{"title":"VJ Selects #3","description":null,"products":[{"product_id":"tornado-t-lp","title":"Toni Tornado","description":"\u003cp\u003e\u003cspan\u003eOriginally released in 1972, \u003c\/span\u003e\u003cb\u003eToni Tornado\u003c\/b\u003e\u003cspan\u003e's self-titled debut is a landmark in Brazilian soul and funk -- a gritty, groovy record that helped define the sound of the Black Rio movement. Blending deep soul, psychedelic funk, and bold orchestration, this album channels the revolutionary energy of \u003c\/span\u003e\u003cb\u003eJames Brown\u003c\/b\u003e\u003cspan\u003e with the tropical swagger of Rio's streets. From the urgent rhythms of \"Torniente\" to the undeniable strut of \"Mané Beleza\" and \"Tornado,\" Toni's music pulses with a fierce sense of pride and liberation. It's the sound of a new cultural identity taking shape -- where African-American soul met Afro-Brazilian reality. Often compared to the legendary \u003c\/span\u003e\u003cb\u003eTim Maia\u003c\/b\u003e\u003cspan\u003e, Tornado brought his own explosive edge to Brazil's growing soul scene. By the 1970s, other Brazilian musicians, such as \u003c\/span\u003e\u003cb\u003eBanda Black Rio\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCassiano\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGerson King Combo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJorge Ben\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eGilberto Gil\u003c\/b\u003e\u003cspan\u003e, began making soul records. DJs started throwing soul-only parties. Toni Tornado's voice carries grit and passion, his grooves hit hard, and his message is crystal clear -- Black is beautiful, and the funk is real. Back on vinyl for a new generation, this reissue is more than a collector's gem -- it's a time capsule from an era when music moved bodies and minds. Essential listening for fans of vintage soul, global funk, and revolutionary sounds. Reissue on 180g vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":52697656197399,"sku":"VAMPI 339LP","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/ToniTornado.jpg?v=1776743531"},{"product_id":"universal-beings-ia11-edition","title":"Universal Beings (IA11 Edition)","description":"\u003cp\u003e\u003cspan\u003eThe 2018 release of Universal Beings, in many ways, feels like the moment that the dam broke for both Makaya McCraven and International Anthem. On one hand, it's a four-sided communal showcase of the inter-city exchange that had started to develop in the “new jazz” hubs, collecting group improvisations from New York, London, Chicago, and Los Angeles. On the other, it is an editing and post-production masterclass – the MVP of McCraven’s “organic beat music” concept – and a landmark moment where his cut-splice-reassembly chops shine as brightly as the players themselves.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe musicians on the album were a combined who’s-who and who’s-gonna-be-who of their respective scenes: Brandee Younger (harp), Joel Ross (vibraphone), Tomeka Reid (cello), Dezron Douglas (double bass), Shabaka Hutchings (tenor saxophone), Junius Paul (double bass), Nubya Garcia (tenor saxophone), Ashley Henry (Rhodes piano), Daniel Casimir (double bass), Josh Johnson (alto saxophone), Miguel Atwood-Ferguson (violin), Jeff Parker (guitar), Anna Butterss (double bass), and Carlos Niño (percussion). In our original press release, we called it “an inspiring display of the organic global inter-connectedness of the Black American music tradition in 2018.” Not in the press release, in our off-the-record conversations at the time, we said it was ‘like Dr. Dre’s The Chronic, but for jazz’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe IA11 Edition of Universal Beings comes on classic black 140-gram vinyl 2xLP inside a heavyweight reverse-board jacket, with a 16-page 11x11\" insert booklet (with unpublished photos and four conversations between IARC co-founder Scott McNiece and musicians Joel Ross, Junius Paul, Nubia Garcia, and Anna Butterss), IARC 2025 obi strip and printed poly-lined printed inner-sleeve. Pressed at Pallas in Germany, with lacquers cut by Daniel K at SST.\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":53443261530391,"sku":"IARC-0022X","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/UniversalBeings_1.jpg?v=1776726177"},{"product_id":"the-bombillas","title":"The Bombillas","description":"\u003cp\u003e\u003cspan\u003eInspired by the global funk sounds that came out of Africa and the Middle East in the 1970s, The Bombillas offer their unique take while forging a sound that is distinctly their own. This Los Angeles quartet’s s debut LP utilizes vintage keyboards, lap steel, drums, bass, and guitar that come together in a melting pot of instrumental grooves and sonic colors. This LP Features seven original compositions and two covers. One being the Ethiopian classic “Sintayehu” by Hailu Mergia, and the other, a newly rediscovered diggers' favorite, “Dance of Maria” by Elias Rahbani, arranged with some surprises not found in the original, keeping in line with The Bombillas' fresh approach to past inspirations.\u003c\/span\u003e\u003c\/p\u003e","brand":"F-Spot Records","offers":[{"title":"Default Title","offer_id":53442474475799,"sku":"FSPT-2002","price":20.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/Bombillas.webp?v=1779915612"},{"product_id":"blast-furnace","title":"Blast Furnace!","description":"\u003cp\u003eThe Hammond Organ is lead singer on this soulful and orchestral journey about industrial decay and the death of the steel town. Deep from the rusted steel mills of Youngstown Ohio, we bring you the melting debut of the Scone Cash Players. It's the same organist that brought you the screaming organ on all those Daptone favorites from The Sugarman Three. Scone was behind that organ bench on the modern classics as follows. \"Sugar's Boogaloo”, “Soul Donkey”, “Pure Cane Sugar\", and \"What the World Needs Now.\"\u003c\/p\u003e\n\u003cp\u003eAdam Scone entered the studio on Dunham Street in Brooklyn. He was wearing a blue Adidas jump suit. The studio had just opened. At the helm were his old compadres from The Dap-Kings. Namely Thomas Brenneck, Eric Kalb, Homer Steinweiss and lan Hendrickson-Smith. They make up the \"Bliss Machine\" behind Scones's groove. It was a truly rare moment to catch these masters of music and taste in between tours of Sharon Jones and Charles Bradley. \u003cbr\u003e\u003cbr\u003eTommy put the mics around. Scone powered up the organ. The analog tape machine turned and turned until they couldn't turn any more. These songs were recorded. We worked all day and all night. Tears were shed. Espresso was made. There was beer on tap. 3 days of life were taken to make this album. We will never get them back. They were distilled to 40 minutes of pure emotion. It's a tale of woe. It's a tale of leaving art for responsibility. It's a farewell to an era. It's a journey that the Hammond B3 organ wasn't accustomed to. You can't compare this album to any other organ record. Don't expect to hear what you want. Free your mind. Be open. Your world is going to feel the heat of the BLAST FURNACE! It never quite feels how you want it to. Don't get burned...\u003c\/p\u003e","brand":"Colemine Records","offers":[{"title":"Black","offer_id":54197084848407,"sku":"CLMN-12049","price":24.99,"currency_code":"USD","in_stock":true},{"title":"Blast Furnace Red","offer_id":54197084881175,"sku":"CLMN-12049","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/BlastFurnace.webp?v=1779913086"},{"product_id":"jazzzzz","title":"Jazzzzz","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded by Radio Canada International in 1969, Lee Gagnon's third album is a collection of five original forward-looking modern jazz themes. In addition to Montreal scene stalwarts Michel Donato and Richard Provençal, sax man Gagnon is accompanied here by trumpeter\/composer Ron Proby and legendary guitarist Sonny Greenwich.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA missing classic of Quebec jazz, waiting to be rediscovered!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEnregistré pour Radio Canada International en 1969, le troisième album de Lee Gagnon réunit cinq pièces originales de jazz moderne et dynamique. En plus des incontournables Michel Donato et Richard Provençal, le saxophoniste y est entouré du trompettiste et compositeur Ron Proby et du légendaire Sonny Greenwich à la guitare.\u003cbr\u003eUn classique du jazz québécois à redécouvrir de toute urgence!\u003c\/span\u003e\u003c\/p\u003e","brand":"RTA","offers":[{"title":"Default Title","offer_id":53540900012311,"sku":"RTA-033","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/6983\/6055\/files\/WEB_LEEgagnon_copy.webp?v=1781553957"},{"product_id":"cumbion-planetario","title":"Cumbión Planetario","description":"\u003cp\u003e\u003cspan\u003eRizomagic weave Colombian tropical traditions with soundscape textures and electronic processes, drawing on cosmic tuning principles and the pitched down groove of Monterrey's Cumbia Rebajada scene. 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The interesting thing is, while they are one of the great wonders in the history of planet earth and attract scientists of all kinds of disciplines, they have also been a popular retreat for artists and musicians. You will have heard of Topanga Canyon, Rickie Lee Jones and Chicago recorded here. Laurel Canyon is even more well known, a mythical place where Crosby, Stills \u0026amp; Nash developed their unique vocal sound while hanging around Mama Cass' place. Or was it in Joni Mitchell's house on Lookout Mountain? Ok, you get the picture. There is something unexplainable, almost magical going on in canyons.\u003cbr\u003e\u003cbr\u003eMaybe that's why Andy Platts and Shawn Lee were thinking of \"Canyons\" when they wrote and recorded their third album as Young Gun Silver Fox. With \"West End Coast\" and \"AM Waves\" these two very talented musicians, singers, songwriters, arrangers and producers already explored all things West coast, AOR, Soft rock and Boogie. But - especially if you are a into the golden age of this sound running from circa 1976 to 1984 - you will be aware that there is no return once you started digging these unconditional musical delights with their timeless compositions, untouchable musicianship and refined arrangements. The great albums from that era appeared when punk broke and the musical establishment was shaken to the ground. Today they sound more up to date than ever. Who would have thought back then?\u003cbr\u003e\u003cbr\u003eOn \"Canyons\" Young Gun Silver Fox turned it up to eleven. They are nothing but \"Kids\" cruising in the fast lane, totally over the top searching for the \"Dream Woman\", touching down in Tokyo caught in a \"Long Distance Love Affair\", imagining the theme for a lost 70s TV series starring \"Danny Jamaica\", being on the winning side in a \"Private Paradise\", getting deep and soulful in \"Things We Left Unsaid\" and wondering how to spread \"All This Love\". Their bass lines, sound layers, brass arrangements and harmony vocals are immaculate. Everything fits perfectly. Just like this. \"Who Needs Words\" when everything is crystal clear? 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Hanzo - Rise\u003cbr\u003e2. Gas Lab - Cocoon\u003cbr\u003e3. DDDDEEEELLLLAAA - Reminiscent\u003cbr\u003e4. Fonetik Simbol - Take It Easy (Yao Yao)\u003cbr\u003e5. Kaspahauser - Mushroom Samba\u003cbr\u003e6. Gas Lab \u0026amp; Wezt Maad - El Cabo\u003cbr\u003e7. Kazumi Kaneda - Meganeura\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e8. Gas Lab \u0026amp; Ted Taforo - Pelicanos\u003cbr\u003e9. Oh My - Frustra\u003cbr\u003e10. Gas Lab - Yo!\u003cbr\u003e11. Palefingaz - Fractal\u003cbr\u003e12. Wezt Maad - Costa\u003cbr\u003e13. Gas Lab \u0026amp; Kaspahauser - Amapolas\u003cbr\u003e14. 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Where Motown aimed for polish and crossover appeal, Funkadelic dove headfirst into distortion, improvisation, and spiritual ambiguity, offering a sound as gritty and unpredictable as the era itself. Backed by a ferocious young band — including Eddie Hazel, Billy Bass Nelson, Tawl Ross, Tiki Fulwood, and Mickey Atkins — the album rejected convention in favor of raw groove and existential noise.\u003c\/p\u003e\n\u003cp\u003eAs part of Org Music’s\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/orgmusic.com\/collections\/westbound-records\" target=\"_blank\"\u003eWestbound Records reissue series\u003c\/a\u003e, this edition restores the album’s full cosmic impact across multiple formats. The\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eall analog double LP\u003c\/strong\u003e, mastered at 45RPM directly from tape by Dave Gardner at DSG Mastering, offers the highest fidelity to date. Gardner and restoration specialist Catherine Vericolli archived and restored the original master tapes at 54 Sound Studios in Ferndale, Michigan, with assistance from in-house engineer Nick King. Read more about that process\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/orgmusic.com\/pages\/a-note-from-the-archivist\" target=\"_blank\"\u003ehere\u003c\/a\u003e.  A single LP edition, cut from high-resolution tape transfers, is also available, alongside CD, cassette, and digital (streaming) formats.\u003c\/p\u003e\n\u003cp\u003eThe release will be distributed worldwide.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Mommy, What’s a Funkadelic?\u003cbr\u003e2. I Bet You\u003cbr\u003e3. Music For My Mother\u003cbr\u003e4. I Got a Thing, You Got a Thing, Everybody’s Got a Thing\u003cbr\u003e5. Good Old Music\u003cbr\u003e6. Qualify \u0026amp; Satisfy\u003cbr\u003e7. 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