{"title":"International","description":"","products":[{"product_id":"cambodian-nuggets-lp","title":"Cambodian Nuggets","description":"\u003cp\u003e\u003cspan\u003e2025 repress. Before the Khmer Rouge took power in 1975, unleashing a horrifying genocide, Cambodia had one of the most vibrant and exciting music scenes in Asia. With a mixture of traditional Khmer music and a myriad of western genres (from French and Latin music, to rock-and-roll, rhythm-and-blues, surf, psychedelia, soul, and many more) the few pre 75 Cambodian recordings that survived -- most of them were destroyed -- are enough to make anyone with a taste for good music shocked by the amazing quality of the sounds created during those golden years. Gathered on \u003c\/span\u003e\u003ci\u003eCambodian Nuggets\u003c\/i\u003e\u003cspan\u003e are some of the most talented and unique musicians from that amazing era with an explosive collection of tracks sure to blow the mind of the listener. A celebration of some of the best music ever made. 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Covering a time span of three decades, this compilation mixes well-known names with lesser-known talents from the endlessly thrilling vaults of Hindi movie soundtracks and throws a couple of delicious covers for a truly unforgettable sonic experience. Includes liner notes. Featuring \u003c\/span\u003e\u003cb\u003eCharanjit Singh\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eR.D. Burman\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSapan \u0026amp; Jagmohan\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRaghunath Seth\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eChic Chocolate\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eS. D. Burman\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eVan Shipley\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eKalyanji Anandji\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eO.P. 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A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smokin' summer BBQs and communal cookouts. \u003c\/span\u003e\u003ci\u003eAfro-Rock\u003c\/i\u003e\u003cspan\u003e is the debut album by Argentine keyboardist Luis Vecchio. Recorded for the sound library label De Wolfe, the album is frequently mentioned in hushed reverence among the beat digger DJ collecting crowd. It features fiery brass charts, funky bass lines, fluttering flute, choppy organ and additional hand tribal percussion. The band let loose too and jam hard; yet there's a certain thread of solidity that runs throughout, the tracks just belong together, not disparate sound and rhythm experiments like some library records; this is just straight up, no messin', consistent funk-rock fire. Hips will sway, heads will nod to the steady vibes. It's insanely good. The audio for \u003c\/span\u003e\u003ci\u003eAfro Rock\u003c\/i\u003e\u003cspan\u003e has been meticulously remastered by Be With regular \u003c\/span\u003e\u003cb\u003eSimon Francis\u003c\/b\u003e\u003cspan\u003e, ensuring this release sounds better than ever. \u003c\/span\u003e\u003cb\u003eCicely Balston\u003c\/b\u003e\u003cspan\u003e's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. 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Both were Kabyle, the Berber people from Algeria's northern regions, both loved rock music, and both were passionate about fostering a modern Algerian sound, as inspired by Kabyle rhythms and melodies as it was by western rock. The two musicians founded Les Abranis in 1967. Together they experimented by mixing Kabyle vocals and melodies with garage and psych-rock but as the '70s progressed they increasingly moved away from the garage and psychedelia of their early days and began to interpret their Kabyle repertoire in more open and creative ways melting prog rock, jazz, and some early electronic influences. Over 11 electrifying tracks, \u003c\/span\u003e\u003ci\u003eAmazigh Freedom Rock 1973-1983\u003c\/i\u003e\u003cspan\u003e highlights their legacy as the underground kings of Kabyle rock.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652494615,"sku":"BJR 020LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/AmazighFree.jpg?v=1776749331"},{"product_id":"gitara-v2-lp","title":"Azerbaijani Gitara Vol. 2","description":"\u003cp\u003e\u003cspan\u003eRepressed! LP version. Introducing \u003c\/span\u003e\u003cu\u003eAzerbaijani Gitara Vol. 2\u003c\/u\u003e\u003cspan\u003e by \u003c\/span\u003e\u003cb\u003eRəhman Məmmədli\u003c\/b\u003e\u003cspan\u003e, the eagerly awaited sequel to Bongo Joe's acclaimed debut featuring \u003c\/span\u003e\u003cb\u003eRüstəm Quliyev\u003c\/b\u003e\u003cspan\u003e. Born from the vibrant streets of Baku, Azerbaijani gitara culture has evolved into a mesmerizing fusion of indigenous traditions and global influences. From the oil boom era to Soviet rule, musicians have embraced the electric guitar as a symbol of cultural expression. Rəhman Məmmədli, a legend in his own right, revolutionized the sound with his innovative techniques and impassioned performances. Drawing inspiration from mugham music, Məmmədli's compositions resonate with soul-stirring melodies and electrifying solos. \u003c\/span\u003e\u003cu\u003eAzerbaijani Gitara Vol. 2\u003c\/u\u003e\u003cspan\u003e promises to captivate listeners with its depth, diversity, and unbridled passion, inviting you on a journey through the heart and soul of Azerbaijan's musical heritage.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652527383,"sku":"BJR 103LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/AzerbaijaniGitaraVol.2.jpg?v=1776749285"},{"product_id":"ylh-bye-bye-lp","title":"Ylh Bye Bye","description":"\u003cp\u003e\u003cspan\u003eWith \u003c\/span\u003e\u003ci\u003eYlh Bye Bye\u003c\/i\u003e\u003cspan\u003e, Swiss-Moroccan producer \u003c\/span\u003e\u003cb\u003eSami Galbi\u003c\/b\u003e\u003cspan\u003e delivers a raw and electrifying debut album after the success of his first single \"Dakchi Hani \/ Rruina.\" Merging North African folk, chaâbi, and trap with forward-thinking electronic club music, his punk energy and DIY ethos stem from years immersed in Lausanne's underground squat scene, shaping a sound that's both deeply personal and politically charged. Driven by infectious North African melodic loops, heavy basslines, and percussive textures -- blending bendir drums, karkabas, and analog synths -- \u003c\/span\u003e\u003ci\u003eYlh Bye Bye\u003c\/i\u003e\u003cspan\u003e pulses with urgency. From high-energy dancefloor anthems to dreamy acid pop ballads, the album explores themes of migration, identity, and belonging. Galbi's Arabic vocals oscillate between auto-tuned harmonies and spoken word, capturing the tensions of diaspora life. Recorded between Switzerland and Morocco, the album's title -- meaning \"Let's go\" or \"See you\" in regional slang -- reflects the artist's nomadic journey, from a DIY studio in a van to a transformative creative residency in Casablanca. It's a work of constant movement, embodying both departure and return. 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Curated by \u003c\/span\u003e\u003cb\u003eTom B\u003c\/b\u003e\u003cspan\u003e., \u003c\/span\u003e\u003ci\u003eLéve Léve Vol. 2\u003c\/i\u003e\u003cspan\u003e brings together emblematic recordings from the 1970s and 1980s, carefully restored and remastered, designed as much for close listening as for DJ use. The compilation deepens and completes the first volume by returning to key groups such as \u003c\/span\u003e\u003cb\u003eSangazuza\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eConjunto Equador\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAfrica Negra\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003ePedro Lima\u003c\/b\u003e\u003cspan\u003e, while also unveiling previously unreleased or hard-to-find tracks. Across the record, puxa and socopê rhythms unfold with remarkable intensity, capturing these bands at the height of their powers: tight arrangements, driving grooves and a strong sense of collective momentum. Beyond celebration, \u003c\/span\u003e\u003ci\u003eLéve Léve Vol. 2\u003c\/i\u003e\u003cspan\u003e also reflects a precise cultural and political context. Several songs reference Luso-African independence struggles, spirituality, love and everyday life, anchoring this music in a history shaped by resistance, circulation and hybridization. Recorded in São Tomé, Luanda or Lisbon -- often with the involvement of key figures from the Lusophone diaspora -- these tracks reveal a modern musical landscape that has long remained under-documented. Conceived as a living record rather than a static archival object, this compilation speaks equally to DJs and curious listeners. It once again affirms Bongo Joe's approach: bringing powerful, popular and complex music back into circulation, without nostalgia or exoticism, and making it fully present today. 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A landscape already musical in itself. He grew up in the dry mountain light, surrounded by the rhythms of nature and Berber's culture. Very little is known about the man -- a veil of mystery still surrounds his life, only deepening the fascination. In the 1970s, as Morocco was transforming, Abdou El Omari shaped a sound of his own -- a visionary blend of spiritual jazz, psychedelic funk, Moroccan traditions, and early electronic experimentation. Today, his work is resurfacing, rediscovered by a new generation of listeners in search of lost horizons. This record stands among its rarest and most precious fragments. At twenty-two, he founded his first group, \u003c\/span\u003e\u003cb\u003eLes Fugitifs\u003c\/b\u003e\u003cspan\u003e, which gained him local fame. Soon after, he released records and cassettes on labels such as Cléopâtre, Hassania, Boussiphone, Hilali, and his own, Al Awtar, while performing on RTM (national radio and television). He also composed for artists like \u003c\/span\u003e\u003cb\u003eNaima Samih\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLaila Ghofran\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eAicha El Waad\u003c\/b\u003e\u003cspan\u003e. In 1976, through the label Gam, he released his only vinyl album, \u003c\/span\u003e\u003cu\u003eNuits d'été\u003c\/u\u003e\u003cspan\u003e -- a record that would become cult decades later, reissued in 2017 by Radio Martiko. In the 1980s, his music grew quieter, more secret. He tried to recover his old tapes from the studios he had recorded in, but gradually withdrew from the scene and returned to hairdressing. A pioneer of musical fusion, he opened paths that would remain unexplored for years. He passed away in 2010, never witnessing the rediscovery of his music by diggers, bloggers, and collectors online. One day, his close friend and poet \u003c\/span\u003e\u003cb\u003eAziz Essamadi\u003c\/b\u003e\u003cspan\u003e, rescued a cardboard box from the trash -- a box containing Abdou El Omari's personal archives. It was later entrusted to Casablanca based collector \u003c\/span\u003e\u003cb\u003eAhmed Khalil\u003c\/b\u003e\u003cspan\u003e, founder of the label Dikraphone. Inside were treasures preserved by chance: demos, rehearsals, private recordings, unseen photographs -- and a stunning, almost forgotten cassette. Here, El Omari sounds bolder than ever, exploring territories where pop, cosmic disco, electric blues, and Moroccan tradition merge without boundaries. Armed with his ARP Odyssey synthesizer, hypnotic grooves, and the celestial layers of his Farfisa, he expanded the dialogue between deep roots and electronic exploration. This album is the continuation of a vision -- a music of the Moroccan future: rooted, but reaching for the unknown. Colorful, magnetic and timeless, here is music for dancing as much as for dreaming.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652625687,"sku":"BORNBAD 191LP","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/LostTape-1980.jpg?v=1776748976"},{"product_id":"satellites-lp","title":"Satellites","description":"\u003cp\u003e\u003cspan\u003eLost somewhere between the mysterious alleys of '70s Istanbul and the scorching sun and crystal blue sea of Jaffa, Tel Aviv, \u003c\/span\u003e\u003cb\u003eŞatellites\u003c\/b\u003e\u003cspan\u003e self-titled debut album is set to be released on Batov Records. The Şatellites' sound shimmers between traditional Turkish folk and instrumentation, ethereal psychedelic guitar leads and groovy dancefloor baselines. The resulting concoction of songs draws on cross continental influence yet at its core is a desire to illuminate the vivid qualities of classic Turkish music, honoring the Anatolian folk and psych artists from this golden era of music. From the funky disco beat of Disko Arabesque to the celestial lead guitar in \"Yağmur Yağar Taş Üstüne\", the band add fire and flair to time-honored pieces of Turkish music giving them new meanings. Covering important tracks such as female singer \u003c\/span\u003e\u003cb\u003eKamuran Akkor\u003c\/b\u003e\u003cspan\u003e's track \"Olurmu Dersin\", and musician and guitarist \u003c\/span\u003e\u003cb\u003eZafer Dilek\u003c\/b\u003e\u003cspan\u003e's \"Yekte\", the album covers an array of original pieces of different musical styles and sounds, that once have and continue to flow out of Turkey. The band boasts six members; \u003c\/span\u003e\u003cb\u003eAriel Harrosh\u003c\/b\u003e\u003cspan\u003e (bass), \u003c\/span\u003e\u003cb\u003eLotan Yaish\u003c\/b\u003e\u003cspan\u003e (drums), \u003c\/span\u003e\u003cb\u003eYuli Shafriri\u003c\/b\u003e\u003cspan\u003e (vocals), \u003c\/span\u003e\u003cb\u003eTsuf Mishali\u003c\/b\u003e\u003cspan\u003e (keys and synths), \u003c\/span\u003e\u003cb\u003eTal Eyal\u003c\/b\u003e\u003cspan\u003e (percussion), and \u003c\/span\u003e\u003cb\u003eItamar Kluger\u003c\/b\u003e\u003cspan\u003e (diwansaz, both electric and acoustic, electric baglama, Greek four double string bouzouki). They came together some years after band leader Itamar Kluger discovered the saz whilst traveling the Kaçkar mountains in Turkey's eastern region. The saz being a long necked, plucked stringed instrument native to the rural areas of the country, which remains an integral part of Şatellites' union, and plays predominance throughout the bands' album and music. In the same way the guitar was electrified in the 1930s, the electrification of the saz in the 1960s led to an explosion of rock music dredged in middle eastern influence, a musical genre fittingly called \"Anatolian rock\" and based on the principles of Anglo-American and psychedelic rock music, yet incorporating the style, rhythm, and scales of traditional Anatolian folk music. As such, throughout the creation of the album, the band conceived the idea of intertwining differing elements such as the groove of funk, the rhythm of disco, and reverb of psychedelic, with traditional Middle-Eastern rhythm and structure, opening up the wealth of Turkish music to the western world. For fans of: \u003c\/span\u003e\u003cb\u003eDerya Yildirim\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAltin Gün\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLiraz\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBaba Zula\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eYin Yin\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAyyuka\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBab L'bluz\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652691223,"sku":"BTR 057LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Satellites.jpg?v=1776748862"},{"product_id":"dose-a-nova-lp","title":"Dose A Nova","description":"\u003cp\u003e\u003cspan\u003eTwo decades since they formed in New York City and over ten years since their last album, Tel Aviv based quartet \u003c\/span\u003e\u003cb\u003eShotnez\u003c\/b\u003e\u003cspan\u003e are back with \u003c\/span\u003e\u003cu\u003eDose A Nova\u003c\/u\u003e\u003cspan\u003e, an album of ten exhilarating jazz filtered jams, with vibrations indebted to Tuareg desert blues, Ethiopian-jazz, 1950s Afro Cuban recordings, surf rock and folk from across the East Mediterranean basin. Featuring the original \u003c\/span\u003e\u003cb\u003eBalkan Beat Box\u003c\/b\u003e\u003cspan\u003e, producers \u003c\/span\u003e\u003cb\u003eOri Kaplan\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eTamir Muskat\u003c\/b\u003e\u003cspan\u003e alongside \u003c\/span\u003e\u003cb\u003eUri Kinrot\u003c\/b\u003e\u003cspan\u003e from \u003c\/span\u003e\u003cb\u003eBoom Pam\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eItamar Ziegler\u003c\/b\u003e\u003cspan\u003e from \u003c\/span\u003e\u003cb\u003eThe Backyard\u003c\/b\u003e\u003cspan\u003e, four musicians who are all producers and share love and deep connection to hip hop and jazz, Shotnez reunited in 2020 meeting up for improvised sessions and jams, once a week over a period of about four months at a carpentry turned music studio in suburban Tel Aviv. Downing MIDI cards, triggers and synths, the day-to-day tools for these four producers and picking up and playing their respective traditional instruments -- saxophone, clarinet, guitar, bass, percussion and drums -- the group was immediately liberated by the moment. In the middle of a strict lockdown, they had no preconceptions, no deadlines, no labels or managers knocking on the door. This was an opportunity to rebuild the camaraderie that developed on the other side of the world two decades back, to reconnect as brothers and seek a higher spiritual plane, all the whilst fully encouraging each other to express their diverse musical backgrounds channeled within, during their time apart. \u003c\/span\u003e\u003cu\u003eDose A Nova\u003c\/u\u003e\u003cspan\u003e is a smoky affair with jazz the common denominator through its ebb-and-flow. Oozing in globally recognizable grooves from Afrobeat (\"Contagious\") to Afro Cuban (\"Shemesh\"), its chord structures and scales from east and west insistently interweave rewarding the record with dynamic mood swings. There is a punked out, baritone sax inspired workout in \"Gina\", Middle Eastern traditions, claps and vocals combine on \"Marhaba\" and guitar and a heavy sax lick drives the surf sound of \"Last Straw\". Tamir and Ori, the drummer and saxophone\/clarinet players have shared a massive part of their musical careers together. They have both been members of \u003c\/span\u003e\u003cb\u003eGogol Bordello\u003c\/b\u003e\u003cspan\u003e, lived in New York together for many years and in recent times have become, slightly unexpectedly, uber-hot property as their Middle Eastern bass heavy beats and saxophone riffs have been sampled for hugely popular songs such as \u003c\/span\u003e\u003cb\u003eFifth Harmony\u003c\/b\u003e\u003cspan\u003e's \"Worth It\". But with feet on the ground, back to the humble and cozy carpentry studio and creative nest of Shotnez, it's \u003c\/span\u003e\u003cb\u003eKendrick Lamar\u003c\/b\u003e\u003cspan\u003e they collectively turn to for inspiration, specifically to \u003c\/span\u003e\u003cu\u003eTo Pimp a Butterfly\u003c\/u\u003e\u003cspan\u003e. For fans of: \u003c\/span\u003e\u003cb\u003eAltin Gün\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSatellites\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSababa 5\u003c\/b\u003e\u003cspan\u003e, Balkan Beat Box, Gogol Bordello.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652723991,"sku":"BTR 066LP","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/DoseANova.jpg?v=1776748768"},{"product_id":"5-seasons-lp","title":"Five Seasons","description":"\u003cp\u003e\u003cspan\u003eBatov Records presents \u003c\/span\u003e\u003cu\u003eFive Seasons\u003c\/u\u003e\u003cspan\u003e, the debut album by \u003c\/span\u003e\u003cb\u003eEje Eje\u003c\/b\u003e\u003cspan\u003e, the brand-new solo project of \u003c\/span\u003e\u003cb\u003eItamar Klüger\u003c\/b\u003e\u003cspan\u003e of the \u003c\/span\u003e\u003cb\u003eŞatellites\u003c\/b\u003e\u003cspan\u003e. A fresh and contemporary world incorporating the rich diversity of Middle Eastern and Mediterranean musical styles with psych, funk, dub, and other internationally known sounds. Itamar Kluger is best known for his work with the Şatellites, a six-piece band whose blend of Turkish folk and psych with funk and disco won them champions and listeners across the globe. With \u003c\/span\u003e\u003cu\u003eEje Eje\u003c\/u\u003e\u003cspan\u003e, Itamar brews a fresh blend of psychedelic rock and funk, incorporating a wide range of influences, from Levantine dabke, Persian bandari music played at weddings and other celebrations, the traditional \"Khaliji\" music heard across the Gulf, and Turkish traditional folk music, to the more international renown sounds of Afrobeat, Saharan blues, indie rock, electronica, and Jamaican roots and dub. Eje Eje's special blend of musical perspectives reflects Itamar's interest in humankind's subjective perception of reality, informed by national and global cultural movements and traditions, and insistence on collectively creating and sharing stories, at times to explain the unexplainable. Itamar noted the difference between the symmetrical Western concept of four seasons, celebrated by \u003c\/span\u003e\u003cb\u003eVivaldi\u003c\/b\u003e\u003cspan\u003e, versus the five seasons of the Chinese calendar, winter, spring, summer, end of summer, and fall. The end of summer is a short season, characterized by the elemental earth, the time of year when fruit fall and rot beneath the trees. Each of the tracks on 'Five Seasons' reflects the spirit of the season in which it was written, and the terrain that inspired it, from the arid, mountainous desert to the sleepy streets of Eje Eje's hometown of Haifa and the busy crowded streets of Jaffa, Tel Aviv, where he currently resides. Bass and percussion combine into a deadly groove on the lead single \"Black Sea Majic\", laying the groundwork for a mantra-like saz to lead the melody, accompanied by giggling synths, mimicking the sound of the woodwind Armenian duduk, building into a continuous trace, the beginning half forgotten and the end lost. Hearing it back, Itamar imagines a bustling market in a small town by the shores of the Black Sea. Recorded in spring, \"Saved From The Jazz\" provided the first taste of this new project, appearing on Batov Records' first full compilation of \"Middle Eastern Grooves\". A beautiful collage of guitar grooves over a deadly drum rhythm. This continues on \"That Rainy Dawn\", a winter piece that slowly evolves, featuring an electro baglama over an Egyptian baladi rhythm.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652756759,"sku":"BTR 073LP","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/FiveSeasons.jpg?v=1776748659"},{"product_id":"aylar-lp","title":"Aylar","description":"\u003cp\u003e\u003cspan\u003eLP version. \u003c\/span\u003e\u003cb\u003eŞatellites\u003c\/b\u003e\u003cspan\u003e' self-titled debut album received international acclaim. The record earned support from outlets such BBC Radio 6 Music and FIP in France, and they were invited to record live sets for both \u003c\/span\u003e\u003cb\u003eGilles Peterson\u003c\/b\u003e\u003cspan\u003e's Worldwide FM, and KEXP in Seattle. Since their debut, Şatellites have evolved from a studio project into a full-fledged touring band. Over time, the lineup has shifted, enabling the group to recreate their studio sound live. Their expanded lineup now includes \u003c\/span\u003e\u003cb\u003eTsuf Mishali\u003c\/b\u003e\u003cspan\u003e on keys and synths, known for his work in proggy psych bands, and the animated \u003c\/span\u003e\u003cb\u003eTal Eyal\u003c\/b\u003e\u003cspan\u003e on percussion. Şatellites blast back into orbit on \u003c\/span\u003e\u003cu\u003eAylar\u003c\/u\u003e\u003cspan\u003e, delivering a bold evolution on the psychedelic folk-meets-groove sound they established on their acclaimed debut album. \u003c\/span\u003e\u003cb\u003eRotem Bahar\u003c\/b\u003e\u003cspan\u003e has also stepped up as the band's full-time vocalist and frontwoman, adding a fuller, grittier edge to the group's sound. Behind the drumkit, \u003c\/span\u003e\u003cb\u003eLotan Yaish\u003c\/b\u003e\u003cspan\u003e brings dynamic energy to the rhythm section. After two years of touring, this cohesive and reinvigorated lineup entered the studio with renewed purpose and closer musical bonds. \u003c\/span\u003e\u003cu\u003eAylar\u003c\/u\u003e\u003cspan\u003e (Turkish for \"moons\" or \"months\") showcases more ambitious arrangements, extended compositions, intricate harmonies, and unexpected twists, reflecting the band's commitment to innovation and their passion for the original wave of Turkish psychedelic music. \u003c\/span\u003e\u003cb\u003eKluger\u003c\/b\u003e\u003cspan\u003e's saz and Mishali's synths intertwine seamlessly, underpinned by \u003c\/span\u003e\u003cb\u003eAriel Harrosh\u003c\/b\u003e\u003cspan\u003e's infectious basslines and Yaish's dramatic drumming, all culminating in Rotem's husky, emotive vocals. The album's most ambitious cover is their cosmic folk-funk rendition of \u003c\/span\u003e\u003cb\u003eHakki Bullut\u003c\/b\u003e\u003cspan\u003e's ballad \"Ikmiz Bir Fideniz,\" followed by the original instrumental \"Beş Kardeş\" (\"Five Brothers\"). If Şatellites' self-titled debut laid the blueprint for their sound, \u003c\/span\u003e\u003cu\u003eAylar\u003c\/u\u003e\u003cspan\u003e marks their transformation into a fully realized musical force. With this album, Şatellites step confidently out of the shadows of their Anatolian psych heroes to craft a modern yet timeless record, expanding their influences while deepening their connection to their roots.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652822295,"sku":"BTR 109LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Aylar.jpg?v=1776748445"},{"product_id":"local-spirits-lp","title":"La Chooma","description":"\u003cp\u003e\u003cspan\u003ePsychedelic dub, Afro-Latin rhythms and cosmic grooves come together on \u003c\/span\u003e\u003cb\u003eLa Chooma\u003c\/b\u003e\u003cspan\u003e's self-titled debut for Batov Records. Drawing on Moroccan Gnawa, Colombian cumbia, Afrobeat, Jamaica dub and roots, and cosmic jazz, the six-piece ensemble create deep, hypnotic music rooted in global traditions and shaped for contemporary. Having already captivated local audiences with their hypnotic, organic live performances, La Chooma -- now a six-piece ensemble -- have been steadily building an international following. Initial singles \"Magic Plant\" and \"Huachuma\" earned support from tastemakers including BBC Radio 6 Music's \u003c\/span\u003e\u003cb\u003eDeb Grant\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eTom Ravenscroft\u003c\/b\u003e\u003cspan\u003e. \"Magic Plant\" distills the band's signature blend of hypnotic grooves, lush percussion and woozy synths, like \u003c\/span\u003e\u003cb\u003eJimi Tenor\u003c\/b\u003e\u003cspan\u003e lost in the Colombian Amazon. A dreamlike, dub-infused trip driven by organic rhythm and cosmic textures. \"Huachuma\" picks up the thread, fusing Afrobeat percussion, swirling basslines and psychedelic flourishes into a hallucinogenic jam made for a tropical dancefloor. \"High Grow\" conjures images of \u003c\/span\u003e\u003ci\u003eThe X-Files\u003c\/i\u003e\u003cspan\u003e set in Addis Ababa, with Ethiojazz-style synths dancing and tripping across a relentless Mulatu-inspired bassline and Afrobeat drums, all drenched in foreboding dub delay. Perfect for dark, smoke-filled rooms in the small hours. Like the lost child of \u003c\/span\u003e\u003cb\u003eIdris Ackamoor\u003c\/b\u003e\u003cspan\u003e \u0026amp; \u003c\/span\u003e\u003cb\u003eThe Pyramids\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eThe Comet Is Coming\u003c\/b\u003e\u003cspan\u003e, \"Lonely\" hits like a sledgehammer of cosmic synth funk and intense Afrorock drums, riding an acoustic bassline that breaks into a frenetic solo after a minute. The drums constantly threaten to overwhelm, but open up for the spiraling synths to peak half way through the track. \"Cozumel\" follows seamlessly, moving to a slightly slower groove built on a deep electric bassline and irresistible four-to-the-floor Afro-Latin rhythms. Synths rise in harmony with the haunting call of the hand-carved Egyptian kawala flute as the energy builds in the third minute before the tension finally releases. There's something in the music's spiritual core and soulful presence that recalls the groundbreaking work of Jamaican legends \u003c\/span\u003e\u003cb\u003eCount Ossie\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eCedric Brooks\u003c\/b\u003e\u003cspan\u003e, who fused jazz with Rastafari drumming. La Chooma draw dotted lines across time and space, finding hidden connections and shared frequencies, pulling threads together into a sound that hypnotizes the mind and moves the body.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652887831,"sku":"BTR 125LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/LaChooma.jpg?v=1776748329"},{"product_id":"primordial-soup-lp","title":"Primordial Soup","description":"\u003cp\u003e\u003cb\u003eEje Eje\u003c\/b\u003e\u003cspan\u003e, the orbiting side project of \u003c\/span\u003e\u003cb\u003eŞatellites\u003c\/b\u003e\u003cspan\u003e founder and multi-instrumentalist \u003c\/span\u003e\u003cb\u003eItamar Kluger\u003c\/b\u003e\u003cspan\u003e, shares \u003c\/span\u003e\u003ci\u003ePrimordial Soup\u003c\/i\u003e\u003cspan\u003e, his second album on Batov Records, stirring an even wider pot of influences from East to West that defies genre. Kluger launched his solo project, Eje Eje, with the 2023 \u003c\/span\u003e\u003ci\u003eFive Seasons\u003c\/i\u003e\u003cspan\u003e LP (BTR 073LP), playing the majority of instruments himself and refining his production chops. Kluger's blend of traditional Mediterranean and Middle Eastern music with psych, funk, dub, and beat production, culminated in strong support from BBC Radio 6 Music, BBC Radio 2, and Songlines. Much like its predecessor, \u003c\/span\u003e\u003ci\u003ePrimordial Soup\u003c\/i\u003e\u003cspan\u003e was largely self-recorded by Kluger, blending meticulous studio work, recalling \u003c\/span\u003e\u003cb\u003eDJ Shadow\u003c\/b\u003e\u003cspan\u003e or early \u003c\/span\u003e\u003cb\u003eFour Tet\u003c\/b\u003e\u003cspan\u003e, with raw, expressive performances -- mainly himself on strings, bass guitar, percussion, and keys, including a new recently acquired microtonal keyboard -- perfect for exploring Eastern musical scales, plus musical friends such as drummer \u003c\/span\u003e\u003cb\u003eRaz Man\u003c\/b\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cb\u003eSababa 5\u003c\/b\u003e\u003cspan\u003e, Şatellites, and \u003c\/span\u003e\u003cb\u003eProject Gemini\u003c\/b\u003e\u003cspan\u003e fame. Taking its name from the scientific theory on the origins of life, \u003c\/span\u003e\u003ci\u003ePrimordial Soup\u003c\/i\u003e\u003cspan\u003e is as much about sonic experimentation as it is a metaphor for existence itself. For Kluger, the title represents both a philosophical question and a creative mission. Kluger began work on \u003c\/span\u003e\u003ci\u003ePrimordial Soup\u003c\/i\u003e\u003cspan\u003e in October 2023, though many ideas had been gestating long before. The process was shaped by both creative compulsion and emotional necessity. Album opener, \"Oyun Çorbası\" is a playful fusion of Turkish folk and indie rock textures. Its title is a wordplay on \"Oyun Havaları\" (traditional dance tunes) and \"çorba\" (soup), reflecting the track's mix of influences. A tight, marshy groove from drummer Raz Man drives the rhythm, while a phased baglama riff leads, layered with swirling keys into a hazy, cymbal-driven bridge. \"The Bride\" is a collaboration between Eje Eje and rising flautist, percussionist and multi-instrumentalist \u003c\/span\u003e\u003cb\u003eElad Kimhi\u003c\/b\u003e\u003cspan\u003e. Inspired by Lebanese weddings, the track blends tradition with dancefloor energy. Known for his work with \u003c\/span\u003e\u003cb\u003eFirqat El Nur Orchestra\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSharif\u003c\/b\u003e\u003cspan\u003e, among others, Kimhi brings a deep understanding of Mediterranean music, from Andalusian to Moroccan and Turkish. From brooding cinematic rides to joyous wedding bangers, \u003c\/span\u003e\u003ci\u003ePrimordial Soup\u003c\/i\u003e\u003cspan\u003e explores what it means to be alive, connected, and creative in turbulent times and cements Eje Eje as one of the most exciting voices fusing Middle Eastern traditions with cutting-edge beat culture. For fans of: \u003c\/span\u003e\u003cb\u003eSven Wunder\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Gaslamp Killer\u003c\/b\u003e\u003cspan\u003e, Şatellites.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652920599,"sku":"BTR 127LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/PrimordialSoup.jpg?v=1776748230"},{"product_id":"when-it-rains-it-lp","title":"When It Rains It Pours","description":"\u003cp\u003e\u003cspan\u003eBassist, composer and producer \u003c\/span\u003e\u003cb\u003eShay Hazan\u003c\/b\u003e\u003cspan\u003e returns with his third solo album, \u003c\/span\u003e\u003cu\u003eWhen It Rains It Pours\u003c\/u\u003e\u003cspan\u003e, on Batov Records. Following the critical success of \u003c\/span\u003e\u003cu\u003eReclusive Ritual\u003c\/u\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cu\u003eWusul\u003c\/u\u003e\u003cspan\u003e, Hazan takes a bold step forward, shifting from the guimbri-led sound that established his reputation to a broader palette of bass, guitar, and synth-driven compositions. Where his earlier work foregrounded the raw, earthy textures of Gnawa tradition, \u003c\/span\u003e\u003cu\u003eWhen It Rains It Pours\u003c\/u\u003e\u003cspan\u003e reflects Hazan's evolution as a producer and multi-instrumentalist. Across eleven tracks, Hazan deepens his exploration of layered grooves, spiritual melodies, and experimental textures, resulting in his most expansive and personal statement to date. The album's title embodies Hazan's experience of being tested by life when multiple challenges arrived at once -- musically, personally, and physically. A painful period in which he was unable to play double bass or guimbri due to joint issues became the spark for rediscovering the electric bass, reconnecting him with an instrument he had set aside personal projects for years. The record documents this transition, capturing the tension between struggle and renewal. Unlike his previous guimbri-focused albums, Hazan's approach here highlights his growth as a studio craftsman. Sampling, layering, and textural exploration sit at the core, without losing the immediacy of live musicianship. Longtime collaborators including saxophonist \u003c\/span\u003e\u003cb\u003eEyal Netzer\u003c\/b\u003e\u003cspan\u003e, trumpeter \u003c\/span\u003e\u003cb\u003eRoy Zuzovsky\u003c\/b\u003e\u003cspan\u003e, and drummer \u003c\/span\u003e\u003cb\u003eShahar Haziza\u003c\/b\u003e\u003cspan\u003e, help ground the record in ensemble interplay, even as it pushes further into electronic and producer-led territory. The album's gestation was shaped by encounters and inspirations stretching far beyond Tel Aviv. Hazan draws influence from Malawian one-man-band \u003c\/span\u003e\u003cb\u003eGasper Nali\u003c\/b\u003e\u003cspan\u003e, the spiritual openness of his recording sessions with legendary drummer \u003c\/span\u003e\u003cb\u003eHamid Drake\u003c\/b\u003e\u003cspan\u003e, and years of improvisational collaborations across jazz and global traditions. \u003c\/span\u003e\u003cu\u003eWhen It Rains It Pours\u003c\/u\u003e\u003cspan\u003e captures Shay Hazan at a turning point: confronting physical and personal limitations, yet finding new creative channels in response. By leaning into bass, guitar, and studio experimentation, Hazan has crafted an album that feels at once urgent, meditative, and transformative, a body of work that situates him firmly among today's most adventurous voices in spiritual jazz and beyond.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652953367,"sku":"BTR 130LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/WhenItRains.jpg?v=1776748161"},{"product_id":"adagh-180-lp","title":"Adagh","description":"\u003cp\u003e\u003cspan\u003eP version. 180-gram vinyl. 2010 release. The debut album by Tuareg band \u003c\/span\u003e\u003cb\u003eTamikrest\u003c\/b\u003e\u003cspan\u003e. \"As far as I'm concerned, it's \u003c\/span\u003e\u003cb\u003eTinariwen\u003c\/b\u003e\u003cspan\u003e who created the path,\" declares \u003c\/span\u003e\u003cb\u003eOusmane Ag Mossa\u003c\/b\u003e\u003cspan\u003e, frizzy-locked leader of Tamikrest, in a pre-emptive strike against a thousand inevitable questions. \"But the way I see it, if younger bands don't come through, then Touareg music will eventually die. They created the path and now it's up to us to walk down it and create the future.\" Mossa was born in a village called Tinzaouaten, a solitary speck squeezed up against Mali's northeastern border with Algeria. With his constant friend \u003c\/span\u003e\u003cb\u003eCheikh Ag Tiglia\u003c\/b\u003e\u003cspan\u003e, Mossa would write songs and perform them at the school shows. He learned the Tamashek guitar style by listening to a particular cassette that Tinariwen's leader, \u003c\/span\u003e\u003cb\u003eIbrahim\u003c\/b\u003e\u003cspan\u003e aka \u003c\/span\u003e\u003cb\u003eAbaraybone\u003c\/b\u003e\u003cspan\u003e, had recorded in Algeria in 1998. In 2002, events once again undermined the tenuous calm and stability in Tinza. The village was home to one of the southern desert's most infamous freedom fighters and warlords, \u003c\/span\u003e\u003cb\u003eIbrahim ag Bahanga\u003c\/b\u003e\u003cspan\u003e. For this reason it became a military no-go zone. Mossa's father left to live with his eldest sons in Libya, and both Mossa and Tiglia went south to Kidal, where they would form Tamikrest and develop their style and their fan base among Kidal's younger generation. They knew the Tamashek guitar style intimately, but they were also deeply into rap, metal, Maghrebi pop, and Afro-disco music from Côte d'Ivoire. In late 2007, Tamikrest member \u003c\/span\u003e\u003cb\u003ePino\u003c\/b\u003e\u003cspan\u003e contacted \u003c\/span\u003e\u003cb\u003eManny Ansar\u003c\/b\u003e\u003cspan\u003e, the director of the now-world-famous Festival in the Desert, and clinched a gig for Tamikrest. The band found the money to transport themselves the 600 miles eastward to Timbuktu. In the silky dunes of Essakane they met \u003c\/span\u003e\u003cb\u003eDirtmusic\u003c\/b\u003e\u003cspan\u003e, a group of rock 'n' roll veterans from the USA and Australia. It was one of those meetings fashioned by fate in the workshops of destiny. \u003c\/span\u003e\u003cb\u003eChris Eckman\u003c\/b\u003e\u003cspan\u003e of Dirtmusic remembers the meeting thus: \"On our first morning in Essakane we woke up hearing music, so we went across the sand to the tent opposite ours and that's where Tamikrest was playing. \u003c\/span\u003e\u003cb\u003eChris Brokaw\u003c\/b\u003e\u003cspan\u003e grabbed his dobro and headed over, then \u003c\/span\u003e\u003cb\u003eHugo\u003c\/b\u003e\u003cspan\u003e and I eventually did the same and basically for three days we didn't leave.\" The friendship formed at Essakane grew in the following months and lead to an invitation by Dirtmusic to come to the Malian capital Bamako to make an album, and contribute to Dirtmusic's own oeuvre. After another epic journey of 1,200 miles, by car and bus, Mossa, Mohammedine, and crew entered their first professional studio and \u003c\/span\u003e\u003ci\u003eAdagh\u003c\/i\u003e\u003cspan\u003e was born.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653018903,"sku":"GR 703LP","price":23.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Adagh.jpg?v=1776747536"},{"product_id":"stereo-instrum-2lp","title":"Stereo Instrumental Music","description":"\u003cp\u003e\u003cspan\u003e2026 repress. Gatefold. The legendary musical outfit \u003c\/span\u003e\u003cb\u003eIbex Band\u003c\/b\u003e\u003cspan\u003e (later metamorphosed into \u003c\/span\u003e\u003cb\u003eThe Roha Band\u003c\/b\u003e\u003cspan\u003e), has played a central role in defining the sound of many of the greatest stars on the music scene of Ethiopia from the mid-seventies onwards -- but their golden output has never really waned. The story of the origins of the band that provided the musical backbone for greats such as \u003c\/span\u003e\u003cb\u003eAster Aweke\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGirma Beyene\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTilahun Gessesse\u003c\/b\u003e\u003cspan\u003e, backing the solo career of group member \u003c\/span\u003e\u003cb\u003eMahmoud Ahmed\u003c\/b\u003e\u003cspan\u003e as well as backing \u003c\/span\u003e\u003cb\u003eMulatu Astatke\u003c\/b\u003e\u003cspan\u003e and many others has yet to be properly told. Ibex emerged out of the ashes of the sixties group the \u003c\/span\u003e\u003cb\u003eSoul Echos\u003c\/b\u003e\u003cspan\u003e band, adding Giovanni and Selamino to their ranks and taking their cues from a slew of influences, such as Motown and \u003c\/span\u003e\u003cb\u003eThe Beatles\u003c\/b\u003e\u003cspan\u003e, fused with traditional music. A tighter-knit unit than most bands at the time -- Ibex has remained six to seven members throughout their whole career, compared to many bands that were as large as fifteen or sixteen men strong when Ibex set out. The detailed history of \u003c\/span\u003e\u003ci\u003eStereo Instrumental Music\u003c\/i\u003e\u003cspan\u003e is in many ways unique. To begin with, it couldn't have been recorded earlier (there were no four-track recorders available) and it really couldn't have been recorded afterwards either, at least not in the years directly following, because of the toll the musical scene took from the unfavorable political climate that followed when the nascent Derg regime and rival groups tried to assert themselves, the musical equipment lent from The Voice of Gospel Radio simply disappeared from Ethiopia when the radio station folded in 1977. Whilst leaders might have professed to be revolutionary, the work ethic of the Ibex Band can truly be described as that. They never called it quits, but adapted, toured extensively abroad in Africa, Europe, and the Middle East, and found ways to work even in the face of the curfew that curtailed a lot of musical life. They even played major arenas in the nineteen eighties, despite said curfew and restrictions. The whole extent of their legacy has never been told, but their music speaks louder than words, so therefore -- tune in to the Ibex Band's \u003c\/span\u003e\u003ci\u003eStereo Instrumental Music\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653084439,"sku":"MUZLP 003LP","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/StereoInstrumentalMusic.jpg?v=1776747302"},{"product_id":"tilayes-saxo-2lp","title":"Tilaye's Saxophone With The Dahlak Band","description":"\u003cp\u003e\u003cspan\u003eGatefold. \u003c\/span\u003e\u003cb\u003eTilaye Gebre\u003c\/b\u003e\u003cspan\u003e is one of Ethiopia's most soulful saxophone giants, with a musical legacy that's hard to surpass. A founding member of the \u003c\/span\u003e\u003cb\u003eEquators\u003c\/b\u003e\u003cspan\u003e, later renamed the \u003c\/span\u003e\u003cb\u003eDahlak Band\u003c\/b\u003e\u003cspan\u003e, he was a key figure in Ethiopia's vibrant hotel music scene and a sought-after musician and arranger for artists like \u003c\/span\u003e\u003cb\u003eAster Aweke\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMahmoud Ahmed\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTilahun Gessesse\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eMuluken Melesse\u003c\/b\u003e\u003cspan\u003e. In the quiet storm of Ethiopian music in the mid- to late-1970s, Tilaye Gebre was some-thing of the eye at the center. Even though much of the music from that period has been ridiculously hard to excavate from history, chances are that if you pick up any gem recorded in Addis Ababa during those times, it features Tilaye on saxophone and his arrangements. Tilaye was a central figure in Ethiopia's vibrant hotel music scene, where creativity and innovation flourished. He later joined the legendary \u003c\/span\u003e\u003cb\u003eWalias Band\u003c\/b\u003e\u003cspan\u003e, with whom he toured extensively across the United States. It was during one of these tours that Tilaye made the pivotal decision to remain in the U.S. and further develop his musical craft. His artistry has since taken him around the world, with performances in major cities across Europe, Canada, and the Virgin Islands. From the late sixties onwards, Dahlak Band lit up Addis Ababa with a mixture of \u003c\/span\u003e\u003cb\u003eJames Brown\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eWilson Pickett\u003c\/b\u003e\u003cspan\u003e tunes, rhythm and blues, soul, funk, and the sound of the disco era -- mixed with modern Ethiopian styles -- serving up majestic concoctions with full-range instrumentation, featuring trumpet, keyboard, saxophone, bass, drums, and guitar. Through their hotel sessions, Tilaye developed further as an arranger, arranging fellow band member Muluken Melesse's first solo album, \u003c\/span\u003e\u003cu\u003eMuluken Melesse with the Dahlak Band\u003c\/u\u003e\u003cspan\u003e, recorded during the turbulent years of 1975-1976, following the fall of Haile Selassie. Some of the Dahlak Band's releases featured Tilaye as frontman, such as \u003c\/span\u003e\u003cu\u003eTilaye's Saxophone with the Dahlak Band\u003c\/u\u003e\u003cspan\u003e from the late 1970s -- typical of a rare groove on the Ethiopian scene -- with excursions into reggae territory, including the band's characteristic sound featuring Tilaye Gebre (tenor and alto saxophone), \u003c\/span\u003e\u003cb\u003eDawit Yifru\u003c\/b\u003e\u003cspan\u003e (organ), \u003c\/span\u003e\u003cb\u003eDavid Kassa\u003c\/b\u003e\u003cspan\u003e (electric guitar), \u003c\/span\u003e\u003cb\u003eShimelis Beyene\u003c\/b\u003e\u003cspan\u003e (trumpet), \u003c\/span\u003e\u003cb\u003eMoges Habte\u003c\/b\u003e\u003cspan\u003e (tenor saxophone), \u003c\/span\u003e\u003cb\u003eAbera Feyissa\u003c\/b\u003e\u003cspan\u003e (bass guitar), \u003c\/span\u003e\u003cb\u003eTesfaye Tessema\u003c\/b\u003e\u003cspan\u003e (drums), and \u003c\/span\u003e\u003cb\u003eMuluken Melesse\u003c\/b\u003e\u003cspan\u003e (cowbell). The Dahlak Band's output was so prodigious that they simply couldn't be pigeonholed.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653117207,"sku":"MUZLP 004LP","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Tilaye_sSaxophoneWithTheDahlakBand.jpg?v=1776747256"},{"product_id":"sonbonbela-lp","title":"Sonbonbela","description":"\u003cp\u003e\u003cspan\u003e2023 repress. Sublime Frequencies release the third LP from \u003c\/span\u003e\u003cb\u003eBaba Commandant and the Mandingo Band\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cu\u003eSonbonbela\u003c\/u\u003e\u003cspan\u003e was recorded in the beginning of 2022 in the Republic of Burkina Faso. The group continue to hone their trademark fusion of Mandingue and Afro-beat styles. The Mandingo Band are a hit machine, sculpting seven new tracks of near \u003c\/span\u003e\u003cb\u003eBeefheart\/Magic Band\u003c\/b\u003e\u003cspan\u003e dynamics, \u003c\/span\u003e\u003cb\u003eFela\u003c\/b\u003e\u003cspan\u003e inspired groovers dusted out in the Sahel zone, rather than the humidity and sweat of Lagos, creating one of the most original and propulsive musical statements to come from the contemporary West African cultural juggernaut. As with previous releases, the band features the legendary guitar pyrotechnics of \u003c\/span\u003e\u003cb\u003eIssouf Diabate\u003c\/b\u003e\u003cspan\u003e, truly one of the greatest West African (or Earth for that matter) guitarists of the last forty years. The band is completed by a near bottomless barrel of artistry from the Ouagadougou and Bobo Dioulasso musical talent pool. On bass guitar, \u003c\/span\u003e\u003cb\u003eWendeyida Ouedraogo\u003c\/b\u003e\u003cspan\u003e, on drums \u003c\/span\u003e\u003cb\u003eAbbas Kabore\u003c\/b\u003e\u003cspan\u003e, and on percussion and balafon, \u003c\/span\u003e\u003cb\u003eNickie Dembele\u003c\/b\u003e\u003cspan\u003e. Leading the charge again is the captain himself, \u003c\/span\u003e\u003cb\u003eMamadou Sanou\u003c\/b\u003e\u003cspan\u003e on the Doso Ngoni featuring one of the most distinctive voices of the modern era. The opposite of the banal trends of auto-tune that have pervaded most of West African popular music, Baba's voice still impresses with its gravel and grit, showcasing a range that is ancient and defiant in equal measure. This LP is a non-stop hit parade of Afro-beat bangers destined to light dancefloors and living rooms ablaze! This album is dedicated to the memory of \u003c\/span\u003e\u003cb\u003eMassimbo Taragna\u003c\/b\u003e\u003cspan\u003e, the bass player extraordinaire who was an integral part of the Mandingo Band's trance stun musical power. He passed away in early 2022. RIP.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653149975,"sku":"SF 121LP","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Sonbonbela.jpg?v=1776747104"},{"product_id":"tsapiky-modern-music-lp","title":"Tsapiky! Modern Music From Southwest Madagascar","description":"\u003cp\u003e\u003cspan\u003eLimited repress. Tsapiky music from Southwest Madagascar features wild ecstatic vocals, distorted electric guitars, rocket bass, and the amphetamine beat! Unlike anything else, this is THE high life music you've always wanted -- ceremonial music played with abandon and extreme intent, honoring the living and dead alike. In Toliara and its surrounding region, funerals, weddings, circumcisions and other rites of passage have been celebrated for decades in ceremonies called mandriampototse. During these celebrations -- which last between three and seven days -- cigarettes, beer and toaky gasy (artisanal rum) are passed around while electric orchestras play on the same dirt floor as the dancing crowds and zebus. The music, tsapiky, defies any classification. This compilation showcases the diversity of contemporary tsapiky music. Locally and even nationally renowned bands played their own songs on makeshift instruments, blaring through patched-up amps and horn speakers hung in tamarind trees, projecting the music kilometers away. Lead guitarists and female lead singers are the central figures of tsapiky. Driven as much by their creative impulses as by the need to stand out in a competitive market, the artists distinguish themselves stylistically through their lyrics, rhythms or guitar riffs. They must also master a wide repertoire of current tsapiky hits, which the families that attend inevitably request before parading in front of the orchestra with their offerings. This work, a constant push and pull between distinction and imitation, is nourished by fertile exchanges between various groups: acoustic and electric, rural and urban, coastal or inland. What results during these ceremonies is a music of astonishing intensity and creativity, played by artists carving out their own path, indifferent to the standards of any other music industry: Malagasy, African or global. Recorded live on location by \u003c\/span\u003e\u003cb\u003eMaxime Bobo\u003c\/b\u003e\u003cspan\u003e, this vinyl LP includes a four-page full-color insert with detailed liner notes plus photos of the musicians and surroundings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing \u003c\/span\u003e\u003cb\u003eMamehy\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDrick\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBefila\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBehaja\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMahafaly Mihisa\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMeny \u0026amp; Ando\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRebona\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eMirasoa \u0026amp; Mahapoteke\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653182743,"sku":"SF 126LP","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Tsapiky_ModernMusicFromSouthwestMadagascar.jpg?v=1776746961"},{"product_id":"indian-talking-p2-2lp","title":"Indian Talking Machine Part Two: Instrumental Gems From The 78rpm Era","description":"\u003cp\u003e\u003cspan\u003eThis double LP of instrumental Hindustani, Carnatic and folk 78rpm shellac records from India comes with a full color 12-page insert of gramophone record ephemera, shops, labels, manufacturing details and graphics. The LPs feature over 25 artists recorded between 1904 and 1959 playing a panoply of instruments: jalatarang, dilruba, sarod, clarionet, pakhawaj, violin, been, kazoo, shehnai, tabla, sarangi, sitar, vina and more. Artists include \u003c\/span\u003e\u003cb\u003eImdad Khan\u003c\/b\u003e\u003cspan\u003e (the first sitarist ever recorded), \u003c\/span\u003e\u003cb\u003eAhmedjan Thirkhawa\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBundu Khan\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAmir Hussain\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAllauddin Khan\u003c\/b\u003e\u003cspan\u003e (who taught \u003c\/span\u003e\u003cb\u003eRavi Shankar\u003c\/b\u003e\u003cspan\u003e), and others both forgotten and revered. The Indian classical instrumental tradition is one of incredible proficiency and expressiveness using instruments and techniques created over generations that seem to perfectly and uniquely compliment Indian culture, landscape and tradition. Sympathetic strings resonate inside sitars and sarangis to manifest shimmering reverberant spiritual spaces; horns, reeds and flutes extend the range, volume and melodic inventiveness of the voice; a mind-boggling array of elaborately turned percussion instruments allow for rhythms as complex or as simple as the flowing Ganges River. Classical music in India was perhaps at its height during the 78rpm period as the raj era was ending and the world was globalizing. 2LP gatefold with 12-page full color booklet insert. Produced by \u003c\/span\u003e\u003cb\u003eRobert Millis\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eClimax Golden Twins\/Victrola Favorites\u003c\/b\u003e\u003cspan\u003e) and features never reissued recordings and is the long-anticipated follow up to the \u003c\/span\u003e\u003cu\u003eIndian Talking Machine\u003c\/u\u003e\u003cspan\u003e book\/CD (Sublime Frequencies 099), which was also produced by Millis from his collection of 78rpm records and ephemera.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653215511,"sku":"SF 131LP","price":35.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/IndianTalkingMachine.jpg?v=1776746900"},{"product_id":"afrosound-colombia-v1-3lp","title":"The Afrosound Of Colombia Vol. 1","description":"\u003cp\u003e\u003cspan\u003e2022 repress. Over 2 ½ hours of funky, hot Afro-influenced tracks from the '60s and '70s golden-period of the seminal Discos Fuentes label in Colombia. Forty-three dancefloor hits provide an irresistible mix of genres: salsa, cumbia, boogaloo, tropical funk, and chicha. The story of the Afrosound is a tale of transformation. It tells of the enslaved African peoples who were taken to Colombia, who mixed with Europeans and indigenous inhabitants (by force or choice), and were eventually set free, as well as the escaped cimarrones (maroons) that lived in palenques (fortified settlements) and continued their own traditions. The Afrosound sings of a double diaspora, first the trek in chains during the infamous Middle Passage from the Motherland of Africa to the so-called New World, then much later, the migration from the plantations to the cities. This release deals with the unique sounds produced as a result of the inventive mixing of pop and roots that took place in the urban confines of the Discos Fuentes studios, far from Colombia's coastal regions. The invented term \"Afrosound\" serves as the title of a thrilling and sometimes odd soundtrack that chronicles the diffusion and evolution of the musical culture from those coastal regions as it was brought inland, where it was translated, simplified, mass marketed, manufactured, modernized, \"whitened,\" globalized, recycled, and then sent back to the world at large, disseminated from the cities of Medellín and Bogotá, where the major bulk of the music production industry resided in the '50s through to the '70s. To tell the story of Afrosound, you not only have to know about the influence of Afro-Antillean music and indigenous Colombian tropical coastal genres, you also have to know something about the history of Discos Fuentes and musician\/producer \u003c\/span\u003e\u003cb\u003eJulio Ernesto \"Fruko\" Estrada\u003c\/b\u003e\u003cspan\u003e. Suffice it to say that the coastal area of Colombia shares in common with other areas in the Caribbean Antilles a certain tropical mix of sensuality and syncopation that somehow manages to combine joy and pain in a transporting wave of rhythm and melody that is food for the soul. The tracks on this compilation were chosen from the vast archives of Discos Fuentes because they are fun, funky, and unexpected. The title of this compilation comes from one of the Fuentes bands, Afrosound, but here it's taken more as a general term to denote the funkier side of the label's prolific output in the '60s and '70s. The unifying factor for the collection is that the tracks all have something to do with African roots or influences in one way or another, and they mark a period of sonic experimentation, self expression, upheaval, rebellion and rebirth in the industry, nurtured by Discos Fuentes and its stable of musicians, producers, and engineers. Full-color printed inner sleeves include in-depth liner notes with rare photos and original LP artwork.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653281047,"sku":"VAMPI 108LP","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/TheAfrosoundOfColombiaVol.1.jpg?v=1776746441"},{"product_id":"afro-col-2lp","title":"Afro-Colombian Sound Modernizers","description":"\u003cp\u003e\u003cspan\u003e2025 repress; double LP version. In the history of Afro-Colombian culture, \u003c\/span\u003e\u003cb\u003eSon Palenque\u003c\/b\u003e\u003cspan\u003e is without a doubt an exceptional band, and its history has a place at the very heart of ancestral palenquera music as well as at the musical intersection between Africa and Colombia, which took place on Colombia's Caribbean coast in the '70s and '80s and which continues today through champeta, a musical genre and dance that also bears a strong African influence. The members of Son Palenque band grew up in rural communities fixed in time, with deep musical roots, duels between tambora players and a legendary musical profusion of traditional musicians that built the foundations of today's Afro-Colombian music. Later they all migrated to the city and bit by bit made a place for themselves. In 1980 they recorded their first single for the Fonobosa record label. Two years later they recorded an LP, again with Fonobosa, along with \u003c\/span\u003e\u003cb\u003eEstefanía Caicedo\u003c\/b\u003e\u003cspan\u003e. Later on the band signed with the label Felito Records, in Barranquilla, which during the '80s produced some of the finest gems of psychedelic and Afro-roots music of the time. With Felito Records a new era began for the group. They recorded the LPs \u003c\/span\u003e\u003cu\u003eAne Jue\u003c\/u\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cu\u003eAfrican Erotic\u003c\/u\u003e\u003cspan\u003e -- milestones in the history of Afro-Colombian music: for the first time they showed us traditional palenquera music, chalupa, bullerengue, lumlalú and other traditional rhythms mixed with modern arrangements of bass, guitar and saxophone. They then recorded three LPs for the CBS music label, and in the mid-'90s Son Palenque lost its recording contract, The group was resurrected in 1999 for a song with guitarist \u003c\/span\u003e\u003cb\u003eSekou Diabate\u003c\/b\u003e\u003cspan\u003e, legendary leader of the band \u003c\/span\u003e\u003cb\u003eBebeya Jazz\u003c\/b\u003e\u003cspan\u003e. Subsequently they recorded for the same label, under the production of \u003c\/span\u003e\u003cb\u003eLucas Silva\u003c\/b\u003e\u003cspan\u003e, the record \u003c\/span\u003e\u003cu\u003eMa Kamajan Ri Musika Ri Palengue\u003c\/u\u003e\u003cspan\u003e, released in 2012, which marked the folkloric group's resurrection. And so Son Palenque continues to play, 30 years after its foundation. This compilation of their music from the '70s and '80s makes clear their inimitable, groundbreaking legacy.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653313815,"sku":"VAMPI 158LP","price":37.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Afro-ColombianSoundModernizers.jpg?v=1776746544"},{"product_id":"afrosound-colombia-v3-2lp","title":"The Afrosound Of Colombia Vol. 3","description":"\u003cp\u003e\u003cspan\u003e2024 restock. It's been a few years, but Vampisoul is back with the next installment of Colombian tropical bangers from the deep vaults of Discos Fuentes. The term Afrosound denotes an always exciting, sometimes surprising soundtrack chronicling the embrace, development, dissemination, and commercialization of the country's rich Afro-Coastal musical heritage over more than four decades. It is the proud sound of African-rooted culture translated, transformed, and transmitted through the commercial enterprise of Discos Fuentes, and this third collection offers an even more diverse and chronologically wide-ranging array of tracks than the previous two volumes, with an even stronger focus on the music's folkloric origins. The unifying factor this time is the same: African roots or influences and the period of experimentation, self-expression, upheaval, rebellion, and rebirth in the industry, nurtured by the label and its stable of musicians, song-writers, producers, and engineers. Although this volume does not list \u003c\/span\u003e\u003cb\u003eFruko Y Sus Tesos\u003c\/b\u003e\u003cspan\u003e in the track-by-track credits, the presence of \u003c\/span\u003e\u003cb\u003eJulio Ernesto Estrada Rincón\u003c\/b\u003e\u003cspan\u003e can be felt throughout, with the first half setting the stage for his artistic birth, schooling and eventual emergence at the label, and the second half featuring bands that he was an integral part of or had a hand in creating, producing, and composing for. And with that said, Vampisoul dedicate this collection to Fruko: long may he reign as \"The King of Afrosound\". This incredible stream of black gold adorned and enriched the public airways of Cali, Buenaventura, Cartagena, Baranquilla, to become a symbol of pride and part of Colombia's collective identity. \u003c\/span\u003e\u003ci\u003eAfrosound Vol. 3\u003c\/i\u003e\u003cspan\u003e comprises an outstanding selection of 26 hard-to find-tracks, many reissued for the first time, covering a wide array of Afro-rooted genres, with a stronger focus on the music's folkloric origins than in previous volumes, featuring recordings by the likes of \u003c\/span\u003e\u003cb\u003eMichi Sarmiento\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eWganda Kenya\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Latin Brothers\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Corraleros De Majagual\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePeregoyo\u003c\/b\u003e\u003cspan\u003e... Includes an extended booklet with notes by compiler \u003c\/span\u003e\u003cb\u003ePablo Yglesias\u003c\/b\u003e\u003cspan\u003e aka \u003c\/span\u003e\u003cb\u003eDJ Bongohead\u003c\/b\u003e\u003cspan\u003e. Also features \u003c\/span\u003e\u003cb\u003ePepe Velásquez y Su Arpa Paraguaya\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePedro Salcedo Y Su Orquesta\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePedro Laza Y Sus Pelayeros\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Alegres Diablos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJuan Piña Y Sus Muchachos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePello Torres Y Sus Diablos Del Ritmo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Satélites\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJulio Erazo Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAriza y Su Combo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePedro Jairo Garcés Y Su Guitarra Estereofonica\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Claves\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Super Star De Colombia\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePeregoyo Y Su Combo Vacaná\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLa Carnaval Swing\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEl Sexteto Miramar\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eToño Y Su Combo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJuancho Vargas Al Órgano\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEl Super Combo Los Diamantes\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCésar Pompeyo Y Su Sonora\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLa Integración\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDimensión Caribe De Pedro Conde\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMichi Y Sus Bravos\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eAfrosound\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653346583,"sku":"VAMPI 183LP","price":53.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/TheAfrosoundOfColombiaVol.3.jpg?v=1776746365"},{"product_id":"a-gozar-lp","title":"A Gozar Salsomanos","description":"\u003cp\u003e\u003cspan\u003e2021 repress. \"By 1974, salsa was taking Colombia by storm and so the directors of the INS label (Industria Nacional Del Sonido Ltda), based in Medellín, Colombia, decided to create a band that would appeal to 'salsómanos' (salsa fanatics) and be able to compete with the area's two larger labels, Discos Fuentes and Codiscos. Thus was born the oddly named \u003c\/span\u003e\u003cb\u003eLos Afroins\u003c\/b\u003e\u003cspan\u003e (a contraction of Afro, indicating the roots of the music, and '--ins', for the label name), an obscure, short-lived combo that would release two albums and six 45s. The repertoire focused on cover versions of hit Afro-Antillean tunes both classic and contemporary. Pianist \u003c\/span\u003e\u003cb\u003eAgustín Martínez 'El Conde'\u003c\/b\u003e\u003cspan\u003e, who would later work with \u003c\/span\u003e\u003cb\u003eJoe Arroyo\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eJuan Piña\u003c\/b\u003e\u003cspan\u003e, led the group and did some arranging. INS artistic director \u003c\/span\u003e\u003cb\u003eAlfredo Linares 'El Inca'\u003c\/b\u003e\u003cspan\u003e, the famed Peruvian keyboardist and composer, oversaw the project and guested on piano for several tracks, doing some arranging as well. The vocals were handled by a pair of young as yet unknown singers, \u003c\/span\u003e\u003cb\u003eLucho Puerto Rico\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eRay Betancourt\u003c\/b\u003e\u003cspan\u003e, who would later go on to more fame in the 1980s, the former with his own \u003c\/span\u003e\u003cb\u003eLucho Puerto Rico y su Conjunto Sonero\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eConjunto Son del Barrio\u003c\/b\u003e\u003cspan\u003e, and the latter with \u003c\/span\u003e\u003cb\u003eWillie Salcedo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eReales Brass de Colombia\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eLos Caribes\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cb\u003eÓscar Toscano \"El Márquez Argentino\"\u003c\/b\u003e\u003cspan\u003e (whose orchestra backed \u003c\/span\u003e\u003cb\u003ePalito Ortega\u003c\/b\u003e\u003cspan\u003e in the 1960s) and \u003c\/span\u003e\u003cb\u003eLuis E Mosquera\u003c\/b\u003e\u003cspan\u003e arranged as well, while the rest of the band was made up of INS-related studio musicians. Their first album, \u003c\/span\u003e\u003ci\u003eA Gozar Salsomanos Con Los Afroins\u003c\/i\u003e\u003cspan\u003e, is a sought-after collector's item and contains ten brassy, heavy-duty salsa gems that don't let up for the duration of the record. There are covers of salsa hits by \u003c\/span\u003e\u003cb\u003eIsmael Rivera\u003c\/b\u003e\u003cspan\u003e ('El Nazareno', 'Orgullosa'), \u003c\/span\u003e\u003cb\u003eLos Ahijados\u003c\/b\u003e\u003cspan\u003e ('Virgen De La Cueva', 'Guayo, Pellizco Y Pata'), \u003c\/span\u003e\u003cb\u003eRoberto De La Barrera\u003c\/b\u003e\u003cspan\u003e ('Sabrosón'), \u003c\/span\u003e\u003cb\u003eCheo Marquetti\u003c\/b\u003e\u003cspan\u003e ('Apriétala'), and even the smash pop hit by the French modern classical and electronic music composer \u003c\/span\u003e\u003cb\u003eSaint-Preux\u003c\/b\u003e\u003cspan\u003e (a great instrumental descarga version of 'Concierto Para Una Sola Voz'). In addition, there are two originals ('Afroinspiración' and 'Cuídate') that are equally hot. The whole package makes for a very satisfying party record that deserves to be more accessible and better known by today's salsómanos who may have heard of Fruko y sus Tesos or Grupo Niche but have yet to discover Los Afroins.\" --\u003c\/span\u003e\u003cb\u003ePablo Iglesias\u003c\/b\u003e\u003cspan\u003e, aka \u003c\/span\u003e\u003cb\u003eDJ Bongohead\u003c\/b\u003e\u003cspan\u003e Presented in facsimile artwork and pressed on 180 gram vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653379351,"sku":"VAMPI 201LP","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/AGozarSalsomanos.jpg?v=1776746239"},{"product_id":"mi-nuevo-lp","title":"Mi Nuevo Ritmo","description":"\u003cp\u003e\u003cspan\u003eVampisoul present a reissue of \u003c\/span\u003e\u003cb\u003eAlfredo Linares Y Su Salsa Star\u003c\/b\u003e\u003cspan\u003e' \u003c\/span\u003e\u003ci\u003eMi Nuevo Ritmo\u003c\/i\u003e\u003cspan\u003e, originally released in 1974. A nonstop salsa dura party album from start to finish, comparable with any of New York's finest like \u003c\/span\u003e\u003cb\u003eRay Barretto\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eWillie Colón\u003c\/b\u003e\u003cspan\u003e from the same era, but with its own unique swinging sound and bright, crisp, joyful vibe. There are plenty of straight up Cuban-roots based salsa tunes, plus some Latin jazz and Latin soul and a bolero. Trumpets, hand claps, loud cowbell, and vigorous vocals all make for a great listen and an even better dance experience. As the track \"La Música Brava\" proclaims: \"Yo no quiero que pare la música brava!\" (I don't want the badass music to stop!). The record is actually a patchwork of different recording sessions made in Peru and Colombia, featuring differing studio sound and musician lineups. Linares had just returned to his adopted home of Medellín from a period spent in Peru and was looking for a record deal. He had brought master tapes with four songs recorded in Lima and was shopping them around in the hopes of securing an album contract. Linares also cut some Colombian sessions which feature \u003c\/span\u003e\u003cb\u003eRoy \"Tayrona\" Betancourt\u003c\/b\u003e\u003cspan\u003e as well as \u003c\/span\u003e\u003cb\u003eHenry Castro\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eEnrique Fabián\u003c\/b\u003e\u003cspan\u003e. Unfortunately, neither Discos Fuentes nor Sonolux or Codiscos were interested. At that time, vinyl for making records was scarce and over-priced due to the petroleum crisis and hence the labels were reluctant to try out a new artist. \"There was nothing to be done. The only company that had vinyl stock was INS. So, I did the business with them even though they didn't have a known name in Colombia. The strength of that album made them rather famous.\" The song \"Mambo Rock\" (with \"Estricto Guaguancó\" on the B side) came out on a 45rpm record in 1974, and, as Linares recounts it, \"two months later the sale was at a very high level. So, partly out of gratitude, I started producing for them. It is from there that my other records and the AfroINS albums came.\" Unfortunately, the master tapes to the LP were lost or destroyed, as with all INS releases, so the best possible vinyl sources and audio restoration has been used for this deluxe reissue. Recommended by \u003c\/span\u003e\u003cb\u003eDJ Bongohead\u003c\/b\u003e\u003cspan\u003e of Peace \u0026amp; Rhythm. Presented in its original artwork and pressed on 180 gram vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653412119,"sku":"VAMPI 223LP","price":27.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/MiNuevoRitmo.jpg?v=1776746167"},{"product_id":"zulu-lp","title":"Zulu","description":"\u003cp\u003e\u003cspan\u003eVampisoul present the first ever reissue of \u003c\/span\u003e\u003cb\u003eZulu\u003c\/b\u003e\u003cspan\u003e's self-titled album, originally released in 1974. The first record by Zulu was also his last. Shortly after releasing it in 1974, the artist withdrew from the music scene and never returned. 46 years later, his music still sounds out of time. His musical eclecticism heralded a different era and linked rock with Afro-Latin American beats and pop. His debut and only LP is one of the last great albums of the first wave of Peruvian rock. No other original records of this type were released in Peru until the early '80s. In the '70s, in Peru, most rock groups sang in English. For his LP, Zulu chose to sing in his own language and focus on his own emotions and experiences. In the early days of his career, he became member of \u003c\/span\u003e\u003cb\u003eLos Shain's\u003c\/b\u003e\u003cspan\u003e, for less than a year. Then he was invited to join \u003c\/span\u003e\u003cb\u003eTraffic Sound\u003c\/b\u003e\u003cspan\u003e playing bass guitar and keyboards and record the band's third album \u003c\/span\u003e\u003ci\u003eLux\u003c\/i\u003e\u003cspan\u003e. An offer to start a solo career would follow and \"Como una escalera\", \"Alegría\", and \"Cariño grande\" 45s were released. The expectations that his first solo singles generated were met by the release of the LP \u003c\/span\u003e\u003ci\u003eZulu\u003c\/i\u003e\u003cspan\u003e in 1974, boasting an eclectic and innovative sound. Andean folk, Afro-Latin beats, psych-tinged prog rock scents, Moog glides, choir arrangements spread across the entire album creating a truly unique piece of music. A few demos were also recorded for the next album but this never saw the light. In December 1974, a few months after the LP was released, the artist decided to disappear. At this point of his life, he started to become aware of the need to define spirituality. After exploring and comparing countless religious, philosophical, psychological texts and trying transcendental meditation and yoga, he concluded that the Bible was the most profound and clearest text. While this was going on, his public figure grew thanks to the success of his album. At the end of 1974, Zulu surprised the manager of IEMPSA, \u003c\/span\u003e\u003cb\u003eAugusto Sarria\u003c\/b\u003e\u003cspan\u003e, by communicating his decision to leave show business. The artist vanished into the religious path, making sure his music got as unnoticed as possible... The reissue has been supervised by the artist himself and includes extensive notes and the extra track \"Haces mal, pobre chico\", B side to his first single that never made it into the album.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653510423,"sku":"VAMPI 230LP","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Zulu.jpg?v=1776746089"},{"product_id":"14-magnificos-lp","title":"14 MAGnificos Bailables","description":"\u003cp\u003e\u003cspan\u003eMAG has been, since its foundation in 1953, an essential label in the music scene of Peru, allowing the development of the careers of both tropical artists and musicians of other genres. At the head was \u003c\/span\u003e\u003cb\u003eDon Manuel Antonio Guerrero\u003c\/b\u003e\u003cspan\u003e, its founder, whose name comes from the acronym of the label itself (M.A.G.). In 2021 MAG was acquired by the Spanish company Distrolux SL, owner of the Munster and Vampisoul record labels, after years of previous collaborations in which some of the most emblematic titles in the catalog were already reissued for the international market: \u003c\/span\u003e\u003cb\u003eNils Jazz Ensemble\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSonora Casino\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTraffic Sound\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAl Valdez\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePax\u003c\/b\u003e\u003cspan\u003e... \u003c\/span\u003e\u003cu\u003e14 MAGníficos Bailables\u003c\/u\u003e\u003cspan\u003e is a 14-track compilation that celebrates a new era in the history of the label, now under the Vampisoul umbrella, with a selection of astonishing dance floor-oriented gems. This is also a perfect introduction to MAG, showcasing the amazing musical variety sported by the Peruvian label throughout the years. The comp includes juicy Cuban songs like \"Mi Son Combinado\", an outstanding original taken from the extremely scarce LP recorded by Cuba's finest \u003c\/span\u003e\u003cb\u003eOrquesta Revé\u003c\/b\u003e\u003cspan\u003e for MAG in Lima, and the explosive guaracha \"Tin Marin\" by \u003c\/span\u003e\u003cb\u003eLos Kintos\u003c\/b\u003e\u003cspan\u003e, a group led by guitarist \u003c\/span\u003e\u003cb\u003ePancho Acosta\u003c\/b\u003e\u003cspan\u003e. Also, classic songs such as \"Arroz Con Coco\" or \"Aprieta (Oye Como Va),\" and obscure recordings like the stunning \"Ritmo Veregua\" by \u003c\/span\u003e\u003cb\u003eTito Chicoma\u003c\/b\u003e\u003cspan\u003e. MAG will turn 70 in 2023 and is a pivotal label in Peruvian music, mainly focused on tropical rhythms although its extensive catalogue also includes rock, pop and jazz recordings. Also features \u003c\/span\u003e\u003cb\u003eLos Avileños\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eFreddy Roland Y Su Orquesta\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSilvestre Montez\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMita Y Su Monte Adentro\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePoppy Y Sus Pirañas\u003c\/b\u003e\u003cspan\u003e, Al Valdez, Sonora Casino, \u003c\/span\u003e\u003cb\u003eGermán Neciosup Y Su Orquesta\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLa Sonora MAG\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eÑico Estrada y Su Sonora\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMelcochita y Karamanduka\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653641495,"sku":"VAMPI 260LP","price":24.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/14MAGnificos.jpg?v=1776746018"},{"product_id":"los-kintos-lp","title":"Los Kintos","description":"\u003cp\u003e\u003cspan\u003e2023 repress. Vampisoul present a first time reissue of \u003c\/span\u003e\u003cb\u003eLos Kintos\u003c\/b\u003e\u003cspan\u003e' self-titled album, originally released in 1970. In the late sixties, a generation of young Peruvian musicians, who were fans of tropical sounds, chose Cuban rhythms over the onslaught of boogaloo and Colombian cumbia. This musical movement attracted a legion of young followers, mostly from popular districts of Lima. In 1969, percussionist \u003c\/span\u003e\u003cb\u003eDomingo Guzmán Villanueva\u003c\/b\u003e\u003cspan\u003e was commissioned by the MAG record label to get together a group to revive Cuban musical tradition. To lead the project he recruited, \u003c\/span\u003e\u003cb\u003eFrancisco \"Pancho\" Acosta\u003c\/b\u003e\u003cspan\u003e, founder and guitarist of the \u003c\/span\u003e\u003cb\u003eCompay Quinto\u003c\/b\u003e\u003cspan\u003e. The new group was baptized Los Kintos, in a nod to their desire to carry on playing in the Compay Quinto style. The link between the two groups appears on this first album, as the group's name is written in two different ways: Los Kintos, on the front cover; and \u003c\/span\u003e\u003cb\u003eLos Quintos\u003c\/b\u003e\u003cspan\u003e, on the back. Recordings began in 1969 and included the stunning \"Descarga Kinto\", \u003c\/span\u003e\u003cb\u003eRichie Ray\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eBobby Cruz\u003c\/b\u003e\u003cspan\u003e's original \"Pancho Cristal\" -- renamed here \"Pancho Guzmán\" -- and Cuban classics from the repertoire of the historic \u003c\/span\u003e\u003cb\u003eTrio Matamoros\u003c\/b\u003e\u003cspan\u003e like \"Lágrimas Negras\" or \"Mentiras\", all with lead vocals by \u003c\/span\u003e\u003cb\u003eKiko Fuentes\u003c\/b\u003e\u003cspan\u003e. The success of their concerts would take them on tours across the country, always recognized as outstanding figures of Cuban music in Peru. This reissue brings back an album that marked a milestone in the history of Peruvian tropical music and revives the fame of the group's legendary live performances.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653674263,"sku":"VAMPI 261LP","price":28.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/LosKintos.jpg?v=1776745947"},{"product_id":"pan-lp","title":"Pan","description":"\u003cp\u003e\u003cspan\u003eFirst time reissue, originally released in 1970. The only album by Venezuela's most prolific percussionist, \u003c\/span\u003e\u003cb\u003eNené Quintero\u003c\/b\u003e\u003cspan\u003e, and his first band sounds like a somewhat artisanal classic rock album from the end of the '60s but made by \"salseros\" (as involved in Salsa music). \u003c\/span\u003e\u003cb\u003eGrupo Pan\u003c\/b\u003e\u003cspan\u003e was formed in 1970 in the popular Caracas neighborhood of Marín at the initiative of \u003c\/span\u003e\u003cb\u003eCarlos \"Nené\" Quintero\u003c\/b\u003e\u003cspan\u003e together with his brother \u003c\/span\u003e\u003cb\u003eJesús \"Chú\" Quintero\u003c\/b\u003e\u003cspan\u003e. His experience as a professional musician as part of \u003c\/span\u003e\u003cb\u003eLos Dementes\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRay Pérez\u003c\/b\u003e\u003cspan\u003e's group, would allow him to retain the rhythmic strength and brass arrangements typical of salsa, but also explore other sounds based on powerful guitars. The band would be completed with \u003c\/span\u003e\u003cb\u003eAlfredo Padilla\u003c\/b\u003e\u003cspan\u003e (percussion), \u003c\/span\u003e\u003cb\u003eDavid Azuaje\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eCarlos Guerra\u003c\/b\u003e\u003cspan\u003e (trombones), \u003c\/span\u003e\u003cb\u003eHenry Camba\u003c\/b\u003e\u003cspan\u003e (trumpet), and \u003c\/span\u003e\u003cb\u003eRubén \"Micho\" Correa\u003c\/b\u003e\u003cspan\u003e (electric guitar), already with a solid reputation as a guitarist after years playing in rock bands. Nené Quintero would resume contact with his acquaintance \u003c\/span\u003e\u003cb\u003eMario Tepedino\u003c\/b\u003e\u003cspan\u003e, at that time artistic director of 2001 Juvenil, a Venezuelan TV show focused on the promotion of young musical values, who would offer them to appear on said program. Through the popularity provided by, their frequent television appearances, they were offered the opportunity to record an album. In December 1970, their first and only LP would be released, recorded at the Fidelis studios in Caracas and produced by Mario Tepedino. It was published by Souvenir, a label responsible for the release of many other essential Venezuelan rock albums, such as the highly sought-after records by \u003c\/span\u003e\u003cb\u003eThe Love Depression\u003c\/b\u003e\u003cspan\u003e or \u003c\/span\u003e\u003cb\u003eLadies W.C\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003ci\u003ePan\u003c\/i\u003e\u003cspan\u003e's successes in overcoming through its grooves the eternal rivalry between the followers of the hard rock sounds and those who, on the contrary, were devotees of salsa. All the songs on the album are written by \"Nené\" Quintero himself and remain as fundamental milestones in the history of Venezuelan rock. The album would contribute to the birth of a new paradigm of Latin rock, along the lines of what other artists such as Santana or El Chicano were doing from the United States in those same years. After this Souvenir release, the band would also record two singles on another label called Promus. Grupo Pan would remain active until 1973 when the band members would follow different paths. \u003c\/span\u003e\u003ci\u003ePan\u003c\/i\u003e\u003cspan\u003e, their only LP, has become one of the essential and most sought-after Venezuelan albums. Remastered sound; includes two bonus tracks, liner notes, and exclusive photos; 180 gram vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653707031,"sku":"VAMPI 263LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Pan_45ecd66f-724e-4a21-b9c1-953ddc08bdee.jpg?v=1776745853"},{"product_id":"cumbias-lp","title":"Cumbias y Boogaloos","description":"\u003cp\u003e\u003cspan\u003e2024 repress. First time reissue, originally released in 1968. The musician \u003c\/span\u003e\u003cb\u003eRoberto Enrique \"Tito\" Chicoma\u003c\/b\u003e\u003cspan\u003e forged one of the most solid and constant career paths in Peruvian music. In 1959, at the age of 23, Tito moved to Lima, where he soon joined ensembles such as the \u003c\/span\u003e\u003cb\u003eKoki Palacios\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eArmando Boza\u003c\/b\u003e\u003cspan\u003e orchestras, which took him abroad for the first time on tour. A recognized musician in his own right, Tito would later decide to form his own orchestra, which was soon hired by América Televisión, starring on programs such as \u003c\/span\u003e\u003cu\u003eEl Show de Juan Silva\u003c\/u\u003e\u003cspan\u003e, where he accompanied international artists that visited Lima. In 1966, Tito made his first record under his own name on the MAG label, performing two cumbias by the Colombian group \u003c\/span\u003e\u003cb\u003eLos Teen Agers\u003c\/b\u003e\u003cspan\u003e. The praise the single received led to the recording of his first LP, \u003c\/span\u003e\u003cu\u003eEl Ritmo de Moda\u003c\/u\u003e\u003cspan\u003e, where he continued to compile Colombian songs. At the end of 1967, he dedicated his new LP project to recording two fashionable rhythms at the time: \u003c\/span\u003e\u003cu\u003eCumbias y Boogaloos\u003c\/u\u003e\u003cspan\u003e. The Colombian cumbia became popular in Peru from 1964 onwards, when local orchestras like those of \u003c\/span\u003e\u003cb\u003eAndrés de Colbert\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMario Cavagnaro\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEulogio Molina\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eLucho Macedo\u003c\/b\u003e\u003cspan\u003e recorded cumbia hits, then the genre soared when groups like \u003c\/span\u003e\u003cb\u003eLos Pacharacos\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eLos Demonios del Mantaro\u003c\/b\u003e\u003cspan\u003e mixed it with Andean music. Boogaloo in Peru was popularized chiefly by the record label MAG, which kept its listeners up to date with developments in tropical music in New York, releasing and distributing records by Alegre Records and recording versions of hit songs such as \"El Pito\" and \"Mamblues\" with local musicians. The recording sessions for \u003c\/span\u003e\u003cu\u003eCumbias y Boogaloos\u003c\/u\u003e\u003cspan\u003e began in December 1967, when Tito released one of his first compositions: \"Dale U\". He also recorded the instrumental track \"La Cigüeña\" and \"Plaza de Toros\", two compositions by the Venezuelan artist \u003c\/span\u003e\u003cb\u003eHugo Blanco\u003c\/b\u003e\u003cspan\u003e. After a trip to Buenos Aires in 1968, he recorded two more songs, both from the Alegre Records single: \"Mr. Trumpet Man\" and \"El Diri-Bop\" by Puerto Rican musicians \u003c\/span\u003e\u003cb\u003eRichie Ray\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eBobby Cruz\u003c\/b\u003e\u003cspan\u003e. Then, during May, Tito recorded a couple of songs by the Venezuelan guitarist \u003c\/span\u003e\u003cb\u003eOrlando Peñaranda Moros\u003c\/b\u003e\u003cspan\u003e and his group \u003c\/span\u003e\u003cb\u003eOrlando y su Combo\u003c\/b\u003e\u003cspan\u003e: \"Pata Pata Pelada\" and \"A Que Tú No Sabes\". The former was inspired by \u003c\/span\u003e\u003cb\u003eMiriam Makeba\u003c\/b\u003e\u003cspan\u003e's 1967 global hit \"Pata Pata\". The sessions were complemented by recording \"La Cebolla\", a composition by the Colombian songwriter \u003c\/span\u003e\u003cb\u003eGraciela Arango de Tobón\u003c\/b\u003e\u003cspan\u003e, and the Amazonian waltz \"La Contamanina\" recorded with a cumbia beat. By September 1968, the LP was released and received extensive airplay on the radio, especially the cumbias. An obscure tropical gem loaded with dancefloor tunes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653739799,"sku":"VAMPI 268LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/CumbiasyBoogaloos.jpg?v=1776745735"},{"product_id":"baile-ud-lp","title":"Baile Ud. Con Betico Salas","description":"\u003cp\u003e\u003cspan\u003eFirst time reissue. Originally released in 1966. First solo LP by the talented Peruvian artist \u003c\/span\u003e\u003cb\u003eBetico Salas\u003c\/b\u003e\u003cspan\u003e, lead trumpet player of the great \u003c\/span\u003e\u003cb\u003eSonora de Lucho Macedo\u003c\/b\u003e\u003cspan\u003e, one of the best ensembles playing Cuban repertoires in the early '60s. \u003c\/span\u003e\u003cb\u003eAlfredo Linares\u003c\/b\u003e\u003cspan\u003e on piano and sonero vocals by \u003c\/span\u003e\u003cb\u003eBenny del Solar\u003c\/b\u003e\u003cspan\u003e stand out on this album. Benny del Solar sings lead vocals on the cumbia of Argentine origin \"Nos Vamos A Casar\"; the Colombian \"Lo Que Pasa Es Que La Banda Está Borracha\", a continental hit since the early sixties; the guaracha \"A Los Muchachos De Belén\", by Puerto Rican musician \u003c\/span\u003e\u003cb\u003eTito Rodríguez\u003c\/b\u003e\u003cspan\u003e; the guaracha \"Ritmo Del Amor\"; the elegant Cuban guaguancó \"Así Namá\", also well known for Tito Rodríguez's rendition; and the cumbia \"Qué Le Digo A Mi Mujer\". Singer, \u003c\/span\u003e\u003cb\u003eCésar Gonzales\u003c\/b\u003e\u003cspan\u003e, who would have an extensive career in Peruvian tropical music, sang lead vocals in the guaguancó by the \u003c\/span\u003e\u003cb\u003eSonora Matancera\u003c\/b\u003e\u003cspan\u003e \"Lindo Omelenko\" and the bolero \"El Árbol\", a hit for the singer \u003c\/span\u003e\u003cb\u003eRoberto Ledesma\u003c\/b\u003e\u003cspan\u003e, also recorded that same year by Peruvians \u003c\/span\u003e\u003cb\u003eCarmita Jiménez\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAnamelba\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRaul del Mar\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eLucho Macedo\u003c\/b\u003e\u003cspan\u003e himself, who decided to sing for his new record label. The mythical singer \u003c\/span\u003e\u003cb\u003eJohnny Arce\u003c\/b\u003e\u003cspan\u003e, years later known as Mr. Macondo, also appears on the album on the two guarachas: \"La Renga\", a composition by \u003c\/span\u003e\u003cb\u003eEsther Forero\u003c\/b\u003e\u003cspan\u003e, known as \"La novia de Barranquilla\"; and \"Yo Soy Candela\", a composition by the Colombian \u003c\/span\u003e\u003cb\u003eRay Rodríguez\u003c\/b\u003e\u003cspan\u003e. Finally, \"La Chola\" is a cumbia by Peruvian composer \u003c\/span\u003e\u003cb\u003eTomás Benítez\u003c\/b\u003e\u003cspan\u003e; and \"Mambo Jazz\" is a version of the descarga \"Yayi's Instant Mambo\", an innovative instrumental track performed by Puerto Rican \u003c\/span\u003e\u003cb\u003eWillie Rosario\u003c\/b\u003e\u003cspan\u003e, who recorded it in the United States at the start of 1966 with his own orchestra. Betico Salas would later release two more albums and become a legendary trumpet player in Peruvian musical history.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653805335,"sku":"VAMPI 272LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/BaileUd.ConBeticoSalas.jpg?v=1776745575"},{"product_id":"la-retreta-mayor-lp","title":"La Retreta Mayor","description":"\u003cp\u003e\u003cspan\u003eFirst time reissue of the awesome Latin jazz-funk self-titled LP from Venezuelan band \u003c\/span\u003e\u003cb\u003eLa Retreta Mayor\u003c\/b\u003e\u003cspan\u003e, founded and led by guitarist \u003c\/span\u003e\u003cb\u003eAlex Rodríguez\u003c\/b\u003e\u003cspan\u003e, originally released in 1976 on Discomoda. Rodríguez is a classical and jazz trained guitarist who in the early days of his career would join some of the best orchestras in Venezuela, including \u003c\/span\u003e\u003cb\u003eAldemaro Romero\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003cb\u003eOnda Nueva\u003c\/b\u003e\u003cspan\u003e. He put together this brief project: \u003c\/span\u003e\u003cb\u003eLa Retreta Mayor\u003c\/b\u003e\u003cspan\u003e, which only released this one album. La Retreta Mayor was a short-lived ten-piece band with the addition of numerous guest musicians, totaling 29 members, that created a jazz-funk and fusion gem considered a reference in Venezuelan music history. The group unfortunately disbanded right after the recording and did not play live or record any more music together. The album contains quite a few heaters for the dance floor like \"Zambo\" and \"Líquido Elemento\", blazing with the rich brass section and percussion, not to mention the opener \"Torta de Pan\", reminiscent of recordings of classic US funk bands such as the \u003c\/span\u003e\u003cb\u003eJBs\u003c\/b\u003e\u003cspan\u003e. Rodríguez would follow this album two years later with the now much sought-after LP \u003c\/span\u003e\u003ci\u003eBúsqueda\u003c\/i\u003e\u003cspan\u003e recorded and produced between the States and Venezuela. 180 gram vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653838103,"sku":"VAMPI 276LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/LaRetretaMayor.jpg?v=1776745494"},{"product_id":"cumbia-cumbia-v1-2lp","title":"Cumbia Cumbia Cumbia!!! Vol. 1","description":"\u003cp\u003e\u003cspan\u003e2025 repress. The historical origins of cumbia in Colombia are nebulous and imprecise. The mythology surrounding it suggests an ancient past when Amerindian, African and European musical sounds were mixed together. The main record companies in Colombia such as Discos Fuentes, Discos Tropical, Sonolux, Zeida-Codiscos, Silver, Ondina, Discos Atlantic, Vergara, and Curro were created between Barranquilla, Medellín, Cartagena, and Bogotá from 1936 to 1954. All of them, without exception, recorded Colombian tropical music that over the years was given different names such as porro, gaita, fandango, paseaito, merecumbé, mapalé, bullerengue or, of course, cumbia. This first volume in the series \u003c\/span\u003e\u003ci\u003eCumbia Cumbia Cumbia!!!\u003c\/i\u003e\u003cspan\u003e comprises 24 Colombian cumbia bangers for the dancefloor from the deep vaults of Discos Fuentes, the most emblematic and best remembered label in the golden age of the genre. This is complemented by a selection of cumbias recorded by the label Discos Tropical, which sold most of its catalog to Discos Fuentes in 1990. Discos Fuentes concentrated on recording cumbias played on the accordion and by orchestras and ensembles. The label produced a prodigious number of albums devoted to cumbias between 1962 and 1979, which served to define ambiguous stereotypes, rooted as much in authenticity and modernity as in demure sensuality and joyful nostalgia. \u003c\/span\u003e\u003ci\u003eCumbia Cumbia Cumbia!!!\u003c\/i\u003e\u003cspan\u003e combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. Features \u003c\/span\u003e\u003cb\u003eJuan Piña Y Sus Muchachos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Corraleros De Majagual\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAníbal Velásquez Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCumbia Cipote Vaina\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCalixto Ochoa Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLucho Campillo Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLa Sonora Del Caribe\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEl Sexteto Miramar\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePello Torres Y Sus Diablos Del Ritmo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCombo Los Galleros\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Guacharacos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCombo Sampuesano\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eConjunto Típico Vallenato\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePedro Laza Y Sus Pelayeros\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAndrés Landero Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Golden Boys\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eOrquesta Nuñez\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Candelosos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMorgan Blanco Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePacho Galán Y Sus Sabaneros\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Gavilanes De La Costa\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLas Estrellas De Tolú\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Warahuaco\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRodolfo Aicardi Y Su Tipica Ra7\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653870871,"sku":"VAMPI 284LP","price":37.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Cumbiavol1.jpg?v=1776743343"},{"product_id":"el-clan-antillano-lp","title":"El Clan Antillano","description":"\u003cp\u003e\u003cb\u003eEl Clan Antillano\u003c\/b\u003e\u003cspan\u003e was an obscure, short-lived salsa group started in 1975 by singer \u003c\/span\u003e\u003cb\u003eJacky \"El Caballo\" Carazo\u003c\/b\u003e\u003cspan\u003e, originally from Cartagena, and radio host\/song composer \u003c\/span\u003e\u003cb\u003eMike Char\u003c\/b\u003e\u003cspan\u003e, from Barranquilla. This is their first album and was recorded with local studio musicians. It's been said that most on the first album were from \u003c\/span\u003e\u003cb\u003eFruko Y Sus Tesos\u003c\/b\u003e\u003cspan\u003e (the voice of \u003c\/span\u003e\u003cb\u003eJoe Arroyo\u003c\/b\u003e\u003cspan\u003e can be heard on coro) as well as others involved with various groups like \u003c\/span\u003e\u003cb\u003eLa Protesta (de Colombia)\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eJuan Piña\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003cb\u003eLa Revelación\u003c\/b\u003e\u003cspan\u003e. Three bonus tracks have been added to the album as it was originally very short. Interestingly, there were four songs from two 45 singles cut by the band that were never included on either long play. While the ephemeral El Clan Antillano may not be as well-known as the groups it's related to, namely \u003c\/span\u003e\u003cb\u003eEl Afrocombo\u003c\/b\u003e\u003cspan\u003e and Fruko Y Sus Tesos, it certainly deserves credit as a worthy participant in the historical evolution of salsa colombiana. First time reissue. 180g vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654034711,"sku":"VAMPI 288LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/ElClanAntillano.jpg?v=1776745402"},{"product_id":"desde-epana-lp","title":"Desde Espana... La Columna De Fuego","description":"\u003cp\u003e\u003cspan\u003eConsidered one of the most innovative groups on the Colombian musical circuit in 1973, \u003c\/span\u003e\u003cb\u003eColumna de Fuego\u003c\/b\u003e\u003cspan\u003e forged its sound by creatively and organically mixing elements of heavy rock with rhythms rooted in the music of the Pacific and Caribbean coasts of the country. Columna de Fuego, the first Colombian rock band to tour outside South America, was the supporting act for \u003c\/span\u003e\u003cb\u003eLeonor González\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eLa Negra Grande de Colombia\u003c\/b\u003e\u003cspan\u003e) for months and featured members of \u003c\/span\u003e\u003cb\u003eLos Young Beats\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Speakers\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eSiglo Cero\u003c\/b\u003e\u003cspan\u003e. Their only LP, recorded in Spain and released in Colombia only in 1974, was a turning point in the history of Colombian rock, an album full of funk, soul, cumbia and currulao that maintains a fast pace from start to finish. After unsuccessful attempts to establish themselves in Europe, the group parted ways; some members returned to Colombia and others stayed in Europe as part of \u003c\/span\u003e\u003cb\u003eLa Banda Salsa\u003c\/b\u003e\u003cspan\u003e, a vibrant and little mentioned chapter in the history of Latin rock. \u003c\/span\u003e\u003cb\u003eRoberto Fiorilli\u003c\/b\u003e\u003cspan\u003e, the stand-out drummer of Colombian rock, returned to his native Italy. Over the following five decades, the myth of Columna de Fuego, that wonderful Bogota rock band that dared to experiment with the music of the Colombian coastline, grew. The curiosity of musicians interested in the traditional music and folklore of the coasts since the late '80s, the consequent mixture of different musical genres (modern and roots) at the end of the 20th century and the almost impossible desire of collectors to find a copy of the album or one of the band's singles, gave it the status it should always have had as a pioneer, milestone and beacon. After remaining unavailable for five decades, we are proud to now present the first-time reissue of this obscure gem with its original artwork, including an insert with notes and rare photos.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654100247,"sku":"VAMPI 289LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/DesdeEspana...LaColumnaDeFuego.jpg?v=1776745301"},{"product_id":"cumbia-cumbia-v2-2lp","title":"Cumbia Cumbia Cumbia!!! Vol.2","description":"\u003cp\u003e\u003cspan\u003e2025 repress. A selection of 28 Colombian cumbia bangers for the dance floor from the deep vaults of Codiscos and associated labels Costeño, Zeida and Famoso, all of them originally released between 1962 and 1983. \u003c\/span\u003e\u003ci\u003eCumbia Cumbia Cumbia!!!\u003c\/i\u003e\u003cspan\u003e combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. The historical origins of cumbia in Colombia are nebulous and imprecise. The mythology surrounding it suggests an ancient past when Amerindian, African and European musical sounds were mixed together. The main record companies in Colombia such as Discos Fuentes, Discos Tropical, Sonolux, Zeida-Codiscos, Silver, Ondina, Discos Atlantic, Vergara and Curro were created between Barranquilla, Medellín, Cartagena and Bogotá from 1936 to 1954. All of them, without exception, recorded Colombian tropical music that over the years was given different names such as porro, gaita, fandango, paseaito, merecumbé, mapalé, bullerengue or, of course, cumbia. After digging deep into the overwhelming archive of Discos Fuentes in the previous volume, this second instalment in the series \u003c\/span\u003e\u003ci\u003eCumbia Cumbia Cumbia!!!\u003c\/i\u003e\u003cspan\u003e comprises 28 Colombian cumbia bangers for the dance floor from the deep vaults of Codiscos and associated labels Costeño, Zeida and Famoso, all of them originally released between 1962 and 1983. Legally established on July 1, 1950, Zeida (later Codiscos) was one of the companies that consolidated Medellín as the epicenter of the Colombian recording industry in the central decade of the last century. \u003c\/span\u003e\u003ci\u003eCumbia Cumbia Cumbia!!!\u003c\/i\u003e\u003cspan\u003e combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. Featuring \u003c\/span\u003e\u003cb\u003eLos Hermanos Martelo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Trotamundos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAntonio León Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAntolín Y Su Combo Orense\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eFrancisco Zapata\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCrescencio Salcedo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSonidos De Gamero\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Teen Agers\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMiguel Villalba Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCalixto Ochoa\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAlfredo Gutiérrez Y Los Caporales Del Magdalena\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEl Michi Y Su Combo Bravo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Graduados\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGabriel Mesa\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAdolfo Pacheco Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEl Conjunto Miramar\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEl Combo Cienaguero\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLa Sonora Universitaria\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eOrquesta De Marcial Marchena\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRita Fernández\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJaime Llano González\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Arko\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAniceto Molina Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Bobby Soxers\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCatalino Y Su Combo Negro\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLa Cumbia Moderna De Soledad\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAlejandro Bernal\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eGrupo La Droga\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654296855,"sku":"VAMPI 298LP","price":37.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Cumbiavol2.jpg?v=1776743079"},{"product_id":"un-hilo-de-lp","title":"Un Hilo De Luz","description":"\u003cp\u003e\u003cspan\u003eUnknown spiritual jazz gem recorded in Argentina in the '80s, under the influence of \u003c\/span\u003e\u003cb\u003ePharoah Sanders\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDon Cherry\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eArchie Shepp\u003c\/b\u003e\u003cspan\u003e, and originally released on \u003c\/span\u003e\u003cb\u003eLitto Nebbia\u003c\/b\u003e\u003cspan\u003e´s label Melopea. Already supported by \u003c\/span\u003e\u003cb\u003eGilles Peterson\u003c\/b\u003e\u003cspan\u003e on his radio show, this mind-blowing album combines ethno-free jazz passages and deep progressive compositions led by saxophonist \u003c\/span\u003e\u003cb\u003eMarcelo Peralta\u003c\/b\u003e\u003cspan\u003e resulting a very impressive ode to the legacy of \u003c\/span\u003e\u003cb\u003eColtrane\u003c\/b\u003e\u003cspan\u003e. This is the first and only album ever released by this band, \u003c\/span\u003e\u003cb\u003eGrupo de Improvisación Tercer Mundo\u003c\/b\u003e\u003cspan\u003e (\"Third World Improvisation Group\"), formed by a quartet of young musicians based in Buenos Aires accompanied by drummer \u003c\/span\u003e\u003cb\u003eNorberto Minchillo\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eLópez Fürst\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eFernando Gelbard\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJorge Navarro\u003c\/b\u003e\u003cspan\u003e) and Litto Nebbia himself during the recording sessions. They would also organize weekly jam sessions in public spaces in Buenos Aires, getting visual artists, poets and even passersby involved in these communal actions that aimed to promote self-expression in an environment of total freedom. After the gigs they'd gather again for intense listening sessions of deep jazz for hours. \"Almas Liberadas\" and \"Un Hilo de Luz\" sound as a clear tribute to Pharoah Sanders, as the subtitle of the latter openly states. First time reissue. Includes extensive notes and many previously unpublished photos.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654362391,"sku":"VAMPI 300LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/UnHiloDeLuz.jpg?v=1776745023"},{"product_id":"magnifico-boogaloo-2lp","title":"Magnifico Boogaloo","description":"\u003cp\u003e\u003cspan\u003eThese two vinyl records showcase the legacy left by the boogaloo movement in Peru between 1966 and 1975. They comprise twenty-two songs by seventeen artists who recorded on the remarkable local label MAG more than five decades ago and now invite today's new generations to dance body and soul to these re-releases. You will find outstanding tracks by the likes of \u003c\/span\u003e\u003cb\u003eTito Chicoma\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMelcochita\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Kintos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eOtto Rojas\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eCoco Lagos\u003c\/b\u003e\u003cspan\u003e among many others. MAG was one of the most important and prolific labels in Peru and, though it also was involved in releasing a lot of other types of music, its specialty was the tropical variety, which coincidentally, DJs and collectors seem to crave most. Peru developed a major boogaloo scene in the mid-60s, far from the genre's place of origin, New York, where iconic songs like \"Bang Bang\" and \"El Pito\" fused soul and funk with Latin sounds, conquering dance halls and winning extensive radio airplay. The music trend soon spread to Caribbean countries and from there made the geographical leap to the city of Lima. Although \u003c\/span\u003e\u003cb\u003eJoe Bataan\u003c\/b\u003e\u003cspan\u003e claimed that boogaloo was killed off at the end of the sixties by the labels and their veteran musicians (who conspired against the new generation of singers), \u003c\/span\u003e\u003cb\u003ePete Rodriguez\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRichie Ray\u003c\/b\u003e\u003cspan\u003e, and the \u003c\/span\u003e\u003cb\u003eLebrón Brothers\u003c\/b\u003e\u003cspan\u003e continued to release boogaloo records in Peru, but salsa music soon took over. These two vinyl records showcase the legacy left by this movement in Peru between 1966 and 1975. They comprise twenty-two songs by seventeen artists who recorded more than five decades ago and now invite today's new generations to dance body and soul to these re-releases. Featuring \u003c\/span\u003e\u003cb\u003eSantiago Silva\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eÑico Estrada\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBeto Villena\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eNilo Espinosa Y Su Orquesta\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePancho Acosta Y Sus Guaracheros\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eKaramanduka, Mag Peruvian All Stars\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJoe Di Roma\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSonora Casino\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLuciano Luciani Y Sus Mulatos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMario Allison Y Su Combo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCoco Lagos Y Sus Orates\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLaghonia\/New Juggler Sound\u003c\/b\u003e\u003cspan\u003e, , \u003c\/span\u003e\u003cb\u003eSangre Joven\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eConjunto Los Rayos Del Ande\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654395159,"sku":"VAMPI 303LP","price":37.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/MagnificoBoogaloo.jpg?v=1776744931"},{"product_id":"concinado-lp","title":"Cocinando","description":"\u003cp\u003e\u003ci\u003eCocinando\u003c\/i\u003e\u003cspan\u003e is an epic historical treasure that captures the explosive impact of the tropical music movement on Peruvian culture. It includes salsa, guarachas, rumbas, chichas and boleros, all masterfully performed by MAG's session stars under the direction of \u003c\/span\u003e\u003cb\u003eMartín López\u003c\/b\u003e\u003cspan\u003e. Originally released in 1971, this Latin music gem comprises many outstanding dance floor tunes like \"El Botecito,\" \"Pa' Bailar\" or \"No Me Dejes.\" Get ready to be blown away! In 1969, singer and police lieutenant \u003c\/span\u003e\u003cb\u003ePedro Gregorio López\u003c\/b\u003e\u003cspan\u003e started recording a series of instrumental tracks and songs on the MAG record label in Peru, ranging from guaracha to cumbia, all cooked with musical eclecticism and simmered to appeal to a wide audience. Many of these musical ingredients combined on the 1971 album entitled \u003c\/span\u003e\u003ci\u003eCocinando\u003c\/i\u003e\u003cspan\u003e, in reference to the similarities between Peruvian cooking and tropical music. López began his career as a singer and orchestra conductor many years earlier, when he joined the backing singers for \u003c\/span\u003e\u003cb\u003eLucho Macedo's Sonora\u003c\/b\u003e\u003cspan\u003e. After completing his police training, he adopted the stage name Martín López, in order to preserve the anonymity his job required. Between 1969 and 1971 \u003c\/span\u003e\u003cb\u003eMartín López y sus Estrellas\u003c\/b\u003e\u003cspan\u003e recorded all the tracks comprised on this album, including salsa, guarachas, rumbas, chichas and boleros, proving their knowledge and mastery of the tropical music lexicon. It is not surprising since the orchestra was made up of the most talented label's session stars: including the double bassist \u003c\/span\u003e\u003cb\u003eJoe di Roma\u003c\/b\u003e\u003cspan\u003e, singer \u003c\/span\u003e\u003cb\u003ePablo Villanueva \"Melcochita\"\u003c\/b\u003e\u003cspan\u003e, percussionists \u003c\/span\u003e\u003cb\u003eÑiko Estrada\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eCoco Lagos\u003c\/b\u003e\u003cspan\u003e, and trumpeter \u003c\/span\u003e\u003cb\u003eTito Chicoma\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003ci\u003eCocinando\u003c\/i\u003e\u003cspan\u003e is an epic historical treasure that captures the explosive impact of the tropical music movement on Peruvian culture.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654427927,"sku":"VAMPI 305LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Cocinando.jpg?v=1776744812"},{"product_id":"cartao-lp","title":"Cartao Postal","description":"\u003cp\u003e\u003cspan\u003eNew 2025 restock. Reissued here for the first time, \u003c\/span\u003e\u003cu\u003eCartão Postal\u003c\/u\u003e\u003cspan\u003e is one of the best and most sought-after Brazilian funk-soul albums from the early '70s. It includes some outstanding up-tempo gems like \u003c\/span\u003e\u003cb\u003eMarcos\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003ePaulo Sergio Valle\u003c\/b\u003e\u003cspan\u003e's \"Que bandeira,\" and the stellar \"Esperar Prá Ver,\" co-written by \u003c\/span\u003e\u003cb\u003eEvinha\u003c\/b\u003e\u003cspan\u003e's brother \u003c\/span\u003e\u003cb\u003eRenato Corrêa\u003c\/b\u003e\u003cspan\u003e who also happened to be a member of the \u003c\/span\u003e\u003cb\u003eGolden Boys\u003c\/b\u003e\u003cspan\u003e. This is a classic Brazilian soul-funk title, right up there with all the greatest albums of the genre. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics. \u003c\/span\u003e\u003cu\u003eCartão Postal\u003c\/u\u003e\u003cspan\u003e was originally released on Odeon Brazil in 1971, a few years after Evinha started her solo career. From 1961 to 1968 she was a member of \u003c\/span\u003e\u003cb\u003eTrio Esperança\u003c\/b\u003e\u003cspan\u003e, alongside her brothers Mário and Regina. In 1969 Evinha won first prize at the Festival Internacional da Cançao Popular and her discography for Odeon took off. \u003c\/span\u003e\u003cu\u003eCartão Postal\u003c\/u\u003e\u003cspan\u003e, her third solo album, comprises some outstanding gems. \"Só Quero\" emanates samba soul sounds while songs like \"Por Mera Coincidência\" or \"Rico Sem Dinheiro\" resemble what Trio Esperança was doing at the time: vocal-driven groovy jams spiced with celestial strings arrangements and heavy-duty drums and basslines, which is not surprising since they both worked with the same producers and arrangers, as they were all Odeon artists. Ridiculously rare and expensive now, and at the top of many collectors' wants lists for decades, it's finally reissued here after years unavailable.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654460695,"sku":"VAMPI 308LP","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/CartaoPostal.jpg?v=1776744684"},{"product_id":"cumbia-cumbia-v3-2lp","title":"Cumbia Cumbia Cumbia!!! Vol.3","description":"\u003cp\u003e\u003cspan\u003eAfter digging deep into the overwhelming archives of Discos Fuentes and Codiscos in the previous volumes, this third instalment in the series \u003c\/span\u003e\u003ci\u003eCumbia Cumbia Cumbia!!!\u003c\/i\u003e\u003cspan\u003e comprises a selection of 28 Peruvian cumbia bangers for the dance floor from the deep vaults of Discos MAG, all of them originally released between 1964 and 1987. \u003c\/span\u003e\u003ci\u003eCumbia Cumbia Cumbia!!!\u003c\/i\u003e\u003cspan\u003e combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. The historical origins of cumbia are nebulous and imprecise. The mythology surrounding it suggests an ancient past when Amerindian, African and European musical sounds were mixed together. MAG had released porros since the label was set up, and by 1957 it was already selling records by the Colombian \u003c\/span\u003e\u003cb\u003eLucho Bermúdez\u003c\/b\u003e\u003cspan\u003e, a leading figure in porro and cumbia in orchestra format, from Buenos Aires. Colombian cumbia has come a long way in Peru since those years and put down its own roots, just as it has in other Latin American countries. This third volume of the series \u003c\/span\u003e\u003ci\u003eCumbia, cumbia, cumbia\u003c\/i\u003e\u003cspan\u003e demonstrates how the rhythm has persisted over three decades of Peruvian recordings, ranging from versions by orchestras and ensembles to original cumbias with electric guitars, with lingering echoes of Caracas-born \u003c\/span\u003e\u003cb\u003eHugo Blanco\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTulio Enrique León\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Teen Agers\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eAmparito Jiménez\u003c\/b\u003e\u003cspan\u003e. Featuring \u003c\/span\u003e\u003cb\u003eCarlos Pickling Y Su Orquesta\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Chicoques\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Demonios De Corocochay\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Felcas\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSonora Casino De Hugo Macedo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSam Brasil\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eVolada 5\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eOtto De Rojas Y Su Orquesta\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSilvestre Montez Y Sus Guantanameros\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eÑico Estrada\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eFreddy Roland Y Su Orquesta De Moda\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Avileños\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJoe Di Roma Y Su Conjunto\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Rumberos Del Solar\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Pavos Reales\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eNilo Espinosa Y Su Orquesta\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTito Chicoma Y Su Orquesta\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eNelson Ferreyra Y Su Sonora\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLos Kintos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eManzanita Con Los Cañeros\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eLos Belking's\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654558999,"sku":"VAMPI 312LP","price":37.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Cumbiavol3.jpg?v=1776742839"},{"product_id":"na-rua-na-chuva-lp","title":"Na Rua, Na Chuva, Na Fazenda","description":"\u003cp\u003e\u003ci\u003eNa Rua, na Chuva, na Fazenda\u003c\/i\u003e\u003cspan\u003e is a landmark 1975 album by \u003c\/span\u003e\u003cb\u003eHyldon\u003c\/b\u003e\u003cspan\u003e, a key figure in Brazilian soul music. The album captures the vibrant musical spirit of the 1970s and reflects the influence of the black power movement. With a mix of MPB, soul, and funk, Hyldon brought his unique sound to life, collaborating with influential artists like \u003c\/span\u003e\u003cb\u003eAzymuth\u003c\/b\u003e\u003cspan\u003e. This album has earned cult status over the years, securing its place as one of the most coveted Brazilian records of all time. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics. Hyldon's debut release was one of the top-selling albums that year, capturing the vibrant musical spirit of the 1970s and reflecting the influence of the black power movement alongside artists like \u003c\/span\u003e\u003cb\u003eTim Maia\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eCassiano\u003c\/b\u003e\u003cspan\u003e. The album, which features the iconic title track, is a celebration of love with timeless songs like \"As Dores do Mundo,\" \"Na Sombra de uma Árvore\" and \"Meu Patuá.\" Produced by \u003c\/span\u003e\u003cb\u003eGuti Carvalho\u003c\/b\u003e\u003cspan\u003e with arrangements by Hyldon and \u003c\/span\u003e\u003cb\u003eWaldir Arouca Barros\u003c\/b\u003e\u003cspan\u003e, the studio band included the talented musicians from Azymuth (\u003c\/span\u003e\u003cb\u003eJosé Roberto Bertrami\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAlex Malheiros\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eIvan Conti \"Mamão\"\u003c\/b\u003e\u003cspan\u003e), making it a memorable piece of Brazilian musical history. This album has earned cult status over the years, securing its place as one of the most coveted Brazilian records of all time. Once incredibly rare and expensive, it's now at the top of every serious collector's wishlist. After being unavailable outside of Brazil for years, it's finally been reissued -- don't miss your chance to own this legendary piece of music history.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654657303,"sku":"VAMPI 315LP","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Hyldon.jpg?v=1776744494"},{"product_id":"garra-lp","title":"Garra","description":"\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan id=\"ctl00_ContentPlaceHolder1_lblDescription\"\u003eRepressed.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMarcos Valle\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis one of the few artists you cannot miss if you have the slightest interest in Brazilian music. Whether your taste is focused on bossa jazz, samba, psych folk or soul, Valle has surely recorded a great album for you.\u003cspan\u003e \u003c\/span\u003e\u003cu\u003eGarra\u003c\/u\u003e\u003cspan\u003e \u003c\/span\u003ewas originally released in 1971 and brought listeners Valle's classics such as \"Com Mais De 30,\" \"O Cafona,\" \"Vinte E Seis Anos De Vida Normal,\" and the rare groove classic \"Wanda Vidal.\" Remastered from the original tapes and pressed on 180g vinyl, this release is part of Vampisoul's new reissue series that comprises many other outstanding Brazilian classics by the likes of\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEvinha\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCassiano\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGerson King Combo\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eHyldon\u003c\/b\u003e, and more. By the dawn of the 1970s, the multi-talented Valle was entering a new era, ready to test the government censors (Brazil was under strict military rule since a coup d'état in 1964) and express a socially aware stance and a playful hodge-podge of musical styles including samba, bossa nova, baião (a rhythmic beat from the rural northeast of Brazil), black American music, and rock.\u003cspan\u003e \u003c\/span\u003e\u003cu\u003eGarra\u003c\/u\u003e\u003cspan\u003e \u003c\/span\u003emaintains the same socially conscious content as in his previous album while also combining diverse musical styles and influences.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654722839,"sku":"VAMPI 317LP","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Garra.jpg?v=1776744378"},{"product_id":"valle-m-lp","title":"Marcos Valle (1970)","description":"\u003cp\u003e\u003cspan\u003eRepressed. \u003c\/span\u003e\u003cb\u003eMarcos Valle\u003c\/b\u003e\u003cspan\u003e is one of the few artists you cannot miss if you have the slightest interest in Brazilian music. Whether your taste is focused on bossa jazz, samba, psych folk or soul, Valle has surely recorded a great album for you. His much sought-after and stunning self-titled album from 1970 includes \"Ele E Ela,\" as sampled on \u003c\/span\u003e\u003cb\u003eJay-Z\u003c\/b\u003e\u003cspan\u003e's \"Thank You,\" as well as some of his most popular songs like \"Freio Aerodinamico\" and \"Os Grilos,\" swinging between sophistication and groove. Remastered from the original tapes and pressed on 180g vinyl, this release is part of Vampisoul's new reissue series that comprises many other outstanding Brazilian classics by the likes of \u003c\/span\u003e\u003cb\u003eEvinha, Cassiano, Gerson King Combo, Hyldon\u003c\/b\u003e\u003cspan\u003e, and more. By the dawn of the 1970s, the multi-talented Valle was entering a new era, ready to test the government censors (Brazil was under strict military rule since a coup d'état in 1964) and express a socially aware stance and a playful hodge-podge of musical styles including samba, bossa nova, baião (a rhythmic beat from the rural northeast of Brazil), black American music, and rock. \u003c\/span\u003e\u003ci\u003eMarcos Valle\u003c\/i\u003e\u003cspan\u003e was originally released in 1970 and features a dynamic musical backing from some of Brazil's most gifted players.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654788375,"sku":"VAMPI 318LP","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/MarcosValle_1970.jpg?v=1776744246"},{"product_id":"sonido-amaz-lp","title":"Sonido Amazonico","description":"\u003cp\u003e\u003cspan\u003e2026 repress. \u003c\/span\u003e\u003cb\u003eRanil\u003c\/b\u003e\u003cspan\u003e is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside all the better-known iconic bands. He worked as a teacher, criollo guitarist, radio host, TV entrepreneur, and politician, but gained lasting fame as the founder of \u003c\/span\u003e\u003cb\u003eRanil y Su Conjunto Tropical\u003c\/b\u003e\u003cspan\u003e in the 1970s. By 1968, around the same time \u003c\/span\u003e\u003cb\u003eLos Destellos\u003c\/b\u003e\u003cspan\u003e were making waves in Lima, groups like \u003c\/span\u003e\u003cb\u003eLos Wembler's de Iquitos\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eJuaneco y su Combo\u003c\/b\u003e\u003cspan\u003e began electrifying cumbia in Iquitos. This new genre, dubbed Amazonian cumbia, exploded nationwide in 1973, thanks to hits by Juaneco y su Combo, \u003c\/span\u003e\u003cb\u003eLos Mirlos\u003c\/b\u003e\u003cspan\u003e, and Los Wembler's. The success these bands achieved spawned dozens of other groups from the Amazon. Ranil, always a visionary, recognized the movement's potential and joined forces through his first single recorded on the Dinsa label in 1974. Unhappy with the contractual terms, he went on to found Producciones Llerena, the label on which he would release the rest of his discography. Over the years, Ranil y su Conjunto Tropical featured guitarists like \u003c\/span\u003e\u003cb\u003eLímber Zumba\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eLuis Nigro\u003c\/b\u003e\u003cspan\u003e, while Ranil remained the lead vocalist and bassist for group. Zumba and Nigro had already played with other regional bands and written songs for groups like Los Destellos and Los Mirlos. This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s, bringing together 14 tracks from the band's ten LPs. These records have always been hard to come by as, despite being recorded in Lima, they were distributed by Ranil from Iquitos. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk -- you'll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654886679,"sku":"VAMPI 328LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/SonidoAmaz.jpg?v=1776744111"},{"product_id":"el-bailador-de-la-lp","title":"El Bailador De La Esquina","description":"\u003cp\u003e\u003cspan\u003eThis curated collection comprises hard-to-find salsa 45s from the Discos Fuentes vaults -- deep cuts that have long flown under the radar but still light up dance floors today. This compilation also includes a range of studio experiments and covers -- where artists like \u003c\/span\u003e\u003cb\u003ePiper Pimienta\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGalileo y Su Banda\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eLa Integración\u003c\/b\u003e\u003cspan\u003e reimagined beloved hits, from boleros to vallenatos, through a distinctly Colombian salsa lens. During the golden age of vinyl -- from the 1960s through the 1980s -- Colombia produced an astonishing number of 45 rpm records -- many of them not tied to full albums, that continue to surprise collectors and music lovers today. This abundance can be attributed to many factors: affordability, jukebox demand, radio promotion, or simply the joy of sharing a small musical token with a loved one. Whatever the reason, these little records traveled far and wide, sometimes ending up in distant countries -- especially Mexico -- carried by DJs, collectors, or pirate radio waves. They became cultural passports, spreading salsa, cumbia, son montuno, and more. These tracks, once pressed in small numbers, feature top tier musicianship, fiery brass, unforgettable grooves, and lyrical gems that reflect the rich diversity of Colombia's musical landscape. Every track tells a story -- of artistic ambition, social change, regional identity, or simple joy. Some were attempts at hits, others personal expressions or studio curiosities. What they share is an authenticity that continues to resonate. These obscure gems, long scattered across dusty crates and forgotten jukeboxes, now find new life. They speak not just to the past, but to a timeless rhythm that still moves dancers and dreamers alike. Featuring \u003c\/span\u003e\u003cb\u003eSuper Combo Los Famosos\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSexteto Manaure\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLa Protesta De Colombia\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSonora Guantanamera\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eOrquesta Salsa Panamericana\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLa Integración\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGalileo Y Su Banda\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Latin Brothers\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003ePiper Pimienta Y Su Orquesta\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eFruko Y Sus Tesos\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654952215,"sku":"VAMPI 332LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/ElBailadorDeLa.jpg?v=1776743912"},{"product_id":"hasabe-my-lp","title":"Hasabe - My Worries","description":"\u003cp\u003e\u003ci\u003eHasabe\u003c\/i\u003e\u003cspan\u003e is a thoughtfully curated collection of Ethio-groove recordings from one of the overlooked pioneers of 1970s Addis Ababa's vibrant music scene -- \u003c\/span\u003e\u003cb\u003eAyalew Mesfin\u003c\/b\u003e\u003cspan\u003e and his \u003c\/span\u003e\u003cb\u003eBlack Lion Band\u003c\/b\u003e\u003cspan\u003e. Expect trap drum kits, jazz big-band styled horn sections, funky guitars played through wah wah and fuzz pedals -- all seasoned with a unique Ethiopian touch. Reissued once again thanks to Vampisoul's collaboration with Now Again. Pressed on 180g vinyl. For many, the music created in 1970s Ethiopia will sound both familiar and alien: while the trappings of '70s Ethiopian music carry some aspects that those in the West will easily identify with the Ethiopian style of singing, and the modes in which the musicians move, may confound. Perhaps some who have delved into the instrumental Ethio-Jazz of \u003c\/span\u003e\u003cb\u003eMulatu Astatke\u003c\/b\u003e\u003cspan\u003e -- a well-known Ethiopian musical export, relatively unknown in his homeland -- will have a context in which to engage this great compilation of '70s Ethiopian music by Ayalew Mesfin. The music Mesfin created with his Black Lion Band is amongst the funkiest to arise from Addis Ababa; his recording career, captured in nearly two dozen 7\" singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia's 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of the unconquerable East African nation. Ayalew was forced underground by the Derg regime that took control of the country in 1974. Until recently, only four of Ayalew Mesfin's tracks had been reissued, appearing in the well-known \u003c\/span\u003e\u003ci\u003eÉthiopiques\u003c\/i\u003e\u003cspan\u003e series. \u003c\/span\u003e\u003ci\u003eHasabe\u003c\/i\u003e\u003cspan\u003e marks the first comprehensive release of this powerful and long-overlooked body of work by an artist whose originality and resistance defined a genre: Ethio-groove. More than four decades later, this album offers the rare opportunity to rediscover a vital and beautiful chapter in global music history.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697655017751,"sku":"VAMPI 333LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Hasabe-MyWorries.jpg?v=1776743813"},{"product_id":"tornado-t-lp","title":"Toni Tornado","description":"\u003cp\u003e\u003cspan\u003eOriginally released in 1972, \u003c\/span\u003e\u003cb\u003eToni Tornado\u003c\/b\u003e\u003cspan\u003e's self-titled debut is a landmark in Brazilian soul and funk -- a gritty, groovy record that helped define the sound of the Black Rio movement. 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By the 1970s, other Brazilian musicians, such as \u003c\/span\u003e\u003cb\u003eBanda Black Rio\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCassiano\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGerson King Combo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJorge Ben\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eGilberto Gil\u003c\/b\u003e\u003cspan\u003e, began making soul records. DJs started throwing soul-only parties. Toni Tornado's voice carries grit and passion, his grooves hit hard, and his message is crystal clear -- Black is beautiful, and the funk is real. Back on vinyl for a new generation, this reissue is more than a collector's gem -- it's a time capsule from an era when music moved bodies and minds. Essential listening for fans of vintage soul, global funk, and revolutionary sounds. 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After the mid-'60s, the big bands gradually fell into decline, but the popular demand for tropical music did not. Facing this situation, the major record companies created smaller-format groups with one particular feature: they mixed accordion music with brass bands. This new volume of \u003c\/span\u003e\u003ci\u003eCumbia Cumbia Cumbia!!!\u003c\/i\u003e\u003cspan\u003e combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. 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