{"title":"North America","description":"","products":[{"product_id":"femenine-2lp","title":"Femenine","description":"\u003cp\u003e\u003cspan\u003e2026 restock. Double-LP version, black vinyl in gatefold sleeve -- on vinyl for the first time, in a revelatory new remaster by \u003c\/span\u003e\u003cb\u003eJim O'Rourke\u003c\/b\u003e\u003cspan\u003e. In 2016, Finnish label frozen reeds published the première release of \u003c\/span\u003e\u003cb\u003eJulius Eastman\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003cu\u003eFemenine\u003c\/u\u003e\u003cspan\u003e, for chamber ensemble. Laying unheard for decades prior, the release documented a 1974 performance by the \u003c\/span\u003e\u003cb\u003eS.E.M. Ensemble\u003c\/b\u003e\u003cspan\u003e with the composer himself on piano. Lauded in Pitchfork (awarded \"Best New Music\"), The New Yorker, and The New York Times, the first release of \u003c\/span\u003e\u003cu\u003eFemenine\u003c\/u\u003e\u003cspan\u003e served as the catalyst that propelled Eastman's music into the mainstream. Articles on Eastman's music and its immediate disruptive impact on the classical canon began to appear in every major news organ in the English-speaking world and beyond. His music began to be programmed in major concerts and festivals, several of these entirely themed around his life and work. New recordings sprang up from a fresh generation of musicians engaging with his ideas and interpreting them for a modern audience hungry to hear more. But the raw, emotionally cascading spirit of the original performance continues to inspire listeners. Joyous, insistent, and immersive, \u003c\/span\u003e\u003cu\u003eFemenine\u003c\/u\u003e\u003cspan\u003e bathes the listener in surges of tonal color from intertwining winds, piano, violin, pitched percussion, synthesizer, and -- uniquely -- the composer's own invention of mechanized sleigh bells, which provide the 72-minute piece with its characteristic pulse. \u003c\/span\u003e\u003cu\u003eFemenine\u003c\/u\u003e\u003cspan\u003e was recorded live by \u003c\/span\u003e\u003cb\u003eSteve Cellum\u003c\/b\u003e\u003cspan\u003e -- co-producer of \u003c\/span\u003e\u003cb\u003eArthur Russell\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003cu\u003eWorld of Echo\u003c\/u\u003e\u003cspan\u003e -- and the new vinyl reissue has been remastered from the original high-definition tape transfer by \u003c\/span\u003e\u003cb\u003eJim O'Rourke\u003c\/b\u003e\u003cspan\u003e at his Steamroom studio in the Japanese mountains. Illuminating sleeve notes are provided by composer and author \u003c\/span\u003e\u003cb\u003eMary Jane Leach\u003c\/b\u003e\u003cspan\u003e, key figure of the Eastman revival and co-editor of the \u003c\/span\u003e\u003cu\u003eGay Guerrilla\u003c\/u\u003e\u003cspan\u003e collection of essays on his life and music. Gatefold. \"\u003c\/span\u003e\u003ci\u003eEastman's stated aim with\u003cspan\u003e \u003c\/span\u003e\u003cu\u003eFemenine\u003c\/u\u003e\u003cspan\u003e \u003c\/span\u003ewas to please listeners, saying of the piece that 'the end sounds like the angels opening up heaven . . . should we say euphoria?\u003c\/i\u003e\u003cspan\u003e\" --Mary Jane Leach\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697652986135,"sku":"FR 006LP","price":41.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Femenine.jpg?v=1776747655"},{"product_id":"glass-4lp-box","title":"The Complete Piano Etudes (Performed by Vanessa Wagner)","description":"\u003cp\u003e\u003cspan\u003e4LP box set version. \"After more than thirty years of working with and performing the great repertoire, the music of Philip Glass has, in a way, almost revolutionized my life as a musician,\" confides \u003c\/span\u003e\u003cb\u003eVanessa Wagner\u003c\/b\u003e\u003cspan\u003e. An emblematic artist on the French music scene, winner of a Victoire de la musique award and director of the Chambord and Giverny festivals, Vanessa Wagner is as inspired in her interpretation of \u003c\/span\u003e\u003cb\u003eMozart\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDebussy\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTchaikovsky\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eDusapin\u003c\/b\u003e\u003cspan\u003e as she is alongside \u003c\/span\u003e\u003cb\u003eMurcof\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eRone\u003c\/b\u003e\u003cspan\u003e. With her innovative and daring approach, she has established herself as a major influence on the classical music landscape, crossing boundaries and blazing inspiring trails. For InFiné, she has dedicated four albums to the major figures of this movement, \u003c\/span\u003e\u003cb\u003eJohn Adams\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMeredith Monk\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBrian Eno\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eRyūichi Sakamoto\u003c\/b\u003e\u003cspan\u003e, as well as to the new generation \u003c\/span\u003e\u003cb\u003eCaroline Shaw\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBryce Dessner\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eNico Muhly\u003c\/b\u003e\u003cspan\u003e. After giving numerous concerts based on these works, she felt the need to record in their entirety this essential monument in the history of music, which bridges the gap between the 20th and 21st centuries: Philip Glass's \u003c\/span\u003e\u003cu\u003e20 Etudes\u003c\/u\u003e\u003cspan\u003e for piano by Philip Glass. His approach helps to place these two books in the great repertoire, alongside the great cycles of studies by \u003c\/span\u003e\u003cb\u003eLigeti\u003c\/b\u003e\u003cspan\u003e, Debussy, Dusapin, and before them, Chopin and Liszt. The thread linking Philip Glass to Vanessa Wagner may be as simple as a detail: a moment, a pedagogy, a way of looking at the piano. In \u003c\/span\u003e\u003cu\u003eWords Without Music\u003c\/u\u003e\u003cspan\u003e, Glass recalls his apprenticeship with \u003c\/span\u003e\u003cb\u003eNadia Boulanger\u003c\/b\u003e\u003cspan\u003e in Paris -- a lesson in rigorous received just as the Nouvelle Vague was about to shatter the conventions of cinema the conventions of cinema, just as the composers of the minimalist movement had done with the language of music. Nurtured by Ravel and Debussy, the great French pedagogue disciplined yet inquisitive minds, capable of embracing modernity without denying modernity without denying their heritage.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653051671,"sku":"IF 1099LP","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/TheCompletePianoEtudes.jpg?v=1776747473"},{"product_id":"continuation-lp","title":"Continuation","description":"\u003cp\u003e\u003cspan\u003eA cascading piano improvisation by \u003c\/span\u003e\u003cb\u003eXiu Xiu\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003cb\u003eHyunhye Seo\u003c\/b\u003e\u003cspan\u003e, recorded live during a Nam June Paik exhibition in Turin. On Side B, Japanese avant-garde pioneer \u003c\/span\u003e\u003cb\u003ePhew\u003c\/b\u003e\u003cspan\u003e reinterprets Seo's performance into a new electronic landscape. Music as surrender, dialogue between performer, space and the present moment. 200 copies. Comes with Obi. Hyunhye Seo, a core member of Xiu Xiu, in her solo work navigates the precarious edges where composition dissolves into pure gesture. Through ecstatic piano improvisations, restless percussive attacks and an expansive use of acoustic space, she constructs layered sonic environments that move across the boundaries of noise, avant-garde jazz, ambient and contemporary classical music. Her performances reveal an unfiltered process of listening and creation -- a practice in which thinking becomes the enemy, and surrender the only viable strategy. \"Continuation\" captures one such surrender. Recorded live at MAO -- Museo d'Arte Orientale in Turin during the exhibition Rabbit Inhabits the Moon -- The Art of Nam June Paik in the Mirror of Time, this cascading piano improvisation unfolds as a dialogue between performer, space and the particular acoustics of a museum built to house contemplative objects. \u003c\/span\u003e\u003cb\u003eJamie Stewart\u003c\/b\u003e\u003cspan\u003e processes the sound in real time; \u003c\/span\u003e\u003cb\u003eGiuseppe Ielasi\u003c\/b\u003e\u003cspan\u003e shapes the final mix. What emerges is a work of charged immediacy -- restless gestures giving way to passages of unexpected tenderness, noise and silence trading places in continuous exchange. The title is precise: this is music that refuses conclusion, that exists in a state of perpetual becoming. On Side B, \"Continuous Extension\" offers an unprecedented response. Phew -- the pioneering figure of Japanese avant-garde music since the late 1970s -- was invited by curators \u003c\/span\u003e\u003cb\u003eChiara Lee\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eFreddie Murphy\u003c\/b\u003e\u003cspan\u003e to reinterpret Seo's performance. Working with synthesizer and subtle processing, Phew distills the resonances of \"Continuation\" into a new electronic landscape -- waves of abstraction that echo like reflections in sound, tracing the harmonic tensions of Seo's playing into territories she herself did not visit. The accompanying booklet includes an essay by \u003c\/span\u003e\u003cb\u003eBruno Lo Turco\u003c\/b\u003e\u003cspan\u003e exploring the deep connections between improvisation and Buddhist thought, and a written reflection by Seo on her own practice of surrender and listening.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697653248279,"sku":"UBK 002LP","price":38.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Continuation.jpg?v=1776746648"},{"product_id":"soul-fever-lp","title":"Soul Fever","description":"\u003cp\u003e\u003cspan\u003eIt is perhaps apropos that \u003c\/span\u003e\u003cb\u003eQueenie Marie Lyons\u003c\/b\u003e\u003cspan\u003e's best known song is titled \"See And Don't See.\" For all the acclaim that song has accrued, and all the times it has been compiled, reissued and bootlegged, Queenie herself has somehow remained unseen. How did a singer from Ashtabula, Ohio record one of the great female-led soul albums and then simply fall off the map, never to record or perform again? While on tour with \u003c\/span\u003e\u003cb\u003eJames Brown\u003c\/b\u003e\u003cspan\u003e for only a month or so, when the group reached Cincinnati in mid-'68 she entered the King Records studio there to record what would become \u003c\/span\u003e\u003ci\u003eSoul Fever\u003c\/i\u003e\u003cspan\u003e. The songs were a combination of covers, some of which she'd been doing in her live shows, like \"Fever\" and \"Try Me,\" and originals written by producer \u003c\/span\u003e\u003cb\u003eHenry Glover\u003c\/b\u003e\u003cspan\u003e and pianist \u003c\/span\u003e\u003cb\u003eDon Pullen\u003c\/b\u003e\u003cspan\u003e, who was the bandleader on the session. The album opener, \"See And Don't See,\" was also recorded by the veteran R\u0026amp;B singer \u003c\/span\u003e\u003cb\u003eMaxine Brown\u003c\/b\u003e\u003cspan\u003e, but Queenie's version blows hers away. \u003c\/span\u003e\u003ci\u003eSoul Fever\u003c\/i\u003e\u003cspan\u003e is a supremely funky and soulful affair, with Queenie's powerful and captivating voice magnetically attractive, with an urgency that is impossible to ignore. \"Your Thing Ain't No Good Without My Thing,\" \"Your Key Don't Fit It Anymore,\" and \"I Don't Want Nobody To Have It But You\" are as funky and soulful as the best of \u003c\/span\u003e\u003cb\u003eTina Turner\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eAretha\u003c\/b\u003e\u003cspan\u003e -- a statement not to be made lightly! The album was critically acclaimed -- the October 10, 1970, issue of Billboard listed it as their sole \"four star\" pick in the soul category -- but perhaps due to the tumult at Starday-King, whose stewardship had turned over several times in only a few years, it never seemed to be able to break through to a larger audience.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654133015,"sku":"VAMPI 291LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/SoulFever.jpg?v=1776745192"},{"product_id":"brooklyn-sounds-lp","title":"Brooklyn Sounds!","description":"\u003cp\u003e\u003cspan\u003e2025 repress. \u003c\/span\u003e\u003cb\u003eBrooklyn Sounds\u003c\/b\u003e\u003cspan\u003e legendary 1971 debut album, full of heavy Nuyorican underground salsa dura propelled by raw trombones and in-your-face percussion, born of the barrio streets and the band's Caribbean heritage. Fully authorized by producer \u003c\/span\u003e\u003cb\u003eBobby Marin\u003c\/b\u003e\u003cspan\u003e, with liner notes detailing the Brooklyn Sounds story, featuring never-before seen photos and pressed on 180g vinyl. In the bustling rhythm-filled streets of 1970s New York, where the Latin music scene pulsated with energy, one clandestine project emerged from the shadows to become a hidden gem of raw, unfiltered musical brilliance -- the legendary \u003c\/span\u003e\u003ci\u003eBrooklyn Sounds!\u003c\/i\u003e\u003cspan\u003e album. Crafted by the audacious Bobby Marin, a maestro with an appetite for risk, this masterpiece is not just an album; it's a sonic rebellion that echoes the untamed spirit of the city. The iconic album cover, a creation of the visionary \u003c\/span\u003e\u003cb\u003eCharlie Rosario\u003c\/b\u003e\u003cspan\u003e, is a testament to the band's urban roots. A stark, black-and-white photograph of a snow-clad fire escape, rendered with high contrast, encapsulates the hard realities of the city that birthed Brooklyn Sounds' unmistakable sound. It's not just an album cover; it's a visual manifesto, a slice of New York's gritty soul frozen in time. As the reels rolled in the studio, capturing the essence of guaguancó, son montuno, bomba, and Latin soul, the band's music spoke to the streets, telling tales of broken romance, Santería, Puerto Rican roots, and the unbridled revelry of the city that never sleeps. The recording exuded a savage, smoggy vibe, full of heavy Nuyorican underground salsa dura propelled by raw trombones and in-your-face percussion. Released under the audacious Salsa Records -- a name that turned heads and raised eyebrows -- \u003c\/span\u003e\u003ci\u003eBrooklyn Sounds!\u003c\/i\u003e\u003cspan\u003e broke free from the mold, refusing to be confined by mainstream expectations. The LP became a sought-after treasure, transcending its low-budget origins. This hidden jewel, with its relentless rhythms and untamed spirit, never succumbed to the airwaves controlled by the big labels. It's a rebellion against the establishment, a testament to the band's refusal to conform. While Brooklyn Sounds may not have soared to mainstream heights, its impact echoes through collector circles worldwide, from Toronto to Tokyo, where enthusiasts crave the rare, the raw, and the rebellious. So, dive into the infectious beats, feel the authenticity pulsating through every track, and let \u003c\/span\u003e\u003ci\u003eBrooklyn Sounds!\u003c\/i\u003e\u003cspan\u003e take you on a journey back to the untamed streets of 1970s New York.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654231319,"sku":"VAMPI 297LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/BrooklynSounds.jpg?v=1776745116"},{"product_id":"salsa-con-char-lp","title":"Salsa Con Charanga","description":"\u003cp\u003e\u003cu\u003eSalsa con charanga\u003c\/u\u003e\u003cspan\u003e is really a feast for all salsa music lovers, a true jewel, which deserved much better when it originally came out in 1978. It comprises eight great, solid tracks; some, new interpretations from other albums in which \u003c\/span\u003e\u003cb\u003eMike Guagenti\u003c\/b\u003e\u003cspan\u003e participated with his handsome and captivating voice -- a crooner with a salsero soul -- that, at times, could remind listeners of the late \u003c\/span\u003e\u003cb\u003eTito Rodríguez\u003c\/b\u003e\u003cspan\u003e, and even \u003c\/span\u003e\u003cb\u003eRay Ramos\u003c\/b\u003e\u003cspan\u003e. It has developed a cult following, and finding a copy of the original could be quite expensive. Luckily, this officially licensed and restored edition will fill that void. In addition to being a great salsa album, has the distinction that was released on Orfeon, a Mexican record label, due to the diligent work of the extraordinary producer \u003c\/span\u003e\u003cb\u003eBobby Marin\u003c\/b\u003e\u003cspan\u003e, and which miraculously received air play when powerhouse Fania label and few others ruled radio in the salsa music world. \"The Mike Guagenti album,\" as indicated by Marin, \"is a compilation of recordings by other artists. Originally a salsa album, I brought in [Cuban] \u003c\/span\u003e\u003cb\u003ePupi Legarreta\u003c\/b\u003e\u003cspan\u003e (violin and flute) and [Panamanian] \u003c\/span\u003e\u003cb\u003eMauricio Smith\u003c\/b\u003e\u003cspan\u003e (flute) to give it a charanga sound.\" With the exception of the cut \"Salsa con charanga,\" which is an instrumental, the rest feature vocals by Guagenti. \u003c\/span\u003e\u003cu\u003eSalsa con charanga\u003c\/u\u003e\u003cspan\u003e has developed a cult following, and finding a copy of the original could be quite expensive. Luckily, this officially licensed and restored edition will fill that void.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697654591767,"sku":"VAMPI 313LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/SalsaConCharanga.jpg?v=1776744581"},{"product_id":"onda-esoterica-lp","title":"Onda Esoterica","description":"\u003cp\u003e\u003cb\u003eMoney Chicha\u003c\/b\u003e\u003cspan\u003e, the Austin-based collective featuring members of the Grammy-winning Latin orchestras \u003c\/span\u003e\u003cb\u003eGrupo Fantasma\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eBrownout\u003c\/b\u003e\u003cspan\u003e, unveils their third full-length album, \u003c\/span\u003e\u003ci\u003eOnda Esotérica\u003c\/i\u003e\u003cspan\u003e. Recorded at New Orleans' Marigny Studios, the album deepens their signature psychedelic cumbia amazónica sound with exotic textures, vintage organ swells, and inventive reinterpretations of classics such as \"Cumbia Arabe.\" As \u003c\/span\u003e\u003cb\u003eKUTX\u003c\/b\u003e\u003cspan\u003e puts it, \"Listening to Money Chicha feels a bit like taking a hit of acid, downing a couple shots of Tequila, and hopping a plane to 1960s Peru -- it's the kind of music that rewires your brain, awakens your spirit animal, and takes you places you've never been.\" Add in some South Texas swagger and bruising Latin funk, and \u003c\/span\u003e\u003ci\u003eOnda Esotérica\u003c\/i\u003e\u003cspan\u003e emerges as the band's most adventurous and transportive work to date -- a kaleidoscopic journey equal parts ritual and revelation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697656164631,"sku":"VAMPI 336LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/OndaEsoterica.jpg?v=1776743618"},{"product_id":"cucaracha-brass-lp","title":"La Cucaracha Brass","description":"\u003cp\u003e\u003cspan\u003eDuring the sixties, especially the second half, \u003c\/span\u003e\u003cb\u003eBobby Marín\u003c\/b\u003e\u003cspan\u003e was an up-and-coming young Nuyorican who was responsible, along with his brother \u003c\/span\u003e\u003cb\u003eRichard\u003c\/b\u003e\u003cspan\u003e, for producing, writing, or coordinating recordings by \u003c\/span\u003e\u003cb\u003eLouie Ramírez\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMachito\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Nitty Gritty\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eWillie Rosario\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJoe Cuba\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJohnny Zamot\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eKako\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eAzuquita\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCharlie Palmieri\u003c\/b\u003e\u003cspan\u003e, and others. Many of these artists were caught up in the ongoing boogaloo movement. So, it was not a surprise when \u003c\/span\u003e\u003cb\u003eIsmael Maisonave\u003c\/b\u003e\u003cspan\u003e -- an unsung hero of Latin music and owner of Mary Lou Records -- approached Bobby with the idea of reissuing a \u003c\/span\u003e\u003cb\u003eRaphie Martínez\u003c\/b\u003e\u003cspan\u003e album as a budget LP under a different name, resulting in \u003c\/span\u003e\u003ci\u003eLa Cucaracha Brass\u003c\/i\u003e\u003cspan\u003e. The songs selected for this compilation represent a point in time when the world was getting ready for an incipient monster called salsa, which would take over for years to come. The LP includes descargas, guaguancós, guarachas, as well as the declining boogaloo. It is a collection of recordings by different artists and was named \u003c\/span\u003e\u003ci\u003eCucaracha Brass\u003c\/i\u003e\u003cspan\u003e because at that time the group \u003c\/span\u003e\u003cb\u003eTijuana Brass\u003c\/b\u003e\u003cspan\u003e was very popular. Most of the songs were taken (six out of eight, presumably) from the \u003c\/span\u003e\u003cb\u003eRaphie Martínez and the National Combo\u003c\/b\u003e\u003cspan\u003e LP \u003c\/span\u003e\u003ci\u003eCool Man\u003c\/i\u003e\u003cspan\u003e (Mary Lou 1002). However, there are noticeable differences between the two albums. \"Latin Power\" is an explosive instrumental guaracha and descarga, where the trumpet, congas, and timbales deliver powerful solos. \"Takin' Over\" -- an instrumental boogaloo -- appears as \"We Are Taking Over\" on Raphie Martínez's album (with a faster tempo and featuring a background voice). \"Hey Mama,\" a boogaloo sung by Bobby Marín, is titled \"Do It All Over\" on Martínez's recording, featuring a different singer, different lyrics, and a different tempo. As well as the edited versions of tracks taken from Martínez's album, this album comprises songs taken from other Mary Lou Records releases such as \u003c\/span\u003e\u003ci\u003eQuique Rosa y La Sabrosa Orchestra\u003c\/i\u003e\u003cspan\u003e (Mary Lou 1020).\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697656262935,"sku":"VAMPI 340LP","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/LaCucarachaBrass.jpg?v=1776743449"},{"product_id":"singles","title":"Singles","description":"\u003cp\u003e\u003cspan\u003eStrut present the definitive collection of singles released by Sun Ra across his illustrious career, spanning 1952 to 1991. Released prolifically during the 1950s and more sporadically thereafter, primarily on the Saturn label, the 45s offer one-off meteorites from Ra’s prolific cosmic journey, tracing the development of his forward thinking “Space-Bop” and his unique take on jazz and blues traditions. The collection is hugely varied, ranging from Ra’s spoken word recitations and his early work with Chicago vocal groups to the different phases of his Arkestra, small group and duet recordings. The singles are also unpredictable vehicles for Ra’s music, combining different tracks from different sessions and occasionally making available music which was recorded many years beforehand. As with his LPs, most 45s were only pressed in small runs and have since become extremely rare and sought after. Only a small handful of copies of ‘Love In Outer Space’ b\/w ‘Mayan Temple’ and ‘The Blue One’ b\/w ‘Orbitration In Blue’ have ever been seen; some have only been discovered in physical form in recent years; some were planned and pencilled but allegedly never made it to vinyl (including ‘Saturn’ and ‘Velvet’ from the Jazz In Silhouette LP) and some appeared as limited one-off magazine singles and posthumous releases, including ‘Hell #1’ aka ‘Out There A Minute’. The set is the most comprehensive collection of Ra’s singles to date. Sleeve note writers Francis Gooding and Paul Griffiths brilliantly illustrate the role of the single within Ra’s career and break down each release with detailed track by track notes. Working with Sun Ra LLC and Sun Ra archivist Michael D. Anderson, Strut has also assembled the best possible master sources for each track. ‘Singles’ will be released in various formats across two release dates. All formats feature fully remastered tracks, rare photos, original 45 artwork, Francis Gooding’s extensive sleeve notes, an interview with Saturn Records founder Al\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":52697748668695,"sku":"STRUT-148","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/SinglesSunRA.jpg?v=1776734318"},{"product_id":"open-the-gates-2lp","title":"Open The Gates (2LP)","description":"\u003cp\u003e\u003cspan\u003eEthereal, dynamic \u0026amp; expansive free jazz meditations manifest coruscating portals of aqueous regeneration; a collectivist ultra-sonic healing conveyance.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":52697749094679,"sku":"IARC-0049","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/OpenTheGates.jpg?v=1776733572"},{"product_id":"but-only-after-you-have-suffered","title":"But Only After You Have Suffered","description":"\u003cp\u003e\u003cspan\u003eStratiform canvas of spiritually illuminant beat work leans modern compositional vignettes into sampling, song \u0026amp; avant-garde slabs of Southern rap.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":52697749192983,"sku":"IARC-0046LE","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/ButOnlyAfterYouHaveSuffered.jpg?v=1776733460"},{"product_id":"nidhamu","title":"Nidhamu","description":"\u003cp\u003e\u003cspan\u003eStrut present the definitive edition of Sun Ra's 'Egypt 1971' along with the original albums 'Dark Myth Equation Visitation', 'Nidhamu' and 'Horizon' released as individual LPs, documenting Sun Ra's first trip to Egypt with his Arkestra in December 1971.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":52697749356823,"sku":"STRUT-228","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Nidhamu.jpg?v=1776733155"},{"product_id":"african-rhythms-1970-1982","title":"African Rhythms 1970-1982","description":"\u003cp\u003e\u003cspan\u003eStrut kick off a brand new deal with the seminal independent black jazz and soul label Black Fire in May with ‘African Rhythms 1970-1982', a comprehensive 2CD \/ 3LP compilation of Oneness Of Juju, led by Plunky J. Branch.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443615195415,"sku":"STRUT-233","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/AfricanRhythms1970-1982.jpg?v=1776733112"},{"product_id":"symphonic-tone-poem-for-brother-yusef","title":"Symphonic Tone Poem For Brother Yusef","description":"\u003cp\u003e\u003cspan\u003eStrut present an exclusive collaboration between two jazz greats, Bennie Maupin and Adam Rudolph, on 'Symphonic Tone Poem For Brother Yusef', originally commissioned by the Angel City Jazz festival in Claremont, to mark the late, great Yusef Lateef's 100th birthday on 9th October, 2020. \u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443563061527,"sku":"STRUT-298","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/SymphonicTonePoemForBrotherYusef.jpg?v=1776732603"},{"product_id":"m-square-fire-orange-with-black-swirl","title":"M-Square (FIRE ORANGE WITH BLACK SWIRL)","description":"\u003cp\u003e\u003cspan\u003eAnother insanely rare and highly coveted soul-funk gem from the tiny Maple label, which was part of Sylvia Robinson’s All Platinum empire, and punched way above its weight when it came to '70s R\u0026amp;B. The one creative constant at the imprint was producer Johnny Brantley, who worked with everybody from Lee Moses to the Ohio Players to Lou Donaldson and even produced some early sides with Jimi Hendrix. Brantley is again behind the board for this 1971 one-off, which was led by drummer\/singer\/arranger Brad \"Mabu\" Young; it's full of funky surprises, not the least of which is the horn section playing \"Sparks\" from The Who's Tommy during \"Do the Best You Can!\" M-Square sells for hundreds of dollars if you can find it, but you probably can’t; our first-ever LP reissue-remastered for vinyl by Mike Milchner at Sonic Vision-comes in a fire orange with black streaks pressing limited to 1400 copies!\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443559293207,"sku":"RGM-1413LEC","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/M-Square.jpg?v=1776732492"},{"product_id":"step-on-step","title":"Step on Step","description":"\u003cp\u003e\u003cspan\u003eChicago-born composer, producer and arranger Charles Stepney is known to some for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, Ramsey Lewis, Rotary Connection, Minnie Riperton, Muddy Waters, Howlin Wolf, Terry Callier, and many more. In the decades since his untimely death in 1976, the presence of his name in liner notes has become a seal of quality for record collectors, while his sound has been sampled extensively by artists such as Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStep on Step – which comes almost 50 years after Stepney’s passing – is the enigmatic producer's eponymous debut album. It's an album full of creative compositional seedlings – originally written, performed, and recorded by Stepney in the basement of his home in Chicago, between the late 1960s and early 1970s, using just primitive drum machines, early-gen Moog synthesizers, pianos, vibraphones, and a few other instrumental accessories.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443535372567,"sku":"IARC-0055","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/SteponStep_1.jpg?v=1776732284"},{"product_id":"odyssey-of-the-oblong-square-color-vinyl","title":"Odyssey of the Oblong Square (Color Vinyl)","description":"\u003cp\u003e\u003cspan\u003eNew special one-off limited-edition gold vinyl pressing of this deep spiritual jazz classic. \/\/ Drummer extraordinaire and legend, Reid has played with everyone from James Brown to Sun Ra, Fela Kuti and Miles Davis, friend of John Coltrane, worked at Motown, and later collaborated extensively with Kieran Hebden, following his path of a radical, revolutionary music up until his untimely death in 2010. \/\/ Soul Jazz Records are re-releasing this rarest release of deep heavyweight jazz by Steve Reid \u0026amp; The Master Brotherhood, entitled ‘Odyssey of the Oblong Square’, first released over thirty-five years ago on Reid’s own Mustevic Sound record label and has been a serious collectors album ever since. \/\/ This special gold vinyl edition is a one-off pressing, which, like the original, is limited to 1000 copies worldwide. Steve Reid became known worldwide for his radical collaborations with Kieran Hebden after they first recorded together on the Steve Reid Ensemble album Spirit Walk, released on Soul Jazz in 2005, releasing five joint releases together in the following years. \/\/ Reid is steeped in musical history and a true pioneer of US deep left-field jazz. He played in Sun Ra’s Arkestra, was a Motown session drummer and backed James Brown at the Apollo! He was a Black Panther, imprisoned during the Vietnam war as a conscientious objector, and lived in Africa in the early 1970s. Reid worked with Freddie Hubbard, Gary Bartz, Ornette Coleman, Lester Bowie, Fela Kuti, Leon Thomas, Miles Davis and many more in his long illustrious and groundbreaking career. \/\/ \"A Truly Phenomenal Artist” Gilles Peterson \/\/ \"Steve Reid is one of the greatest drummers. He is a musical genius.\" Kieran Hebden, Four Tet \/\/ “Reflects the spirit of a generation- Art Ensemble of Chicago, John Coltrane, Pharoah Sanders, the Black Artists Group.” The Wire\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443531669783,"sku":"SOJR-514C","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/OdysseyoftheOblongSquare_1.jpg?v=1776732216"},{"product_id":"requiem-for-jazz","title":"Requiem for Jazz","description":"\u003cp\u003e\u003cspan\u003eRequiem for Jazz is a 12-movement suite composed and arranged by Angel Bat Dawid, inspired in part by Edward O. Bland’s 1959 film “The Cry of Jazz\". The suite includes sounds of live performance at the 2019 Hyde Park Jazz Festival; Angel conducted a Black multigenerational fifteen-piece instrumental ensemble, alongside a four-person choir, with dancers. The final movement of Requiem for Jazz features Marshall Allen and Noel Scott of the Sun Ra Arkestra. The final Requiem for Jazz work in album form is an immersive 24-track, double LP experience. The physical package includes a deluxe heavyweight gatefold jacket with artwork by Damon Locks and liner notes by South African writer Nombuso Mathibela, and a large fold-out poster designed by Jeremiah Chiu featuring poetry written by Angel in dedication to all of her collaborators on the project.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443506929943,"sku":"IMRC-0061","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/RequiemforJazz.jpg?v=1776732053"},{"product_id":"soul-makossa","title":"Soul Makossa","description":"\u003cp\u003e\u003cspan\u003eStrut proudly presents the first official remastered reissue of the funk\/Afro classic, Lafayette Afro Rock Band's 'Soul Makossa' from 1973.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFirst in a series of reissues from Pierre Jaubert’s Parisound studio archive on Strut Records. Tracks sampled by Biz Markie, LL Cool J, Kruder \u0026amp; Dorfmeister and more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFirst official reissue of Lafayette Afro Rock Band’s classic funk and breakbeat album from 1973. Fully remastered from original tapes by The Carvery.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443430252823,"sku":"STRUT-300","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/SoulMakossa.jpg?v=1776731249"},{"product_id":"evolution-magenta-vinyl","title":"Evolution (MAGENTA VINYL)","description":"\u003cp\u003e\u003cspan\u003eDrummer and Composer David Lee Jr.’s stunning and rare album Evolution (1974) blends the deep experimentalism of John Coltrane and Sun Ra with the pulsating second-line and parade rhythms of New Orleans to create a stunning sonic and rhythmical tour de force. \/\/ In a lineage of incredible New Orleans drummers that includes James Black, Idris Muhammed, Zigaboo Modeliste of The Meters, and stretching back to Earl Palmer and Baby Dodds, David Lee Jr. stands out for his fire, experimentalism and an out-there-ness like no other. \/\/ 'Evolution' is a super deep, ‘lost classic’ radical and groundbreaking deep spiritual jazz album. \/\/ Originally released in New York in 1974 (400 copies only ever pressed!), ‘Evolution’ is an extraordinary one-off solo album, pressed on the artist’s own Supernal Records, a record company whose slogan ‘seeking creative progress’ and dedication ‘to peace and freedom’ clearly displayed artistic intent over any commercial or market-led forces. \/\/ David Lee Jr was born in New Orleans and the deep experimental drum-compositions featured on ‘Evolution’ are as rooted in this southern city rhythmically as they are in the spiritual and metaphysical musical ideas of Afro-Futurist pioneers like Coltrane, Sun Ra and others. \/\/ In the early 1970s Lee Jr. headed off to New York, playing in Roy Ayers’ Ubiquity and later immersing himself in the thriving loft deep jazz scene playing with Leon Thomas, Lonnie Liston Smith, Harold Alexander, Charles Rouse, and recording for a host of seminal deep jazz labels including Strata-East, India Navigation and Flying Dutchman. \/\/ Today 'Evolution' remains one of the rarest and heaviest of all deep and spiritual jazz albums ever made. \/\/ One-off super-limited edition magenta colour vinyl, newly digitally remastered, complete with new reproduction artwork, sleevenotes and download code.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443399483671,"sku":"SOJR-551C","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Evolution.jpg?v=1776730799"},{"product_id":"alternate-moon-cycles-ia11-edition","title":"Alternate Moon Cycles (IA11 Edition)","description":"\u003cp\u003e\u003cspan\u003eRob Mazurek’s Alternate Moon Cycles was our first release. The incredibly spare single-note-centered cornet, bass, and organ chant was recorded to tape at pint-sized Chicago bar Curio as part of a performance series that predates any notion of our label’s existence. Documenting this performance—highly unique even within the depths of Mazurek’s vast catalog—stirred those notions, and soon talks began of releasing the recording on a fresh imprint.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe music unfolds glacially amongst the gentle creaks, clinks, whispers, and scuffles of the active room. It’s difficult to imagine a more honest rendering of the two sidelong pieces of organic minimal music, and nearly impossible to separate the sounds from their performance context. It’s also difficult to imagine a more subtly striking way to introduce a new label to the world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNow this long-gone gem of supernatural frequency excavation is back in print with fresh liner notes by Mikel Patrick Avery and obi design by Aaron Lowell Denton.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing Rob Mazurek, Matt Lux, and Mikel Patrick Avery.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"This is ambient music, suitable for meditation, but its shifts in texture reward real listening.\" - New York Times\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLP comes packaged in the deluxe International Anthem style - heavyweight jacket, IARC OBI strip, poly-lined inner-sleeve, insert booklet (new for 2025), and re-cut lacquers, on classic black vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443398205719,"sku":"IARC-0001X","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/AlternateMoonCycles.jpg?v=1776730094"},{"product_id":"music-to-moog-by-deluxe-edition","title":"Music to Moog By (DELUXE EDITION, STRAWBERRY W\/ BLACK SWIRL VINYL)","description":"\u003cp\u003e\u003cspan\u003eBob Moog’s invention of the analog Moog synthesizer ignited an explosion of creativity across the music spectrum. On the classical side, there was Isao Tomita and Wendy Carlos; on the more avant-garde side, such artists as Mort Garson and Craig Leon used the new technology to explore the limits of sound production while rockers like Keith Emerson incorporated the technology into their music. And, of course, there was also a silly pop side to the synth mania, or “moogsploitation” as some wags put it; albums by The Moog Machine, The Happy Moog, and other similarly-entitled acts provide good examples of that. But the one man straddling all these camps was Gershon Kingsley. Kingsley studied with John Cage before making a pair of groundbreaking albums with fellow electronic music pioneer Jean-Jacques Perry (their “Baroque Hoedown” was the theme for the Main Street Electrical Parade attractions in Walt Disney theme parks). Kingsley then embarked on a solo career and scored an instant hit with this album, 1968’s Music to Moog By, and its signature track, “Pop Corn.” “Popcorn” (one word) became an international smash for Hot Butter four years later, but Music to Moog By also caught consumer ears with its blend of originals, classical, and especially versions of Beatles tunes (though you will have to excuse the egregious misspelling of “Paperback Writer” as “Paperback Rider”)! Ever in pursuit of pop music’s most eccentric manifestations, we at Real Gone are proud to reissue Music to Moog By for the first time in the U.S., complete with the 8-page “The Book of Moog” that was inside some original copies. Strawberry with black swirl pressing limited to 900 copies!\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443395518743,"sku":"RGM-1919X","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/MusictoMoogBy_1.jpg?v=1776729997"},{"product_id":"chicago-waves-ia11-edition","title":"Chicago Waves (IA11 Edition)","description":"\u003cp\u003e\u003cspan\u003eThe 2018 live performance captured on Carlos Niño \u0026amp; Miguel Atwood-Ferguson’s Chicago Waves marked a beautiful turning point for International Anthem. The moment was recorded at our then-HQ in Chicago, Co-Prosperity, the day after Niño and Atwood-Ferguson performed as part of Makaya McCraven’s ensemble to celebrate the release of Universal Beings and recreate their contributions to that album's “Los Angeles Side.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe two musicians were keen to use their time in Chicago to not only support Makaya's music but also create and present fresh sounds of their own to a receptive new community. In many ways this set of improvisational, exploratory conversation between Atwood-Ferguson’s violin\/effects and Niño’s percussion\/soundscapes cemented the growing interchange between International Anthem's bases in LA and the Windy City.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe 2020 release of this recording as Chicago Waves magnified the unmistakable sound of togetherness audible in its grooves in a way that was uniquely cathartic given the difficulties, restrictions, and widespread social isolation of those times. But as that era fades further into the rearview mirror, Chicago Waves maintains its power. It’s not a mystery—this is what togetherness sounds like.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe IA11 Edition LP features our IARC 2025 obi strip, plus a new 16-page 11x11\" insert booklet with additional photos and extensive new liner notes by IARC co-founder Scott McNiece.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443393782039,"sku":"IARC-0033X","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/ChicagoWaves_IA11Edition_2.jpg?v=1776729920"},{"product_id":"downtown-castles-can-never-block-the-sun","title":"Downtown Castles Can Never Block The Sun","description":"\u003cp\u003e\u003cspan\u003e\"There is no one universe for Ben LaMar Gay, he just sonic booms from one sound to another.\" - NPR Music\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBen LaMar Gay’s de facto debut album, Downtown Castles Can Never Block The Sun, was our attempt to introduce the legendary Chicago composer \/ improvisor \/ renaissance man to the rest of the world with a compilation of tracks from “7 albums he made over 7 years but never made the effort to actually release.” The material showcases Gay’s penchant for genre-hopping—from Reich-ian soundscape voyages to Don Cherry-esque polyrhythm treks to Jorge Ben-style vocal-and-string earworms—while keeping his singular musical voice in focus.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the years since its release, this long OOP collection has become a touchstone, foreshadowing the breadth and scope of Ben LaMar Gay’s output since. The songs-between-the-songs warped Soul Americana madness and beauty of Open Arms To Open Us, the unhinged long form freedom of Certain Reveries—each fresh mode would defy expectation if without the context established by Downtown Castles. To quote the OG press release, “to call it ‘eclectic’ would only scratch the surface. This music is everything.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLP comes packaged in the deluxe International Anthem style - heavyweight jacket, IARC OBI strip, poly-lined inner-sleeve, insert booklet (new for 2025), and re-cut lacquers, on classic black vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443371630871,"sku":"IARC-0017X","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/DowntownCastlesCanNeverBlockTheSun.jpg?v=1776729544"},{"product_id":"in-the-moment-ia11-edition","title":"In The Moment (IA11 Edition)","description":"\u003cp\u003e\u003cspan\u003eMakaya McCraven’s International Anthem debut In The Moment is the album that properly introduced the then-burgeoning drummer\/producer to the world. In many ways, it also laid the groundwork for a working method that both McCraven and the label have returned to again and again over the years: nearly 48 hours of live improvised performance recorded by IARC house engineer Dave Vettraino at 1 venue over 12 months and 28 shows - culled, cut, rendered, and remixed into 19 potent pieces of organic beat music by McCraven.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis early exploration of the concept is based in the nightlife—in relaxed and unostentatious gatherings of prodigious Chicago musicians letting loose one moment at a time. That the individual stature of the musicians involved has risen dramatically in the years since is only proof positive that these sessions in a renovated bank vault were a casually high-level convention of some of the city’s best.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing Jeff Parker, Joshua Abrams, Junius Paul, Marquis Hill, De'Sean Jones, Matt Ulery, Tony Barba, and Justin “Justefan” Thomas.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"One of the most important recordings to date in the modern jazz world.\" - Turntable Lab\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLP comes packaged in the deluxe International Anthem style - heavyweight jacket, IARC OBI strip, poly-lined inner-sleeve, insert booklet (new for 2025), on classic black vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443369795863,"sku":"IARC-0003X","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/InTheMoment_IA11Edition.jpg?v=1776729461"},{"product_id":"people-moving","title":"People Moving","description":"\u003cp\u003e\u003cspan\u003eDon’t let the list of stellar sideman gigs (with Elvin Jones, Miles Davis, Freddie Hubbard, McCoy Tyner, Woody Shaw et al.) make you overlook the solo work of saxophonist Azar Lawrence; for over 45 years he has recorded a string of spiritual ‘n’ soulful jazz albums that come closer to the ethos and aesthetic of John Coltrane than probably any of Lawrence’s contemporaries. Recorded for the legendary Prestige label in 1976, People Moving is his third solo album, and it’s one of his best; it features such luminaries as Lee Ritenour, Patrice Rushen, Harvey Mason, and Mtume on a soaring set of funky tunes produced by a young Skip Scarborough, who would go on to helm recordings by Bobbie Humphrey, Con Funk Shun, and Phyllis Hyman among others. 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Most importantly though, the album is the first to give voice to Parker’s wholly unique take on sample-based beat construction augmented by improvisation and live instrumentation (performed in this case by the high-level crew of Paul Bryan on bass, Josh Johnson on alto saxophone and keys, Jamire Williams and Jay Bellerose on drums, Parker's daughter Ruby on vocals, and Parker himself on guitar, synths, and other instruments).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat began as Jeff’s interest in understanding his own idea of hip-hop processes (and how they related to his work in jazz) expanded into a blueprint for much of his work since then. (Hear also: The New Breed’s expansive followup Suite For Max Brown, the gentle deconstructionist solo guitar of Forfolks, and the long-form slow bloom improvisation of The Way Out of Easy.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe IA11 Edition LP features our IARC 2025 obi strip, plus a new 16-page 11x11\" insert booklet with unpublished session photos, new liner notes by album co-producer Paul Bryan, and an in-depth conversation between Jeff Parker and IARC co-founder Scott McNiece.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443341058327,"sku":"IARC-0009X","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/TheNewBreed.jpg?v=1776727472"},{"product_id":"irreversible-entanglements-ia11-edition","title":"Irreversible Entanglements (IA11 Edition)","description":"\u003cp\u003e\u003cspan\u003eIrreversible Entanglements’s debut album was originally released in September 2017, and features the first music ever played together by the freshly assembled Philly\/NY\/DC-based quintet of poet Camae Ayewa (aka Moor Mother), bassist Luke Stewart, saxophonist Keir Neuringer, trumpeter Aquiles Navarro, and drummer Tcheser Holmes. The explosive collection of improvised free-jazz with spoken word accompaniment was born after the group's initial meeting at a Musicians Against Police Brutality event (organized by musicians\/comrades Amirtha Kidambi and Peter Evans following the state-sponsored killing of Akai Gurley).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs the original press release puts it: “the spirit and subject the band channels and explores represent a return to a central tenet of the free jazz sound as it was founded—to be a vehicle for Black liberation. As creative and adventurous as any recording of contemporary avant-garde jazz but offering listeners no abstractions to hide behind, this is music that both honors and defies tradition, speaking to the present while insisting on the future.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt’s that balance of honor and defiance that is so palpable in this early music of Irreversible Entanglements which, despite its system-shocking effect, sits squarely in the lineage of East Coast free jazz (often echoing the mid-1960s work of The New York Art Quartet and Amiri Baraka, among others). That line can be traced through all of the band’s recordings, including 2020's Who Sent You? and 2021's Open The Gates, both via International Anthem, and their 2023 album Protect Your Light (released by Impulse!). Now ten years on from their first collective sound captured for this self-titled debut, it’s clear that Irreversible Entanglements's intensity of spirit and purity of purpose influenced our label as much as it did its own community.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe IA11 Edition features a new 8-page 11x11\" insert booklet with unpublished session photos and liner notes by bassist Luke Stewart.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443337748759,"sku":"IARC-0014X","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/IrreversibleEntanglements.jpg?v=1776727387"},{"product_id":"the-oracle-ia11-edition","title":"The Oracle (IA11 Edition)","description":"\u003cp\u003e\u003cspan\u003eAngel Bat Dawid’s International Anthem debut The Oracle introduced her multifaceted voice to the world. The response to its modest, initial cassette\/digital release in January of 2019 was immediate, and immense. Within a month of its announcement, Dawid was being featured on magazine covers and receiving offers from international festivals; and her subsequent activity marked the beginning of an epic run of creative output (including 2020's LIVE double LP, the same year's EP Transition East, 2021's Hush Harbor Mixtape Vol. 1 Doxology, and the sprawling opus Requiem for Jazz, released in 2023) that continues through the present.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe collection of compositions on The Oracle present a deep blend of powerful and emotive songs alongside heavy and free improvisation. In true DIY fashion, Dawid recorded and mixed the album using only her cell phone. \"Angel's fieldnote approach affirms that the everyday remains a legitimate site of creative production,\" says South Africa based percussionist, collaborator, and IARC labelmate Asher Gamedze in his liner notes for the album's IA11 Edition. Gamedze – the only other musician to appear on The Oracle besides Dawid, who constructed most of the album's tracks by layering, overdubbing, and arranging lo-fi symphonies of her own voice, wind instruments, percussions, and keyboards – waxes extensively about Dawid's significance in his notes, calling her \"a living exemplar and extension of the spacious sonic horizons opened by the likes of the AACM and their refusal of any limitations on their creative vision and the destruction of the demarcation between composer and improviser.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe IA11 Edition LP features our IARC 2025 obi strip, plus a new 8-page 11x11\" insert booklet with unpublished photos and new liner notes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443319464215,"sku":"IARC-0023X","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/TheOracle_IA11Edition_1.jpg?v=1776727211"},{"product_id":"rothko-chapel-for-frank-o-hara","title":"Rothko Chapel\/For Frank O’Hara","description":"\u003cp\u003e\u003cspan\u003eIf you could actually hear an abstract expressionist painting, it would probably sound a lot like the work of Morton Feldman. And that’s no accident: Feldman hung out in ‘50s and ‘60s New York with Jackson Pollock, Philip Guston (whose work graced the cover of Feldman’s first album), and Robert Rauschenberg. Like the paintings of his visual artist peers, Feldman’s work emphasized tonal color over structure, rhythm, or melody, the traditional building blocks of music. It also employed the musical equivalent of painterly “negative space” with its use of silence and stasis; that Feldman and John Cale were enormous influences on each other will come as no surprise. So, it makes sense that Feldman would dedicate probably his two most celebrated compositions to two giants of the New York scene: abstract expressionist Mark Rothko, whose famous Chapel adorns this LP’s front cover, and writer and critic Frank O’Hara, whose own work drew inspiration from the same sources as Feldman’s. Rothko Chapel and For Frank O’Hara first were released in 1976 on a seminal album from the Odyssey imprint on Columbia Records; for its 50th anniversary and first LP reissue, we’ve had it pressed on 180-gram black vinyl at Gotta Groove Records for the quietest listen achievable, using new transfers from the original master tapes. Profound, career-defining work that opened the door for latter-day ambient composers like Brian Eno to walk through.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443261759767,"sku":"RGM-2058","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/RothkoChapel_1.jpg?v=1776726309"},{"product_id":"universal-beings-ia11-edition","title":"Universal Beings (IA11 Edition)","description":"\u003cp\u003e\u003cspan\u003eThe 2018 release of Universal Beings, in many ways, feels like the moment that the dam broke for both Makaya McCraven and International Anthem. On one hand, it's a four-sided communal showcase of the inter-city exchange that had started to develop in the “new jazz” hubs, collecting group improvisations from New York, London, Chicago, and Los Angeles. On the other, it is an editing and post-production masterclass – the MVP of McCraven’s “organic beat music” concept – and a landmark moment where his cut-splice-reassembly chops shine as brightly as the players themselves.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe musicians on the album were a combined who’s-who and who’s-gonna-be-who of their respective scenes: Brandee Younger (harp), Joel Ross (vibraphone), Tomeka Reid (cello), Dezron Douglas (double bass), Shabaka Hutchings (tenor saxophone), Junius Paul (double bass), Nubya Garcia (tenor saxophone), Ashley Henry (Rhodes piano), Daniel Casimir (double bass), Josh Johnson (alto saxophone), Miguel Atwood-Ferguson (violin), Jeff Parker (guitar), Anna Butterss (double bass), and Carlos Niño (percussion). In our original press release, we called it “an inspiring display of the organic global inter-connectedness of the Black American music tradition in 2018.” Not in the press release, in our off-the-record conversations at the time, we said it was ‘like Dr. Dre’s The Chronic, but for jazz’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe IA11 Edition of Universal Beings comes on classic black 140-gram vinyl 2xLP inside a heavyweight reverse-board jacket, with a 16-page 11x11\" insert booklet (with unpublished photos and four conversations between IARC co-founder Scott McNiece and musicians Joel Ross, Junius Paul, Nubia Garcia, and Anna Butterss), IARC 2025 obi strip and printed poly-lined printed inner-sleeve. 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Across that November 2018 tour, the group stretched a songbook in-process to its limit, improvising en modo deconstructivo, tugging at the music’s edges and relentlessly morphing the sound of a four-fold liberation machine that included branch (trumpet), \u003c\/span\u003e\u003cstrong\u003eChad Taylor\u003c\/strong\u003e\u003cspan\u003e (drums), \u003c\/span\u003e\u003cstrong\u003eJason Ajemian\u003c\/strong\u003e\u003cspan\u003e (bass), and newcomer \u003c\/span\u003e\u003cstrong\u003eLester St. Louis\u003c\/strong\u003e\u003cspan\u003e (cello), who had recently replaced Tomeka Reid.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMost of\u003c\/span\u003e\u003cem\u003e bird dogs of paradise\u003c\/em\u003e\u003cspan\u003e was recorded in studio at \u003c\/span\u003e\u003cstrong\u003eTotal Refreshment Centre\u003c\/strong\u003e\u003cspan\u003e over three days, and live at \u003c\/span\u003e\u003cstrong\u003eCafé OTO\u003c\/strong\u003e\u003cspan\u003e over two nights that same week – at the tail end of the tour.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album itself captures a very significant moment in the arc of branch's band. St. Louis’s presence had provided a fresh injection of virtuosic curiosity, and the interplay between him and Ajemian rejiggered the crew’s string-driven multi-rhythmic plonk swing while also refreshing their alternately aggressive and melodious heavy-bite bowing with an expanded pocket. It was a highly fertile foundation for branch to experiment and explore, reach for the nether regions of her instrument, and continue to focus and refine her flagship ensemble into a wholly original sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebird dogs of paradise\u003c\/em\u003e\u003cspan\u003e also introduced the wider world to branch’s singing voice. “\u003c\/span\u003e\u003cstrong\u003eprayer for amerikkka pt. 1 \u0026amp; 2\u003c\/strong\u003e\u003cspan\u003e” - written and first performed by branch in Paris on the night of the 2018 US midterm elections - has since become a rallying cry for those who share her sense of justice in a world controlled by those who are seemingly unconcerned with it. And on “\u003c\/span\u003e\u003cstrong\u003elove song\u003c\/strong\u003e\u003cspan\u003e\" (for assholes and clowns), branch shows us her cards with a wink and a smile. \u003c\/span\u003e\u003cem\u003e“So much beauty lies in the abstract of instrumental music,”\u003c\/em\u003e\u003cspan\u003e branch says in the album’s original liner notes, \u003c\/span\u003e\u003cem\u003e“but being this ain’t a particularly beautiful time, I’ve chosen a more literal path. The voice is good for that.”\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cspan\u003eThe IA11 Edition of \u003c\/span\u003e\u003cem\u003eFLY or DIE II: bird dogs of paradise\u003c\/em\u003e\u003cspan\u003e comes on classic black 140-gram vinyl LP (pressed at Pallas in Germany, with lacquers cut by Daniel K at SST) inside a heavyweight reverse-board jacket, with a 16-page 11x11\" insert booklet featuring previously-unpublished photos, two sets of new liner notes – the first by jaimie’s mom, \u003c\/span\u003e\u003cstrong\u003eSoledad “Sally” Branch\u003c\/strong\u003e\u003cspan\u003e, as told to \u003c\/span\u003e\u003cstrong\u003eKate Branch\u003c\/strong\u003e\u003cspan\u003e, and the second by Fly or Die bassist \u003c\/span\u003e\u003cstrong\u003eJason Ajemian\u003c\/strong\u003e\u003cspan\u003e – plus IARC 2025 obi strip and printed poly-lined printed inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443261202711,"sku":"IARC-0027X","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/FLYORDIEII.jpg?v=1776725650"},{"product_id":"zac-colwell-vianello","title":"Vianello","description":"\u003cp\u003eMusic for the film \"la ragazza dei tuoi sogni\".\u003c\/p\u003e\n\u003cp\u003eAn album written for a film that doesn't exist,\u003cspan\u003e \u003c\/span\u003eZac Colwell invites us to step inside his dreamworld inspired by Italian cinema of the 60's and 70's. An enchanting and sentimental journey from start to finish, \"Vianello\" is a rare gem that only gets better with repeat listens, landing somewhere in the realm of jazz with Colwell's signature cool sound dripping over each song.  Dreamy rhodes, airy flutes, elevated saxophone, tripped out vintage synths, swingin drums... the ingredients are all there in perfect proportion. Without question \"Vianello\" is a future cult classic album who's appreciation and substance will only solidify with time!\u003c\/p\u003e","brand":"Inner Ocean Records","offers":[{"title":"Default Title","offer_id":53443256811799,"sku":"INNER188","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Vianello.jpg?v=1776723986"},{"product_id":"bless-vol-3-compilation","title":"Bless Vol. 3 Compilation 2LP","description":"\u003cp\u003e\u003cspan\u003eBLESS Vol. 3 is a collection of 67 tracks from artists all around the world, with over 2.5 hrs of original music!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe want to extend our deep gratitude and appreciation to all the artists and fans who create and listen to the music on this project so that we can all BLESS the global community with our creative passions. It’s truly a beautiful thing. \u003c\/span\u003e\u003c\/p\u003e","brand":"Inner Ocean Records","offers":[{"title":"Default Title","offer_id":53443239182615,"sku":"INNER120","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/BlessVol3.jpg?v=1776723185"},{"product_id":"bless-vol-2-compilation-limited-edition","title":"BLESS Vol. 2 Compilation (Limited Edition)","description":"\u003cp\u003e\u003cspan\u003eBLESS Vol. 2 is a collection of 99 tracks from artists representing 25 different countries, the full album spans nearly 4 hours of incredible music! This year we wanted to do something special and curated a selection of tracks from the full album for this Limited Edition Double LP release.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA portion of the proceeds from the sale of BLESS Vol.2 was donated to a variety of Micro Loan programs through Kiva for Women, Sustainable Water and Agriculture projects, Refugees, Education, Health Care and the Arts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe want to extend our deep gratitude to all the artists who contributed music to this project so that we can all support our global community with our creative passions. 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But this record is so much more than a sample-spotters curio. It's solid gold throughout. Bursting with killer funky-jazz grooves and tracks adorned with warm electric piano, the release is notable for featuring some extremely significant players at the very outset of their careers; \u003c\/span\u003e\u003cb\u003eTony Levin\u003c\/b\u003e\u003cspan\u003e, at 21, whose superb playing on both acoustic and electric bass was the harmonic mainstay of the trio and \u003c\/span\u003e\u003cb\u003eSteve Gadd\u003c\/b\u003e\u003cspan\u003e, at 23, one of the greatest drummers of his generation. Gap's story is told in his words alongside rare photos across a sumptuously designed two-page insert and, to augment this deluxe edition further, it's all wrapped up in a beautiful, no-expense-spared luxury tip-on sleeve, as per the original hens-teeth release. The tracks are short but complex, with that extraordinary rhythm section backing the beautiful piano, organ and electric piano work of Gap. It's a stunning blend of the vibrant, driving music of the Gap Mangione Trio coupled with the sensitive composition and superb orchestration of Gap's legendary brother, \u003c\/span\u003e\u003cb\u003eChuck Mangione\u003c\/b\u003e\u003cspan\u003e, who helmed an amalgam of seemingly disparate elements -- rock, big band jazz, solo improvisation and \"classical\" music -- into a spectacularly cohesive whole that has aged wonderfully well. As Gap himself notes in the liners, \"with this group I was able to explore and add new and exciting elements from rock, Brazilian and then-current pop music.\" Under the watchful eye -- and extremely attentive ears -- of Gap Mangione himself, the audio for \u003c\/span\u003e\u003ci\u003eDiana In The Autumn Wind\u003c\/i\u003e\u003cspan\u003e has been carefully remastered by Be With regular \u003c\/span\u003e\u003cb\u003eSimon Francis\u003c\/b\u003e\u003cspan\u003e, with a few much-needed tweaks here and there, according to the artist's wishes. 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These edits do not alter the substance of the works; rather, they refine their temporal focus, revealing their emotional force with renewed clarity. Conceived in parallel with \u003c\/span\u003e\u003ci\u003eFigures of Glass\u003c\/i\u003e\u003cspan\u003e, a hybrid project developed with visual arts collective Scale, the release extends a dialogue between piano and light, sound and space. Between piano and light, Vanessa Wagner interprets Glass's \u003c\/span\u003e\u003ci\u003eÉtudes\u003c\/i\u003e\u003cspan\u003e at the heart of a scenographic installation, exploring the visual imagination embedded in the composer's music. Minimal structures become spatial gestures; repetition opens onto perception, color, and resonance. Taken together, these edits form a coherent arc through Glass's language: from tension and propulsion to suspension and introspection, from rhythmic urgency to contemplative stillness. Wagner's approach is marked by precision, restraint, and a deep attention to resonance, allowing each piece to unfold with an assumed expressive sobriety. 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Their sophomore LP, \"Jaraguá,\" highlights the group's dedication and resistance to keep pushing many boundaries while paying respect to the generation that came before them. Blending the sounds of early 70s Funk \u0026amp; Soul, Latin-Jazz, and Afrobeat, Mestizo Beat takes musicianship and production to their highest level, offering a complete package of masterfully crafted recordings and original compositions into a brand new, hot off the press, 12\" LP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEntirely self-produced and written by Aquiles 'Lito' Magaña and Agustin 'Gus' Magaña (The Magaña Brothers) along with core group members Jose Castro, Pedro Flores \u0026amp; chief horn arranger Jesse Audelo. The band has also enlisted a diverse array of additional skilled players to enhance the sonic elements required of each track. Contributions from other band members Doug Organ, Fabio De Souza and Max O'Leary as well as collaborations with horn player Jason Cressey and featured vocalist Jamie Allensworth, have transformed this LP into the embodiment of Mestizo Beat's vision. A true collective of musicians, all united by the common goal of delivering high-quality funk music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the cinematic opening of the title track 'Jaraguá' and the Blaxploitation-inspired single 'She's A Rose' to the groove-centric cuts like 'The Jaguar' and 'Black Bag,' Mestizo Beat's musical exploration knows no bounds. Venturing further with soulful burners like 'The Jaguar' and 'Two Eleven,' the group unleashes their full potential on 'II The Deepcyde,' featuring the renowned guest vocalist Jamie Allensworth. The album is rounded off with the Nigerian disco-funk inspired 'Lotsapoppa' and a foray into the Cumbia genre with 'Cumbia de Jaraguá,' all offering a diverse and exhilarating musical journey. Recorded and produced at the band's hillside Topanga, CA studio, SPC 166, each song showcases the unique talents of the ensemble. 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The core duo, comprising Addison Rifkind on guitar and Michael Duffy on drums, is joined by Nestor Del Prado on upright bass, bringing a fresh twist to the works of these legendary artists, both within and beyond the realm of soul jazz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the straightforward version of Boogaloo Joe Jones' \"No Way\" to the more energetic rendition of \"Gatur Bait,\" by the lesser-known New Orleans funk group The Gaturs, Fat Produce elevates their sound to the next level with a variety of skillfully crafted arrangements. With Rifkind's ability to capture the melodic elements onto guitar as on Isaac Hayes \"Hung Up On My Baby\" and adapting Toots' vocal on \"54-46 Was My Number,\" to Duffy's creative interpretations, yet staying true to the pocket, on the mash-up \"90% of Me Is You\/Bam Bam\" and soul jazz classic \"Texas Twister\" by Melvin Sparks, \"Soulful Days\" is expertly arranged for listeners to enjoy again and again. 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Led by guitarist Addison Rifkind (The Soul Vaccinators) and drummer Michael Duffy (The White Blinds, Jungle Fire), this duo is joined by world-renowned bass player Rene Camacho (Poncho Sanchez, War) to bring you 14 all-new and original soul jazz instrumental cuts that's a guaranteed head-nodder from start to finish.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen Rifkind and Duffy first met on a gig with organist Adam Scone (Scone Cash Players), both felt an instant chemistry musically, and the seeds of Fat Produce were born. In sharing their passion for classic soul jazz, in addition to funk and hip-hop, Rifkind and Duffy started to dive in, taking the idea of a guitar trio to new heights unlike anything you've heard before. After a year of playing gigs and honing their craft, both descended back to their hometown of Los Angeles, CA, to meet up with Rene Camacho and spend two days recording at The F-Spot HQ under the helm of producer and label owner David M Celia. 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