks pulled from our 7-inch catalog: many of these tracks are presented here on LP for the first time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Colemine Records","offers":[{"title":"Default Title","offer_id":53442475131159,"sku":"CLMN-12016","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/SS1.1.webp?v=1779913787"},{"product_id":"soul-slabs-vol-2","title":"Soul Slabs Vol. 2","description":"\u003cp\u003e\u003cspan\u003eThe 2nd 7-inch compilation from the Colemine label group!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3LP Box Set!\u003c\/span\u003e\u003c\/p\u003e","brand":"Colemine Records","offers":[{"title":"Default Title","offer_id":53442475622679,"sku":"CLMN-12026","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/SS2.webp?v=1779913680"},{"product_id":"soul-slabs-vol-3","title":"Soul Slabs Vol. 3","description":"\u003cp\u003e\u003cspan\u003eThis is the third set in our Soul Slabs sets, which compiles tracks from our diverse 45 releases showcasing artists big and small. It’s a great way for folks to discover some of our lesser known artists or just discover our label’s sound. Record shops have previously described our compilations as their RSD soundtrack! Our previous compilations have always sold out the day of (nearly) and maintained demand even upon the black vinyl represses.\u003c\/span\u003e\u003c\/p\u003e","brand":"Colemine Records","offers":[{"title":"Default Title","offer_id":53442475655447,"sku":"CLMN-12045","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/SS3.webp?v=1779913525"},{"product_id":"a-tigers-tale","title":"A Tiger's Tale","description":"\u003cp\u003e\u003cspan\u003eSteeped in equal parts golden age hip-hop sensibilities and lost 60s and 70s film scores, the debut LP from Leroi Conroy weighs in heavy and has been years in the making. The first two tracks from the album were released in 2017 as a 45, which were sampled in the years that followed by DJ Premier, Raekwon, Ghostface Killah, Macklemore, Phantogram, and more. But after its release, Terry Cole aka Leroi Conroy spent much of his time growing his indie soul label Colemine Records and producing records for others (Okonski, Parlor Greens, Wesley Bright, Black Market Brass, Kendra Morris, Rudy De Anda, Delvon Lamarr Organ Trio, Andrew Gabbard) as opposed to his own.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNow, eight years after many of the rhythm tracks were put to tape on the trusted Tascam 388, Leroi Conroy’s debut LP, A Tiger’s Tale, will be released. The album is conceptualized as a hypothetical soundtrack to an alternate telling of Rudyard Kipling’s The Jungle Book. The narrative here being man’s quest to tame and bend nature to his will...and nature’s response. The album is a mix of triumphant instrumental scores alongside absolutely grim, dark, and at times dissonant moody tracks. The underlying element of hip-hop’s sample culture is obvious throughout and there’s no doubt many of these tracks will be flipped in the years to come.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSonically, the record fits right in the cut alongside many other Colemine instrumental artists: dirty lo-fi drums, blaring horns, wah guitar, Hammond organ, and plenty of cinematic sprinklings like flute, nylon guitar, and vibraphone. Drums are courtesy of Cole’s longtime collaborator Rob Houk and are truly the backbone of the record. And with a couple of features from Colemine artists Kelly Finnigan and Jimmy James, the record is truly a family affair. 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Morris’s latest record for Karma Chief strips away the veneers of layered production and slick sounds to create an album that may be Kendra at her most authentic, one in which the creative process is vibrant, beautiful, and messy, buoyed by heart and the imperfectly perfect now.\u003c\/p\u003e\n\u003cp\u003eA concept album in reverse, Next ties Kendra’s cast of characters (including her band: guitarist Supremo “Premo” Massiv, bassist Monti Miramonti, and drummer Chauncey Yearwood) to a vintage board game in the spirit of Milton Bradley’s finest retro dice-rolling moments. Travel along Next’s block-to-block journey, and this universe reveals itself as a mosaic of corals, creams, and pale lilac tiles. You can hear the sonic palette resonate with Morris’s influences and inspirations. Decades of New York sounds and voices bend and blend at the seams of these tracks—a world where the Brill Building and Warhol’s Factory thrive on the same block while Blondie and the Frightnrs explore rocksteady sounds. Doo-wop and boom-bap soundtrack a UHF network’s worth of cut-and-paste stylings, all the while paced by Morris, an artist equally at home behind the lens as she is in front of a microphone.  \u003c\/p\u003e\n\u003cp\u003eNext is an album of firsts. The album’s extended gestation provided Morris with an opportunity to explore her ideas and demos. “I’ve been living in this record for over a year,” says Morris. “I’ve always been a writer, and [Next] was a chance to write a record from scratch on my own.” The New York (by way of Loveland, Ohio) production is co-helmed by Kendra Morris and Leroi Conroy. Its production trades the steel and chrome sleekness for a more personal and scaled-down sound, exposing the songcraft. While earlier albums were awash in IMAX-level cinematic sweep, Next explores Kendra’s perspective with a handheld 8mm kinetic energy, all the while showcasing the dynamic, soulful range of her powerhouse voice  — equal parts Roberta Flack, Betty Wright, and Minnie Riperton.\u003c\/p\u003e\n\u003cp\u003eWith recording done at Portage Studios in Loveland and additional vocals recorded at Kendra’s Brooklyn apartment, the symmetry is as poignant as it is reflected in the home cooking vibe throughout. “I wrote and recorded my demos right here at this desk with my guitar, drum loops, and my Casio keyboard,” Morris reflects. “To then have Leroi come here, stay a few doors down, and record the vocals felt right and right now…and I’m also playing guitar [on Next] which I’m excited about, too.” Much like the best board games, you may end your journey where you began it, but the path you take along the way is where moments are made.\u003c\/p\u003e\n\u003cp\u003e“If I Called You” evolved from a slow take featuring just Kendra and guitar, but at Portage, the demo was transformed into a track that could easily find its way onto Prince’s self-titled record. Parlor Greens guitarist Jimmy James adds a guitar solo that channels some Paisley Park magic. \u003c\/p\u003e\n\u003cp\u003eAdditional guests on the album include Ray Jacildo of Jr. Thomas and the Volcanos, lending his organ and piano to lo-fi reggae banger “Flat Tire.” It’s a track that traces the throughline from Kingstown to Bushwick and back again all with Morris’ signature AM radio-ready vocals.\u003c\/p\u003e\n\u003cp\u003eThat live band energy reverberates on tracks like “Bill.” A staple of recent tours, the song’s eponymous character is a playful personification. “I love it when other people realize, ‘Oh, I have that same Bill that shows up at my door,’” laughs Morris. \u003c\/p\u003e\n\u003cp\u003e“Dear Buddy,” an open letter to Morris’ daughter, serves as Next’s emotional core. Not since the moving tribute to her brother (the 2017 single “Ride On”) has Kendra’s poetry and heart resonated with a tenderness and spiderweb fragile strength. \u003c\/p\u003e\n\u003cp\u003eKendra Morris and Karma Chief Records invite you to play along with Next, a sonic journey where the roll of the dice means excitement and adventure. Explore the world, tile by tile, meet new friends like Jerry \u0026amp; Roger, help the gang with a “Flat Tire,” or read a letter to “Dear Buddy.” Maybe you can avoid crossing paths with “Bill.” It’s Next, complete with 10 tracks and hours of fun for the whole family. Some assembly required. 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It's the same organist that brought you the screaming organ on all those Daptone favorites from The Sugarman Three. Scone was behind that organ bench on the modern classics as follows. \"Sugar's Boogaloo”, “Soul Donkey”, “Pure Cane Sugar\", and \"What the World Needs Now.\"\u003c\/p\u003e\n\u003cp\u003eAdam Scone entered the studio on Dunham Street in Brooklyn. He was wearing a blue Adidas jump suit. The studio had just opened. At the helm were his old compadres from The Dap-Kings. Namely Thomas Brenneck, Eric Kalb, Homer Steinweiss and lan Hendrickson-Smith. They make up the \"Bliss Machine\" behind Scones's groove. It was a truly rare moment to catch these masters of music and taste in between tours of Sharon Jones and Charles Bradley. \u003cbr\u003e\u003cbr\u003eTommy put the mics around. Scone powered up the organ. The analog tape machine turned and turned until they couldn't turn any more. These songs were recorded. We worked all day and all night. Tears were shed. Espresso was made. There was beer on tap. 3 days of life were taken to make this album. We will never get them back. They were distilled to 40 minutes of pure emotion. It's a tale of woe. It's a tale of leaving art for responsibility. It's a farewell to an era. It's a journey that the Hammond B3 organ wasn't accustomed to. You can't compare this album to any other organ record. Don't expect to hear what you want. Free your mind. Be open. Your world is going to feel the heat of the BLAST FURNACE! It never quite feels how you want it to. 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There is a deep connection between Francis’s childhood—his obsession with boogie woogie piano, his father’s gift of a dusty Dr. John LP—and the songs he’s created. The result is an astonishing collection of material without parallel in the contemporary funk and soul scene. The influences are unmistakable: the vocal stylings of Allen Toussaint and Leon Russell; the second line rhythms of The Meters and Dr. John; the barroom rock ‘n’ roll of The Rolling Stones; the gospel soul of Billy Preston; the roots music of The Band. Francis pays tribute to the masters but has his own story to tell: “It’s the life I’ve lived so far.”\u003cbr\u003e\u003cbr\u003eWe are so proud to present the debut LP from Neal Francis. 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Their third LP is a new take on afrobeat that combines traditional grooves with heavy, hypnotic, sci-fi sounds that reflect the band’s myriad of influences as record collectors across genres. “We didn’t leave the traditional afro-beat sound behind, but we did allow ourselves to pull from different places with less hesitation,” shared saxophonist Cole Pulice.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike their previous albums, the 9-piece band recorded \u003c\/span\u003e\u003cem\u003eHox\u003c\/em\u003e\u003cspan\u003e live to tape. “The sound and aesthetic of the analog recording process is important for this kind of music,” Pulice explained. “We’re looking to capture lightning in a bottle.” With that, the album features several sections of heavily processed synthesizers, harsh glitches, fuzzed out guitars, and a burning percussion section that pays homage to the traditional drumming cultures of Nigeria and Ghana. The performances are dynamic and confident. 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Listen to his work, and you're transported to a two-block radius of his neighborhood—from the liquor store to Sign of Music record store on Whittier Boulevard and back to a homie's house. In those two blocks, you hear cumbia blaring from the stores, punk rehearsals from a garage, oldies drifting from a neighbor's yard—a sensory overload that follows you home, all those genres singing in your head at once.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis isn't a revelation to longtime fans of Quiñones' music. He has established himself as a premier interpreter of his generation, dedicating his career to offering his unique perspective on the Chicano soul songbook. But before Thee Sinseers, before the lush orchestrations and pitch-perfect harmonies that became his signature, Quiñones cut his teeth leading various backing bands for visiting Jamaican ska and dancehall acts touring Southern California. 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Eric Johnson's saxophone takes center stage, adding playful solos that widen the sonic spectrum. The term \"bolsita,\" which translates to \"little bag,\" serves as the lingua franca for \"let's get the party started\"—it's admittedly corny, Quiñones will tell you, but it's the kind of song where everybody's going to shout along whether they like it or not. And that's precisely the point.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBy the time you reach the end of the record, having followed Quiñones across various genres and eras, you realize you've witnessed an artist in his prime doing what the best always do: capturing something deeply specific—Chicano identity, East LA's sonic DNA—and in that specificity, revealing something universal. It's music that transcends age, race, geography, and class precisely because it refuses to sand down its edges. 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Their bass lines, sound layers, brass arrangements and harmony vocals are immaculate. Everything fits perfectly. Just like this. \"Who Needs Words\" when everything is crystal clear? Exactly! \u003c\/p\u003e","brand":"Colemine Records","offers":[{"title":"Default Title","offer_id":54201848889623,"sku":"KCR-12006","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/YoungGunSilverFox-Canyons_1200x_b87f6a4d-6413-439c-809d-fca87f16d71a.webp?v=1785356026"},{"product_id":"new-you","title":"New You","description":"\u003cp\u003e\u003cstrong\u003eCATALOG:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eCLMN-12042\u003cbr\u003e\u003cstrong\u003eRELEASE DATE:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e7\/31\/2026\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eColemine is pleased to bring yet another Orgone cult classic record to vinyl for the first time! 'New You,' originally a CD-only release in 2013, is timeless funk \u0026amp; soul -- deep pocket \u0026amp; heavy grooves. Now, over a decade later, it is finally available in LP form. Orgone has been delivering dirty, organic, California soul with heart since 2001; music that grabs you by the collar, pulls you to your feet and shoves you wantingly onto the dance floor. It all started with two kids from the San Fernando Valley, whose shared affinity for gritty soul records of the 60s and 70s collided with the colorful music cultures brewing in Los Angeles during the late 90s. That friendship sparked a movement, and Orgone has been delivering nothing but gold to the funk faithful ever since. \u003c\/p\u003e","brand":"Colemine Records","offers":[{"title":"Default Title","offer_id":54685485826327,"sku":"CLMN-12042","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/NewYou.webp?v=1786734712"},{"product_id":"b-sides-singles-forgotten-gems","title":"B-Sides, Singles \u0026 Forgotten Gems","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCATALOG\u003c\/span\u003e:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eCLMN-12083\u003cbr\u003e\u003cstrong\u003eRELEASE DATE:\u003c\/strong\u003e\u003cspan\u003e 8\/14\/26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThere is something to be said about being both popular and prolific enough to be anthologized—it’s a space that soul music stalwart Kelly Finnigan and his latest release, B-Sides, Singles \u0026amp; Forgotten Gems, occupies with intent and fire. Serving as a mile marker pacing the fifteen-year collaboration between Finnigan and Colemine Records, B-Sides, Singles \u0026amp; Forgotten Gems is an easter egg moment for new and long-time fans to collect rare takes and flip sides in one spot, while unearthing Finnigan’s evolution as an artist, producer, and vocalist.\u003c\/p\u003e\n\u003cp\u003eFrom his earliest explorations to one of the first tracks cut at his new studio in Ohio, this travelogue in sound both brings the listener forward to the present while laying out Kelly Finnigan’s road ahead.\u003c\/p\u003e\n\u003cp\u003e“It's nice to reintroduce material that really was the beginning of my relationship with Terry and Colemine,” says Finnigan. “And so, it made perfect sense to look at a B-side by my group called Destruments and a song called ‘Freedom’… There's so much focus on [the early work of] Monophonics that [Destruments] gets overshadowed and forgotten about, so I'm happy to reintroduce it.” With its wide-open experimentation and tight-but-loose feel, “Freedom” plants the flag for psychedelic soul while serving as an early vocal for Finnigan. The power and soulfulness are finding their way to hold court within the mix.\u003c\/p\u003e\n\u003cp\u003eSongs like “Trouble” and “Keep Me In Mind” are unshackled from the 45, given room to move and breathe, extending the groove beyond the physical limits of a single. “Keep Me in Mind” is also a nod to the classic B-side playbook, the cover song. Deep cuts like the Samson \u0026amp; Delilah track, along with “It’s Not That Easy” (Reuben Bell with The Cassenovas) and “It Hurts Me So Much” (Barbara \u0026amp; the Browns) strengthen that connective tissue between inspiration and elevation.\u003c\/p\u003e\n\u003cp\u003eConversely, the collection’s closing track, “The Hurting Truth,” features another longtime Colemine comrade, Jimmy James (Parlor Greens). This previously unreleased track serves as a fitting close to this collection. “I had just gotten into my new space in Cincinnati,” recalls Finnigan. “The day before Jimmy came, Terry (Cole, Colemine’s label head) had come over and played bass on a different song…so when Jimmy came early, and Terry wasn't here, I was like, ‘Yo, Jimmy, I want you to play on this song I'm working on.’ Jimmy's always down…and so he played the bass… doing his thing, and then he played the guitar part…and he helped finish the song, and then I finished the words and melodies… it came together fast.”\u003c\/p\u003e\n\u003cp\u003eUltimately, B-Sides, Singles \u0026amp; Forgotten Gems is a love letter to Finnigan’s relationship with his longtime label, Colemine Records, and their fans. It’s a partnership that started in the label’s early days and continues to be a fruitful collaboration.\u003c\/p\u003e\n\u003cp\u003e“Colemine has grown so much, I've grown so much… I think [this collection is a chance to] take a little look back and share that with the people, the fans, the music lovers, the Colemine lovers,” says Finnigan.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTRACKLIST:\u003cbr\u003e1. Freedom\u003cbr\u003e2. She Won't Be Gone Long\u003cbr\u003e3. Trouble\u003cbr\u003e4. It's Not That Easy\u003cbr\u003e5. Thom's Hartbreak\u003cbr\u003e6. My Love Is For You\u003cbr\u003e7. It Hurts Me So Much\u003cbr\u003e8. Keep Me In Mind\u003cbr\u003e9. Trust In Me\u003cbr\u003e10. The Hurting Truth\u003c\/span\u003e\u003c\/p\u003e","brand":"Colemine Records","offers":[{"title":"Black","offer_id":55170505310487,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true},{"title":"Red","offer_id":55170505343255,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/CLMN12083_Digital_Art__1_1024x_5f83a84a-2af1-4b52-a27f-c93f15f45312.png?v=1789136088"},{"product_id":"sinseerly-yours","title":"Sinseerly Yours","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCATALOG\u003c\/span\u003e:\u003c\/strong\u003e\u003cspan\u003e CLMN-12030\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRELEASE DATE:\u003c\/strong\u003e\u003cspan\u003e 3\/22\/24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo say that Thee Sinseers play oldies would be a misnomer. Fronted by bandleader and son of East Los Angeles Joey Quinones, the group has quietly chipped away at the sounds of R\u0026amp;B and soul for the last half-decade. Quinones and his crew have continuously created a distinctive vibe that explores all aspects of a timeless genre, bringing together their \u003c\/span\u003e\u003cspan\u003einterpretation of music through an unmistakable modern lens.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith their most recent effort, the aptly titled \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eSinseerly Yours\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (Colemine 2024), the band recorded most of the album live in the studio. With Quinones on vocals and keys, vocalist Adriana Flores, Christopher Manjarrez on bass, Francisco Flores on guitar, Bryan Ponce on guitar and vocals, Luis Carpio on drums and vocals, saxophonists Eric Johnson and Steve Surman, and Jose Luis Jimenez on trombone, Thee Sinseers achieve their most fully realized sound to date.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll of the album’s stunning tracks were recorded in a converted studio space in Rialto, California, known as Second Hand Sounds. This space, which used to be a dentist's office, allowed the group to experiment with their sound like never before—this time, the group managed to take a series of big swings, only to emerge with a fuller, more pronounced version of themselves. Despite those new strides, the band remains wholly committed to its sonic aesthetic while injecting its brand of vibrant 21st-century cool.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOf course, the group has never been the type to shy away from their influences as they expertly toggle between ‘60s pop vis-à-vie early Beatles records to obscure dancehall Jamaican tunes––all fully extrapolated and reinterpreted through modern Chicano soul sound that the group has built their everlasting repertoire on.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuinones and bandmates have continued to apply what they’ve learned from their previous releases and their relentless touring schedule throughout the country. It’s clear here that the work is paying off, putting to practice their musical chops thoroughly with all members expertly honing their sound. The melting pot of ideas is showcased with incredibly lush orchestrations and arrangements, married with pitch-perfect harmonies, allowing the group to further solidify themselves in the pantheon of the Southern Californian songbook.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTRACKLIST:\u003cbr\u003e1. What's His Name\u003cbr\u003e2. Keep On Calling\u003cbr\u003e3. Can't Call Me Baby\u003cbr\u003e4. Give It Up You Fool\u003cbr\u003e5. Hold On\u003cbr\u003e6. It's Such A Shame\u003cbr\u003e7. Talking Back\u003cbr\u003e8. Like I Can Give\u003cbr\u003e9. Can't Do That To Her\u003cbr\u003e10. 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